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In stores on may 16th 2018.
Thanks for the answer.
I'm not excited about this title in the slightest and won't rush into getting the rest of the copies. I'll get a collected edition of the title sometime later this year... or maybe wait even more till it gets a special offer.
It's not a Bond story in the slightest, and it's filled with all this millenial guilt about colonialism and whatnot, and at the end Bond comes across as a dumbass too.
So either way you want to look at it, it does not work, not as a Bond story and not as a clever comic by itself.
I liked issue #1 and i look forward to #3, for now i look at 2 as a slip up.
Not sure but i think thats not the case, his name is on the cover that is released so far, but if you check the Dynamite homepage, it says that Lobosco will do #3. I think they will follow through with having a different Artist for each issue.
Ronald Regan?
Yupp, thats all you get. Just a lot of talking that has very little, if anything to do with Bond being Bond.
I sincerely hope so. I'm not a fan of his work and I'd rather not see him do Bond, again.
Aye Vinny, get a drink for Jimmy "The Walther" Bond ova here!
From what I understand with the chronology, the events are set between 1941 and 1945 when Bond joins the Ministry of Defence and is drafted to RNVR. It's supposed to be an adequately intact prequel to Fleming's original timeline. Now, whether they even would try and incorporate the events taken place in the Young Bond novels or not, that is also in question.
Could Dynamite be holding off the release of CR so that they can first debut the beginning issues of the wartime comics as a lead-in to CR? In the book Bond does make mention of many wartime jobs he had, and how cool would it be if the first wartime comic adapted that mission involving gambling that Bond mentions early in the first book?
Personally, I think it'd be nice if these prequel comics connect both the Young Bond chronicles and Anthony Horowitz's Forever And A Day, which would be terrific rather than keeping them in alternate/separate continuities.
from what i gathered from the artist interviews, IFP is heavily involved in making sure the conntinuity and the character are intact in all those works (CR, FAAD, etc) so i hope it will all connect, or at least make sense overall.
I personally don't care, either way. Horowitz seems okay, but Fleming is the only authority worth reading on Bond and anything else is glorified fan fiction in my eyes. As for Young Bond, I don't like the stretched credibility of Bond having all these crazy adventures as a lad to foreshadow all the crazy things he does as an adult. Part of what makes the Fleming books interesting is how you gradually see Bond shocked and shaken by what he sees and must do to survive his villains, implying that he's not used to such bizarre and dangerous conflicts up to CR. It doesn't then make much sense to believe that he'd had adventures as a kid too that acquainted him with danger and other elements.