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Here’s hoping, my friend. What close ties do you mean, btw?
Leonardo and Fifteen Love are both Amazon productions, starring our main man
Again, here's hoping! :)
So what? I have voiced ambition to be the first Quebecois actor to play Bond. But after 25 years in the UK, I still can't get the accent right, so...
I really don't know at this point. Someone like Callum Turner was a pick of mine in the past, and I can see him being very good/a logical fit. That's who I'd have bet on if I had to. But obviously at the moment we're really in uncharted waters, it depends on auditions, and I think the truth has always been there are so many potentials for Bond at a given time. I hope they find a good Bond though. It can't just be someone 'good enough' or a candidate who gets coronated due to popularity.
It's possible Broccoli would have continued if she found the ideal actor to play Bond but she didn't or perhaps she had no more enthusiasm to look. The motivation to recast and start a new era of Bond was gone.
The article says she was continuing to look and interview candidates.
They hadn't found anyone that they thought was appropriate enough though.
Assuming that's an accurate quote, Deadline doesn't mention the source, Eon hadn't found their "no-brainer Bond." Had they found such an actor "then it might be a different situation."
I think that's another major reason why Eon gave up. No actor that ticked enough boxes to give Barbara Broccoli enough confidence to continue producing. I'm not saying I agree with the comments quoted in Deadline's article but if Eon weren't convinced by the likes of Aaron Taylor-Johnson, Theo James, James Norton, Cavill, Elba, Hiddleston etc then it's understandable why Eon's bargaining position with Amazon was not great. Broccoli may have been disillusioned with the casting process.
Based on her interviews since 2021, I never got the impression she was that excited to recast and reboot the franchise. That's just the vibe I got but I was surprised by yesterday's news. I thought she'd carry for a few more years and produce Bond 26. If she has major issues with Amazon then stay and try to resolve them. But she didn't want to and that's her personal choice and we have to accept it.
Have you seen his streaming show, The Agency ? It's great, and him, too, but his face is much more lined now. Mind you - very handsome; I should be so fortunate. But...
Which immediatly brings up the question: What if the spin-off is better than the main series? Do you really want to create your own competition and let whatever 30ish actor you pick as the standard-bearer - as THE James Bond - have to go up against Fassbender inside your own franchise? Does that mean you'll intentionally have to make the 005 project worse in order to make sure it doesn't kneecap the main films?
Absolutely. I personally hope that this will kind of create an open season for spy films and maybe a second golden age, where different studios think "They may have the name, but other than that, there's nothing we can't do better" and actually try to get some of those guys for their own franchises.
Just like I've long said that even if there'll be no official Paloma sequel (well, that's back on the menu, I guess) some other studio should just get Ana de Armas for a film about a Cuban-American CIA agent who likes a drink and who's mentor may or may not have been killed on a boat off the coast of Santiago de Chile after she exfiltrated an asset with the help of an aging British spy.
I'll add a couple of other objections:
-How do you make these other 00s distinct from Bond yet relevant to the Bond universe as a whole? From conception it has always been very Bond-centrist, with classic tropes stemming from the character.
-Why use plot ideas for these spin-offs instead of, well, the core franchise?
-What about budgets, creative teams, continuity? They risk stretching themselves thin in so many ways.
Fair points, great writing will get you far. Other 00s need their own characteristics to be memorable and identifiable with their own backgrounds and journies. Enough room (as with Bond and M in SF) to have friction on the surface but respect underneath. As for plots, I dont think we need a bad guy looking for World domination every time. And plots can be connected with back stories of agents or exploiting their own strengths. Standalone missions with the ocasional "cross over" could work. I keep seeing reference to the "Bond universe" and I get that but I think it will change to the "MI6 universe". It's allways been there since the books, just never explored.
That would make a lot of sense. I think he'd be the right kind of pick to usher in a new era of younger Bond fans without alienating the traditionalists. If he wasn't already doing The Gentlemen it would've been fascinating to see Guy Ritchie be the "creative director" of sorts for the new Bond-universe. I wouldn't be surprised at all if they went went with Matthew Vaughn instead.
I'd love Theo James as Bond. And I'd love it if Guy Ritchie had some sort of say, but no Matthew Vaughn, please. Argyle was as cringeworthy as it gets.