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Comments
That'd work for ME.
No doubt he would have learned from his experience on QoS. This time have Stuart Baird edit.
Absolutely!
--On a previous page is said Skyfall had box office $248 million (or 248 million USD, if you prefer). It was $304.4 million (or $304.36 million to be more precise).
--Deadline: Hollywood. It also said last fall the MGM-Annapurna joint venture was "thisclose" to being named as the U.S. distributor for Bond 25. The joint venture did get it, but it wasn't announced until May 25, 2018. On the other hand, it reported the whole Boyle-and-Hodge-pitched-an-idea-everyone-was-excited-about story. That, more or less was confirmed in the same May 25 release. It has its ups and downs.
We'll see.
Film contracts don't really mean much. So many actors are contracted for films and in many cases are never fulfilled, especially when signing on for multiple picture deals.
Just wondering if anyone has news about David Arnold, because he'd worked with Boyle before and also worked without him as well.
Looking forward to any official announcement, sure. I like David Arnold, and I'd be happy for him to involved in some way.
“They won’t let me go, and I’ve agreed to do a couple more, but let’s see how this one does, because business is business and if the s#!^ goes down, I’ve got a contract that somebody will happily wipe their a$$ with,"
YES!!
We could be looking at a Peter Morgan Once Upon a Spy/SF situation where the core idea is kept but almost everything else is changed.
Yep. Precisely.
The only people that can confirm
Anything is EON
I'll wait for news from them.
Certainly no need to get overly worked up over ifs and maybe.
Looks like he never wants to be relevant again.
At the Q&A session I attended, Babs said she invited Marc Forster back but he said no....Marc Forster looked at her and said "did you, really?" but in a joking/loving way.
They were obviously still close a whole year after QoS was released and just as happy to hear many fans appreciate it.
Mike Newell - he's older but he has done some of the finer Harry Potter films - within the confines of a formula. He's also responsible for Donnie Brasco which contains multiple excellent examples of tension, suspense, dramatic performances with a well cast ensemble group and a late career high for Al Pacino.
David Yates - admittedly he's in post production on Fantastic Beasts sequel - but has delivered big budget films for an established franchise - all of which have been hugely successful at the box office.
Jonathan Glazer - my left field choice - he had an amazing debut with Sexy Beast and his last film was a curious sci-fi with Scarlett Johansen - Under The Skin. Although there are downsides to his potential employment - He is more of an auteur and not used to anything on this budget scale.
Newell and Yates are the British equivalent of a Ron Howard to me - they can deliver big budget films on time and to a high level.
https://uk.movies.yahoo.com/open-another-bondampquot-says-christopher-robin-director-marc-forster-100214395.html
The other Craig films don't have much rewatch value for me mainly because they're so over long with tedious drawn out action sequences. Even CR is weighed down by the endless Miami airport sequence.
I wrote that Skyfall earned $248 million in the US in the first 26 days of its release.
Making a Bond film especially these days doesn't exactly make you relevant and if it does, ones relevance lasts what, 5 minutes?
He did only 1 Harry Potter film.