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Comments
Don't tell @Murdock
~Ben Stiller
;O) lol
If they are shooting two movies back-to-back (which I really doubt), then yes, it does make sense. But does it make sense even if they are filming only one movie?
Promising news. Newman dropped the ball on Spectre, but his Skyfall score was truly great, I'm sure he has another GREAT Bond score in him. Btw, I would be happy with any composer as long as it's not David Arnold.
How you get this emoji back on there since they disappeared I haven't been able to use them?
Say that again, I couldn't hear you as I was listening to SPECTRE's title theme made by Radiohead*
Seriously, why would they leave Blofeld out of Bond 25 after it took them ages to get Blofeld's rights back? The character's still alive, and that's pretty much the only loose end from SPECTRE, and I don't see them making a stand alone movie.
*granted, they did make a song for SPECTRE, but it was rejected, so it doesn't count.
Just like people said Quantum would not even get a passing mention in Bond 24 and the organization's fate would be left unresolved.
You have to be real for 1 minute at least once about Newman. No matter how 'great' his SF score was, it cannot be classified as a 'great' Bond score by any means whatsoever because it is missing one fundamental aspect that is required in any Bond soundtrack: instrumental versions of the film's theme song interwoven in the score. I am not discrediting his work on SF, but that missing aspect of his soundtrack eliminates his score from being a top-tier Bond OST on the spot. I'm not saying Newman should have aped Barry or anything, but being able to come up with several instrumental cues of the theme song is a pre-requisite for a Bond score. That's what seperates Bond, music wise, from any other franchise - Bond not only has his own theme song, but each film in the franchise has its own specific theme song on top of it.
:))
What if the main reason they wanted to get Blofeld's rights back was NOT that they wanted to use Blofeld, but that they did not want other producers ever use him?
Again: Blofeld and his organization not returning would not necessairly mean Bond 25 would be a completely stand alone movie. Spectre ended with Bond leaving MI6 with Swann. What if Bond 25 is about a retired Bond, with Swann back again?
Can you explain then way you've spent the last couple of weeks going on and on about how EON would sell the rights of the franchise? You've been telling us over and over again that EON were going to sell the Bond rights after Bond 25, and now you are saying they bought the Blofeld rights so that no one else ever gets to use them? As the famous quote goes - ''Where is the consistency?'' Are EON selling the rights as you claimed on a daily basis, or are they keeping the rights to themselves?
Point taken I agree sorry I couldn't help myself :))
And his nomination should be retro-actively cancelled.
Yeah because oscars are the single crowning defining factor for great quality. You should be a comedian with these jokes.
You don't get it. The McClory estate were rivals. Also, that happened 4 years ago. 4 years can be a very long time in the film industry.
@TheWizardOfIce Sounds like a plan?
Same! I want this so bad.
Yeah and send wario on steroids after the academy awards committee
I'm having to much fun with that I can't get enough of it :))
It's not me who doesn't get it, but you who isn't being consistent. Why use that argument now, since obviously for you they are now planning to sell the Bond rights all together. Your post I quoted above is entirely redundant since you have been claiming for the last 2 weeks or so that EON are about to give up on Bond.
And you are missing the point that his SF score is not a 'great' Bond score due to one key element missing.