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If you are still trying to guess what I'm saying after I've written in about 2 or 3 other posts in the last page(s) that my opinion is the exact opposite of what your guesses are, than I'm sorry to be the one to break the news that you have pretty bad mental/intelligence issues.
And quite frankly, what you wrote in your previous posts is enough evidence that you haven't watched a single Bond film outside of the Craig era, if you are going to make a fool out of yourself by holding arguments that are not only idiotic, but blatantly untrue about this film franchise. If you think that Bond films to me are unrecognizable because they 'don't have the Bond theme at every action scenes' or 'gadgets every 5 minutes' which boggles the mind about what Bond films you've actually been watching all these years, because I've never seen a single one that fits that description. And I wouldn't want to get ahold of myself, but (at least) 99% of the members on these forums also have no idea what Bond films you are trying to describe there.
So, in simple words, I don't have anymore time to waste arguing with someone that 1. still is trying to guess my opinion after I've posted it multiple times in a short time-span, and 2. clearly has absolutely no idea what James Bond films are when you cannot even remotely accurately describe a Bond film that actually exist, meaning I've been talking for most of the evening with someone who most likely hasn't seen a single one of these films.
I use a lot of elements too. Water :-).
TWINE theme was woven into Your Time is Up, Welcome to Baku, the Casino scene and a couple of more tracks (for example when M is taken to her tower prison). Also Elektra's theme is based around the unused song "Only myself to blame".
AWTD was woven into Time to get out, Pursuit at Porte Au Prince and Field Trips.
LTK and GE are the only movies whose songs (even secondary ones) are never heard during the movie (excluding the titles, obviously).
I think there's a remix of it during the Ice Palace party, right before the Icarus demonstration.
It did.
Exactly.
I guess that's because spending money on a guiness world record explosion was more important.
- Pre-Production Production is starting in May
- No
- Yes
- Sources
- ?????
- Thomas Newman sucks
- Two picture deal and production filming in May
Pretty accurate I would say
Goes back to A-ha, not AVTAK. Barry got on extremely well with Duran Duran and had no problems with their input. Let's not forget, unlike A-ha, the members of Duran Duran were extremely reverential of John Barry, especially Roger Taylor who was a big self-proclaimed fan. You only have to watch The Music of James Bond documentary to see that the feeling was mutual. It's when it gets to A-ha that Barry is full of scorn and barbed comments about his collaboration with the Norwegian popsters. It's plain to see he disliked them immensely.
Also, let's not forget that the FRWL song wasn't written by Barry either, but by Lionel Bart of Oliver fame, so his Bong song involvement is bookended by other writer's work. Barry's song dominance started with Goldfinger, but ended on a low with both MR and OP's All Time High flopping in the music charts, heralding the start of stand-a-lone artists writing and performing the songs, with the exception of a couple of David Arnold collaborations. It's just not possible to find a credible modern-day composer with the gift of being able to write both a hit song combined with a mesmerizing score-writing ability anymore. However, it should be a prerequisite that a chosen composer should be made to weave the title song into the score. Whilst SF and SP shared snippets of the title song, the overall score was lacking, and IMO bland as vanilla.
http://picosong.com/wsuwM/
Give me my oscar. :))
Brilliant and the Oscar goes to Toilet Sounds Shatterhand by @Murdock :)) =))
Happy to be of service. :P
I mean, DAMN: this is good stuff:
I say use Felix in this capacity he's a field agent and one last chance to get DC & Wright together would be great, they have really good chemistry and Jeffrey is one of the best things about this era alongside Jesper Christiansen.
It's just neither got used enough, well we have a chance to let Leiter be more prominent in Craig's last, go on P&W and whoever joins the writing team you know this makes sense.
Please add Johnny Bravo as well!