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Comments
I sometimes think the Broccolis just turned up to sign the cheques on DAD....
I think the "charm" of MR lies in Barry's scores:
Whilst there are some good bits to Arnold's DAD score (the Bond/Monneypenny embrace) nothing comes close to Barry's epic, eternal "Flight into Space"
But the films that suffer from the second half syndrome the worst are Moonraker, Octopussy, Tomorrow Never Dies, The World Is Not Enough and Die Another Day.
Octopussy is a classic Bond film seriously shaken up by hot air balloons and George of the Jungle sound effects. OP is still remains solid, but could have been so much better without those elements.
I think the first half of Tomorrow Never Dies is great, while the second half cops out and navigates towards the barrage of bullets technique. As a shoot 'em up affair, it's as good as it can get...but I expect more out of Bond. Once again, TND is solid, but could've been better provided a stronger second half.
The World Is Not Enough is the same way. Up to the scene where Brosnan out runs an explosion on a chain pull (!), TWINE was actually strong. But melodrama and Denise Richards screw the second half all up.
But yes, MR and DAD really hurt from the second half syndrome. And I feel really bad for Moonraker considering how damn good the first half was! Like Top 5 Bond film good! Sigh.
for me, it has a decent opening, and middle, but falls apart at the end like a rotting jack-o-lantern..... for me, the biggest issue is that it's The Spy Who Loved Me v.2 ..... or better yet - Moonraker was to The Spy Who Loved Me, as Windows Vista was to Windows XP..... it took everything that was good and great about TSWLM, and tried to make it bigger and better... but it failed.
MR is never less than entertaining throughout and just seems to carry off all its preposterousness with more panache - and to be fair is TSWLM that much less far fetched than MR? An underwater lab that rises out of the sea, a tanker that swallows submarines, a car than turns into a sub? Space shuttles were actually built but none of this lot was. Cant agree with this comment about OP. It veers off course with the jungle chase and some of the scenes in India but once we get to Germany it is top notch.
You're right in the fact that the bomb countdown thing was one of the most exciting sequences in a Bond film, period. So, instead of saying OP's second half, I'll go with its climax instead (after the bomb is defused). OP's second half is mostly solid, with the exception of the lame climax (hot air balloon and all).
not to mention the part in the PTS was absolutely ludicrous - a couple of Drax thugs just hop in the shuttle, hijack it in mid transport, and simply fly it away like a regular plane?? - sorry, but that's not possible with a space shuttle...... Drax's plot hole of an excuse to steal it back was even better, "I needed it." ......really...... could've just built another.... sure it would've set back his plans by a short while - but it's better than having 007 on your case.... not to mention he did himself no favors by first meeting Bond, then having his body guard start abusing him - cause that clearly doesn't make him look guilty at all...... i like Drax as a villain, but he may have been the most stupid out of them all...... at least Stromberg waited for confirmation from Jaws, before he dispatched his goons. the object was to have the planet's surface so decimated by nuclear war, that any remaining survivors would be forced to take refuge under the sea - in habitats that Stromberg would have created..
TSWLM, while implausible (yet more believable than MR), kept a wit and charm about it from start to finish, and had some spectacular action sequences... the PTS, the Lotus chase (both above and below the sea).. the battle aboard the Liparus... MR really didn't have much of anything that TSWLM didn't do better... the only exception was the boat chase on the amazon... other than that, the film sort of "ho-hums" along at a meandering pace....... not to mention had far more - FAR MORE dumb moments, ie: Jaws being turned into a big dumb idiot, the double taking pigeon, the hover gondola, jaws' tin shaft...... sorry folks, but too slow, and too dumb of a movie to be ranked above TSWLM.
there is a reason why Moonraker is ranked at #20 on my Bond list - only films worse are AVTAK and DAD.
.... that is what becoming a filmmaker does to you lol.
i will say this about MR though.... put up against DAD, i would watch MR 5,000 times before considering watching DAD lol.
Well, lets put it this way..... i was scarred by Moonraker before i knew i wanted to get into film lol.... because there are movies i know how to switch my brain off to and enjoy - ie: Transformers...... but my problems with Moonraker run deeper than just looking at it through the eyes of a filmmaker at this point lol.
1.YOLT
2.MR
3.DAD
Ironic, huh?
2. DAD
3. MR
I'm particularly fond of the sequence in the Amazon jungle from the start of the speedboat chase, thru Bond's being lured to the pyramid, the appearance of Drax's girls, Bond's falling into the water and battling the python and Jaws' reappearance. All a combination of picture and sound with no words, just pure cinema. My favorite 7 minutes of not just MR but the entire Moore era. Interesting to see DAD higher than MR, Major. Could you elaborate on this please?
honestly, IMO - the only comparison between those films that should ever be made is that they were both #4 for their respected actors...... that's about where i choose to end the similarities lol..
sure Moonraker was a box office smash.... but so was Die Another Day............ your point?
But - you cant not enjoy yourself when Rog is having a whale of a time. And that whale is an altogether bigger fish in MR than it is TSWLM. Hoist by your own petard. If you admit you can watch the lamentable Transformers and enjoy it then you lose all your rights in commenting about switching your brain off. At most cinemas youre not allowed into a Michael Bay film unless you first hand you brain in at the door.
And despite being only a member of the public rather than a 'filmmaker' I can tell you that MR hits Transformers out of the park on every level. You can say what you like about the stupid moments and the outlandish plot but MR is a quality piece of film making with every department putting in a quality shift. Drax could just have sent up the radar jamming system on a satellite and then built the space station around it. The 30 or 40 other launches needed to complete it could have easily been passed off as commercial satellites.
'in habitats Stomberg would have created'? After the world has been decimated? So how does that work then? I think you'll find the delivery dates might slip a bit for your tons of tubular steel and perspex helicopter domes Karl seeing as everyone on the planet is dead.
We can go on back and forth all night like this if you want. Both films are preposterous and over the top, but not without a resaonable grounding in science. Which is more than YOLT with its total disregard for astronautics. I would say neither of them has many Fleming-esque moments but as pure entertainment (which you have to accept is all a lot of Bond films are) MR shades it.
To it's credit MR does have a plot. I wish I could comment on Transformers, but I have not seen the films. But everything I've read has said they are all devoid of any story and are basically a giant special effects real with explosions and loud crashing noises. Obviously I can't judge having not seen the films myself, but if that is the case, I would rather just go see fireworks, or drive down the Vegas strip, or hell, just look at the stars at night.
By saying I should enjoy MR for what it is, then why isn't the same logic applied to DAD? - afterall, we should just switch our brains off and enjoy it right?