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01) 41 POINTS: "Night At The Opera" (QOS)
02) 36 POINTS: "Snow Business" (TWINE)
03) 32 POINTS: "Solange" (CR)
02) 23 POINTS: "Shanghai Drive" (SF)
Round #3 --> "Flight Into Space" (MR) vs. "Following The Diamonds" (DAF)
Two very delicate, rather long, but very fulfilling "concert" pieces, that really enhance the locale/location of the films. They both have a sense of mystery
Please use this format when you're ready to post our score:
--> name title track A vs. name title track B
--> 3 - 1
--> 1 - 3
--> 2 - 2
It makes it easier to sum up the scores.
Anyway, here are the tracks:
Possibly John Barry's finest theme ever written. It's majestic and heavenly. It's a journey that's best shared with someone. You can easily picture the rockets launching into space to this epic music. 3-1 Hands down.
Following the Diamonds:
A song with a great intro and closing but it's very slow to get anywhere in between. It's a fine track but nowhere near Barry's best work.
Flight into space wins.
I love Following the Diamonds but FIS is simply magic. This track not only sends me into space, it sends me to heaven.
One of Barry's finest pieces. Majestic, ominous, grand, it's the work of a genius. When I listen to it, it immediately evokes an image of space.
Following the Diamonds is nice, but there really is no competition for me.
It is vintage Barry, and I expect a resounding victory!
I really enjoy both tracks and they are vintage Barry.
The Moonraker scene, due to the silence when it is played and the strong visuals on the screen is probably more iconic. It captures the mood perfectly, and demonstrates why John Barry is one of the greats. For anyone who has seen Interstellar, Zimmer did an exceptional score for that movie, but it is very noisy to create tension/drama. Barry here does not need to do that.....he doesn't need the overuse of organs or drama. It's simple but very evocative of space and very poignant. That's why this one has the edge for me.
I like 'Following the Diamonds' because it has that shiny cutting sound that characterized the soundtrack - Barry attempting to creating something diamond-like. The tune has a lot of variation in it as well but draws heavily from the title track, in a good way. It's probably more spy-like than 'Flight into Space', but the iconography of the scene in Moonraker gives that one the win here.
It might have been more appropriate to compare 'Flight into Space' with 'Capsule in Space' from YOLT as they were both similar scenes.
It's an absolute eargasm, if you pardon my language. Mere words cannot do it justice so I will give no further explanation. Following The Diamonds is no slouch though. Both scores elevated their respective films to arguably unwarranted heights. I was once again reminded of Barry's mastery after listening to these.
In the words of Belloq from Raiders of the Lost Ark:
"It's beeeautifulll"
The whole MR soundtrack is pure Barry magic!
Diamonds Are Forever and Moonraker both hold the same special place for me. I don't enjoy them quite as much as my favorites from Barry (YOLT, OHMSS, AVTAK), but they are both tremendous scores full of incredible music. "Following the Diamonds" really is a great track, but "Flight into Space" is something of a masterpiece.
But if you solely listen to the tracks and take the movie completely away from the music, I would have to go with Moonraker - Flight Into Space. It's a majestic piece that holds your ear throughout the entire track. Great brass and string melodies that intertwine perfectly.
3-1 Flight Into Space
1978, "Star Crash":
1979, "The Black Hole":
Can you hear the similarities ;-)?
This link works fine for me.
I love the Diamonds score too, far more than the movie deserved, but Flight Into Space is simply amazing and is rightly held up as one of Barry's showstopping pieces. A powerhouse.