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Same goes for Kingsman. Again, the scene when Jackson's character (Valentine) is introduced is chilling and incredibly refined.
And Rich Vreeland on it follows. Although not a great film, his soundtrack is just like nothing I had heard before.
Yes please!
Let's hope Newman nails this score and we get to here more of the theme! :)
is the 75 minutes based on the soundtrack album or the music in the film ?Usually the soundtrack album contains less cues than the actual film. If so does anyone know how many minutes of music was actually in the film SF.
The CD Soundtrack is 75 mins long. If you were to include the total music from Skyfall you'd probably be around 100-110 mins.
I also love Alberto Iglesias, he has been nominated, I believe, three times for the Oscar. However, what I believe is his best score didn't get any recognition outside Spain, where he won a Goya, like the Cesars in France. He is in fact the composer that has won the most Goyas.
Or, don't think I'm mad, Murray Gold. Yes the Doctor Who guy. I believe he's a good composer, his I am the Doctor theme was amazing, and the rest of the score is quite good.
I love these three composers, and I wouldn't mind having one of these scoring the next movie.
Of course, I love Thomas Newman too, and if he wants to continue, I have nothing to oppose. I wouldn't mind Giacchino or Desplat either. I just don't want Arnold back. He's done everything he could, and he's been blinded by the effort to be like Barry, and he'll never be like him.
I had not heard this before. Great stuff! Thanks for posting.
I dont know if he was ever in Mexico but he did write background music for the Day of the Dead festival itself. Hopefully that should blend well with the score.
I vaguely remember John Barry saying the only set he ever visited was when they were filming in Vegas for Diamonds are Forever. Say what you want about the film, but it does have a cracking JB soundtrack.
Yes Indiana Jones has got a great theme and some good cues but Barry's versatility with OHMSS is astounding. We get some of the most exciting cues of all time, a heartbreaking love theme in a vocal and various other arrangements, a superb classy jazz cue and of course one of the greatest themes of any film. Also the experimental style that Barry had already utillised with another one of his finest scores The Lion In The Winter just elevates this above the films in the series in the music department.
Barry never really got this close again but yes DAF is a great score but compared to Majesty's as whole package not even close.
Barry at his peak.
Simply sublime.
It's my no. 1 as well and I think Barry's score will most likely make it always no.1 for me.
I have no illusions that Bond will ever get a score as good as that again.
Recorded specially for the trailer by Newman, I hear.
I would be surprised.
That incorporation of the OHMSS theme was as horrible as the whole Trailer Music. Blaring and meaningless. I hope the film will have better Music.