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LTK was influenced by much more than TV shows. Kurosawa's excellent Yojimbo for example was one of the main sources of inspiration.
If we're looking for boring films in the franchise, the search begins and ends with Spectre.
Because that one has become a conversation on why we shouldn’t be talking about the films at all! :D
100%. LTK seems like one of this forum's "beloved entries", and opinions against it will be attacked from every angle. ;)
I don't find FYEO or LTK boring; that honour goes to Octopussy. I know it has it's fans and I'm sure it's fine in some regards, but it simply objectively makes me go to sleep.
There is a difference between criticising a gilm and calling it "an embarrassment" and "waste of time and money". Such scathing comments are likely to be attacked regardless of which film it is. It doesn't help that the justification was questionable at best and appeared not very fleshed out or thought through.
I completely disagree that LTK is boring. I remember being enchanted in 1989 by all the Fleming--and dark Fleming at that--I was seeing onscreen. That wouldn't happen again until 2006--a long 17 years.
OP said LTK was boring, and someone replied with “why don’t you put that in the LTK thread”, that’s all I was responding to. It was a dumb response.
Well that was rude of Octopussy to say that. We can't all have circuses and vine-swinging and crocodile submarines.
I love OP, and I agree with you. They could trim some of the Monsoon Palace shenanigans, and the train scenes. But I'd hate to lose the Barry score here, arguably his last great Bond score.
I think FYEO is more boring than OP...and honestly, a lot of it comes down to the score. As one example, I think Barry could have done a much better job with the ski jump sequence, and going up that elevator would not have seemed quite so interminable.
:)) :))
I think that bit of music is very effectively tense. I love Barry music, he would have made it all feel terribly dangerous and important, which is the strength of his 80s Bond music, but I don't think he'd have made it seem as exciting and punchy as Conti does. It's just so energetic in a way that Barry couldn't really muster anymore by then.
I'm increasingly of the opinion that FYEO has the best ever gunbarrel for example. I'm not musical, but I think it actually has a key change in it, doesn't it? It's brilliant! :)
The FYEO gunbarrel is one of my favourites. It's really punchy 👍
While I'm not "into" the whole Kardashian thing, Kendall Jenner is such a beautiful woman, I'm always happy to see her on screen. I wish she'd be willing to try acting. ;-)
But the point is well-taken about FYEO. The action sequences are amazing but the novelty wears off after a while. There is something about the story itself that is slack--and they kind of lose the thread of Melina's revenge (unlike, say, LTK). Compare it to OP, which has a much more involving story despite being sillier. (Even when Bond is climbing around the Monsoon Palace and Magda uses her hairdryer, it works. Glen's storytelling is more confident in his second film.)
Off topic, Monsoon Palace is an odd name although that's the real-life name.
Casino Royale 67
Never Say Never Again
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Diamonds Are Forever
The Man With The Golden Gun
A View To A Kill
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The World Is Not Enough
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For Your Eyes Only
As for FYEO, I think it's an absolute blast. This one just has it all: aerial stunts, car chase, ski chase, underwater action and even mountain climbing. What's boring about that?
FYEO is plain vanilla with nothing