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Comments
On Her Majesty's Secret Service
For Your Eyes Only
i love them all though - as they are "my Bond-cup-of-tea" ;-)
002) CR
massive gap
003) FYEO
OHMSS and CR are in my top 5 Bond films. They sometimes switch places but I tend to give OHMSS the edge since it was made in the golden 1960s era of 007 cinema. While a decent midrange entry, I find FYEO vastly overrated by fans(usually ones who detest MR. Since I've always loved MR, FYEO probably wasn't made for fans like me). Also, I consider TLD a "back to basics"/"return to Fleming" type Bond film after the tired AVTAK so if it were competing here, it would be number 001 on my list.
Mods, can we get a poll added to this one?
taking a page from @DaltonCraig007
OHMSS>>CR>>>>>>>FYEO
I believe I'll go with something like this:
CR & OHMSS >>> FYEO
I still love FYEO, but the other two are simply much closer to my heart.
OHMSS (6)
Casino Royale (7)
FYEO (9)
FYEO
[massive gap]
CR
OHMSS (#3)
CR (#4)
FYEO (#10)
But all three are the gold standard of Bond films.
FOR YOUR EYES ONLY
CASINO ROYALE
2. For Your Eyes Only
3. Casino Royale
CR
FYEO
- On Her Majesty's Secret Service
- For Your Eyes Only
-Casino Royale
-For Your Eyes Only
-On Her Majesty's Secret Service
2. OHMSS
3. CR
None of them are in my top 10, and I dislike all 3.
2. CR (10)
3. FYEO (15)
@00Beast - FYEO is quite popular around here. It's on a lot of top 10's for people. But when compared to the mammoth OHMSS and the series reviving CR, you've got some stiff competition there. I'm actually surprised how many low marks for OHMSS there are on this thread. But hey that's how it goes. To each his own I guess.
Happy to see it raise in rankings for you. Exactly. FYEO was the most financially successful Bond film of the 1980s(with or without adjusting for inflation) and is often ranked as the best of the Moore Bond films on many 007 film ranking lists so it's far from unpopular. If anything, it's overrated IMHO.
CR
FYEO
OHMSS
Despite OHMSS being at the top of my rankings I dont think YOLT is preceived to go as far over the top as MR and DAD did and consequently OHMSS doesnt come crashing down to earth from such a height as CR and FYEO have to.
CR has to come out top because the film that preceded it took the series to such a low that had it not been a total back to basics offering the continuation of the series might well have been in jeopardy. And you have to say that CR succeeded above the other two because no matter how good OHMSS and FYEO are the cinema audience did not cheer like they did at the end of CR to give thanks that Bond was truly back.
2) OHMSS: My favourite until CR came along. I can see how some people would have a problem as it's the most (or only) "mod" of the Bonds which means it's the closest to Austin Powers. But at the core a great, seriously well-done film with (I detect a pattern in myself) a real romance, characters growing, great direction and editing, a wonderful supporting character in Draco, the best Blofeld performance, and explosive action that it still impressive over 40 years later!
3) FYEO: I thought it good when I saw it but not great. I didn't have two years of "what have they done to Bond?!" after Moonraker so there wasn't a sense of relief that friends of mine had when they first saw it. Some really good moments but hampered by the inclusion of really silly humour that doesn't work - instead of adding to the film it detracts from it. The Thatcher "skit", the "hockey goons", Moore's age, Bibi Dahl, and most unforgivably the Blofeld scene - yuck. It's like the film-makers chickened out when they saw how good FYEO could have been without those things (and let's not even talk about the "underwater" scenes, which were just as embarassing as any bad rear-projection or CGI - if you can't do something well then just don't do it that way!).
Good to see that most people realize CR is a classic debut for one of the top 3 Bonds in the series' history. I just couldn't see anyone other than Sir Sean and TD doing the job Craig has done to this point. If what they have "on paper" to this point materializes, his detractors (that are getting fewer in number with each passing year) will become an endangered species.
Well OHMSS and CR are probably the two longest films in the series. And it has to be said, if the viewer is to remain entertained and committed for well over two hours then the film has to be well paced and gripping. Both films start and end with plenty of action, and are more sedately paced in the middle sections.
Both films look gorgeous, use locations well and feature debute Bond actors.
Both films feature strong romantic sub-plots.
Both films take a chance on changing direction ever so slightly following a period where the franchise had pushed Bond as far as possible as OTT entertainment.
On balance because of the disappointing climax in Venice OHMSS nicks it for me.
1. OHMSS
2. CR
FYEO was certainly grounded especially after MR, but the abundance of action sequences only seemed to suggest that John Glen was taking no chances as a first time director. He went for the easy way out, throwing action at the screen. Had he left out the ice hockey fight and half of the underwater action (where Bond recovers the lektor), and given more screen time to Bond and Columbo's meeting after Lisl's death, I would have had more respect for this one.
3. FYEO
Which film brought the series back on track after the overblown film preceding it
1. CR
DAD, coupled with the big 40th anniversary hoo-hah had pushed Bond to the extreme. Bond was more amazing than ever showing off his expertise in surfing, para-surfing, hotrod racing, hovercraft driving etc. The aston martin had also become a thing of fantasy (although the technology for invisible cars existed at the time it has to be said).
CR truly returned Bond to his roots.
2. FYEO
After MR it was a solid, deliberate decision to cut the hardware out of the series for the time being.
3. OHMSS
YOLT was about Blofeld and his madcap schemes, as was OHMSS.