Where does Bond go after Craig?

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  • Posts: 566
    Birdleson wrote: »
    For me Bond, as Fleming intended, has always been a Boy's adventure fantasy. Name a female director and honestly I won't bother. I know that is extreme, as opposed to @DarthDimi innocuous stance, but I feel Barbara Broccoli (admittedly, along with Wilson and Craig) has screwed things up enough over the past 25 years. I don't need that angry feminist perspective in the director's chair as well. She wants Bond to evolve as men have evolved? That is as much of a clue as I need to know that my favorite character has left the building. What we will get will be a gross facsimile.

    What a sad, ignorant comment. Much as there are films about women directed by men that work, there are films about men directed by women that work. Someone's gender doesn't determine their ability to successfully direct a movie in any genre or about any character.

    Historically, in the movie business (like any industry), women were kept out of positions of power. As rules barring them from power were lifted, they still weren't getting access to these positions due to prevailing sentiment lingering in all areas of the industry. Bond, a high-profile movie business with one of movie's most prominent women executives involved, would be a great sign of how things can change if/when they hire a woman director in the future. Not everyone can be a Barbara Broccoli and inherit something, or be a Kathleen Kennedy and get a job by virtue of friendship.

    Really disappointed to see the words "Name a female director and honestly I won't bother" written, verbatim, by a moderator of these forums. What kind of atmosphere does this set here?
  • ProfJoeButcherProfJoeButcher Bless your heart
    edited September 2022 Posts: 1,714
    mtm wrote: »
    mtm wrote: »
    mtm wrote: »
    FoxRox wrote: »
    FoxRox wrote: »
    I’d gladly welcome a female director, provided they had the resume + personality for the job. Much better that than a male who had no / bad resume and didn’t fit. What bothers me about all2 this is that it reinforces stereotypes, choosing a woman for the sake of her being a woman that is. Obviously, men and women are more likely than one another to go through life in different ways thanks to societal norms, but there’s never a guarantee of anything.

    For instance, a man can be as “feminine” as a woman, and a woman as “masculine” as a man, as people call it. Though it isn’t treated as seriously, a man can go through rape or domestic abuse as a woman can. Both men and women are victims of toxic masculinity. So on and so forth. I guess I just yearn for a day when everyone is able to look past surface qualities when it comes to things like this and everyone gets treated as an individual. Men and women both get unfairly chosen and disqualified for jobs because of their genders, and this is a significant barrier in equality.

    I suppose, (and this is getting a bit off topic) but to continue to push that "both men and women have it tough" really undermines how significantly harder women have had it in society, I think.

    You are right, though, things like toxic masculinity hurt both men and women, and of course, we all yearn for this day when everyone is able to look past surface qualities etc etc, but unfortunately that isn't the reality of society right now. The pendulum has swung so far towards the men, that as part of the correction, it will have to swing hard the other direction.

    Bo Burnam said something great to this effect, it was something like, "it's unfair to expect the solution to unfairness to be perfect".

    I don’t disagree women have had and still have it harder, I know better; the abortion issue should be proof enough of that for everyone. But I don’t agree that that makes it right to downplay the problems men face too. As for the “pendulum” having to swing hard the other way, it sounds something like revenge on the surface to me. Maybe it wasn’t meant this way, but I know a lot of progressives feel this need to “get even” essentially to make things “fair,” though I don’t think two wrongs make a right. And I also think it will be much harder gaining male support for the right cause in using ways that make them feel lesser.


    And let's not forget: all that was said was that it might be nice for a woman to get a job, and we've had two or three pages now of huffing and puffing and people (men) taking issue with that. That kind of shows the issue they still face, doesn't it?

    I've seen men 'huffing and puffing' about how the films can be directed by men or women and it's fine, but some don't want people chosen based on their identity. And I've seen you conflating that position with apparently being opposed to a woman directing. I've yet to see anyone say they don't think a woman can or should direct a Bond, but I do skim sometimes.

    I think you've skimmed a bit too much then, because some of that you've said is plain untrue, and some is just missing the point. If you're saying that no-one has taken issue with Mendes' suggestion that it would be good if a woman got the job, I don't know what to say to you.

    Dont know what to say? You could have just quoted one. Would have been real easy. I've just seen a few people say they don't want someone chosen because of their identity, like all the folks you replied to. And you're conflating that with something worse, per usual.

    Edit: ooh, there's slide_99 with the first. You can go on about him and you'll finally be approaching a point.

    You're not reading what I'm saying. You've decided that I've said that people don't want a woman as director, but what I actually said was people have "taken issue with Mendes' suggestion that it would be good if a woman got the job". Which means, quite literally, that they have been upset by his statement. That's what this conversation is, discussing his statement, and some have objected to it. Which is not the same thing as them thinking that a woman shouldn't do it, and at no point have I said they have thought that, much as you're trying to frame it that way. What they are taking issue mainly with is the idea of selecting someone based on their gender. That's what's caused the huffing and puffing. Which is, let me repeat, taking 'issue with Mendes' suggestion that it would be good if a woman got the job'.
    I hope that's cleared it up for you.

    After DarthDimi said he'd be fine with a woman director but doesn't want the director chosen based on identity and you immediately offended him, I followed up about the identity thing and you dismissed it as an 'overreaction to the prospect of a woman directing', which was not the point and a conflation of two different issues.

    When you go on to dismiss a couple pages of comments from people who say they would welcome a female director as 'huffing and puffing' that is harmful to women, this is a smokescreen.

    --

    But when it comes to future directors, beyond having the apparently harmful view that a person of any gender identity can do it, I don't even think I care if the person is much of a Bond fan.

    Cary hadn't seen OHMSS and I think he did a good job. Campbell does not appear to have ever read Casino Royale, and people liked his film. Have many of these people been honest to God Bond fans at all, really?
  • NickTwentyTwoNickTwentyTwo Vancouver, BC, Canada
    Posts: 7,589
    No, I agree the director doesn't need to be some huge Bond fan.
  • SecretAgentMan⁰⁰⁷SecretAgentMan⁰⁰⁷ Lekki, Lagos, Nigeria
    Posts: 2,181
    Honestly, I would like a man to direct Bond as usual. I did mention Susanne Bier because of her Bondian style in The Night Manager. But I would prefer a man, because I think few women have been successful, when it comes to directing big movies lately. I think Barbara knows that too, because look at what happened with The Rhythm Section with Reed Morano at the helm. So it means if they're going for a female director, they need to be very careful when picking. But if I'm asked here and now, I would choose the obvious and go for a male director, just for safety.
  • NickTwentyTwoNickTwentyTwo Vancouver, BC, Canada
    edited September 2022 Posts: 7,589
    Guys, this is big; possible casting for Bond and Blofeld, evolved for modern day men / audiences:
    309693949_434974388727544_8193203135981047768_n.jpg?_nc_cat=101&ccb=1-7&_nc_sid=730e14&_nc_ohc=YGDUHiE8-JUAX_LXQ2m&_nc_ht=scontent.fyvr4-1.fna&oh=00_AT-pRyAsbsJ7Zkwf8vkXeA7QTk97-E20KJ65s79MKksQ_g&oe=6338C7A7
    I believe in this scene, they are discussing Extortion, Counterintelligence, Terrorism, and Revenge.
    Honestly, I would like a man to direct Bond as usual. I did mention Susanne Bier because of her Bondian style in The Night Manager. But I would prefer a man, because I think few women have been successful, when it comes to directing big movies lately. I think Barbara knows that too, because look at what happened with The Rhythm Section with Reed Morano at the helm. So it means if they're going for a female director, they need to be very careful when picking. But if I'm asked here and now, I would choose the obvious and go for a male director, just for safety.

    Per capita, a much larger percentage of male directors are bad, compared to female directors. ;)
  • SecretAgentMan⁰⁰⁷SecretAgentMan⁰⁰⁷ Lekki, Lagos, Nigeria
    edited September 2022 Posts: 2,181
    Haha! well, @NickTwentyTwo I just hope they pick whoever is right for the job. But I'm sure majority would prefer a man to direct Bond.
  • ProfJoeButcherProfJoeButcher Bless your heart
    Posts: 1,714
    Per capita, a much larger percentage of male directors are bad, compared to female directors. ;)

    Well, I'm not sure that's totally true, but it certainly doesn't go the other way! What's the saying, 90% of everything is garbage? :))
  • mtmmtm United Kingdom
    edited September 2022 Posts: 16,576
    mtm wrote: »
    mtm wrote: »
    mtm wrote: »
    FoxRox wrote: »
    FoxRox wrote: »
    I’d gladly welcome a female director, provided they had the resume + personality for the job. Much better that than a male who had no / bad resume and didn’t fit. What bothers me about all2 this is that it reinforces stereotypes, choosing a woman for the sake of her being a woman that is. Obviously, men and women are more likely than one another to go through life in different ways thanks to societal norms, but there’s never a guarantee of anything.

    For instance, a man can be as “feminine” as a woman, and a woman as “masculine” as a man, as people call it. Though it isn’t treated as seriously, a man can go through rape or domestic abuse as a woman can. Both men and women are victims of toxic masculinity. So on and so forth. I guess I just yearn for a day when everyone is able to look past surface qualities when it comes to things like this and everyone gets treated as an individual. Men and women both get unfairly chosen and disqualified for jobs because of their genders, and this is a significant barrier in equality.

    I suppose, (and this is getting a bit off topic) but to continue to push that "both men and women have it tough" really undermines how significantly harder women have had it in society, I think.

    You are right, though, things like toxic masculinity hurt both men and women, and of course, we all yearn for this day when everyone is able to look past surface qualities etc etc, but unfortunately that isn't the reality of society right now. The pendulum has swung so far towards the men, that as part of the correction, it will have to swing hard the other direction.

    Bo Burnam said something great to this effect, it was something like, "it's unfair to expect the solution to unfairness to be perfect".

    I don’t disagree women have had and still have it harder, I know better; the abortion issue should be proof enough of that for everyone. But I don’t agree that that makes it right to downplay the problems men face too. As for the “pendulum” having to swing hard the other way, it sounds something like revenge on the surface to me. Maybe it wasn’t meant this way, but I know a lot of progressives feel this need to “get even” essentially to make things “fair,” though I don’t think two wrongs make a right. And I also think it will be much harder gaining male support for the right cause in using ways that make them feel lesser.


    And let's not forget: all that was said was that it might be nice for a woman to get a job, and we've had two or three pages now of huffing and puffing and people (men) taking issue with that. That kind of shows the issue they still face, doesn't it?

    I've seen men 'huffing and puffing' about how the films can be directed by men or women and it's fine, but some don't want people chosen based on their identity. And I've seen you conflating that position with apparently being opposed to a woman directing. I've yet to see anyone say they don't think a woman can or should direct a Bond, but I do skim sometimes.

    I think you've skimmed a bit too much then, because some of that you've said is plain untrue, and some is just missing the point. If you're saying that no-one has taken issue with Mendes' suggestion that it would be good if a woman got the job, I don't know what to say to you.

    Dont know what to say? You could have just quoted one. Would have been real easy. I've just seen a few people say they don't want someone chosen because of their identity, like all the folks you replied to. And you're conflating that with something worse, per usual.

    Edit: ooh, there's slide_99 with the first. You can go on about him and you'll finally be approaching a point.

    You're not reading what I'm saying. You've decided that I've said that people don't want a woman as director, but what I actually said was people have "taken issue with Mendes' suggestion that it would be good if a woman got the job". Which means, quite literally, that they have been upset by his statement. That's what this conversation is, discussing his statement, and some have objected to it. Which is not the same thing as them thinking that a woman shouldn't do it, and at no point have I said they have thought that, much as you're trying to frame it that way. What they are taking issue mainly with is the idea of selecting someone based on their gender. That's what's caused the huffing and puffing. Which is, let me repeat, taking 'issue with Mendes' suggestion that it would be good if a woman got the job'.
    I hope that's cleared it up for you.

    After DarthDimi said he'd be fine with a woman director but doesn't want the director chosen based on identity and you immediately offended him, I followed up about the identity thing and you dismissed it as an 'overreaction to the prospect of a woman directing', which was not the point and a conflation of two different issues.

    No it wasn't, you missed the point of my statement. I'll spell it out for you: this whole conversation is based around someone saying it would be nice for a woman to direct, which isn't really all that contentious a statement in itself. But it had at that stage reached a point where you posted a sarcastic rant about 'virtue signalling' etc. - so the discussion had reached the point of a massive overreaction to the original innocuous statement.
    You've decided that I was saying you hated the idea of a woman directing a film, but you misunderstood.
    When you go on to dismiss a couple pages of comments from people who say they would welcome a female director as 'huffing and puffing' that is harmful to women, this is a smokescreen.

    It feels like you're actually trying to intentionally misinterpret now. Again, I was very careful to word it that the people were reacting to Mendes' statement, which you missed.

    Again, let's spell it out. Imagine someone saying that it would be good if a British person directed the next one; if the casting net for directors was engineered to stay restricted to just that one social group. Do you imagine this much huffing and puffing and to-ing and fro-ing if they'd said that? Would anyone be ranting about 'virtue signalling'? I very much suspect not, you're welcome to disagree (but I'd say the first 55 years or so of the Bond films seemed to pass largely without accusation of this), which is why I pointed out that it shows women still face issues like these. That's all. I clearly wasn't accusing anyone of hating women or saying that they couldn't direct Bond films, but it turns out that a few people have said that since anyway so I'm not sure why you're bothering to stand up for the idea that no-one thinks that way.
  • Posts: 16,204
    Doesn't remotely matter to me what gender the director of the next Bond film is.
    I think a director who "gets Bond" is subjective. The may understand what tropes and traditions work in a Bond, but still do their own thing. Take Fukunaga for instance: in one interview he mentioned how important the opening gunbarrel is, but still did it differently in his film.
    TBH the directors whom I feel got Bond the most were Peter Hunt, and John Glen as they had worked on previous films prior to directing. Martin Campbell, as well.
  • mtmmtm United Kingdom
    Posts: 16,576
    Yeah it's amazing how CR just 'felt' like a Bond film (to me anyway) despite the structure and story not adhering to the typical 007 style at all.
    Whereas in contrast I'd say QoS was a more typical Bond movie (opening pre-title chase, big ending at the baddie's lair etc.) and yet felt less like one to me. There's something in the texture of it.
  • SecretAgentMan⁰⁰⁷SecretAgentMan⁰⁰⁷ Lekki, Lagos, Nigeria
    Posts: 2,181
    ToTheRight wrote: »
    Doesn't remotely matter to me what gender the director of the next Bond film is.
    I think a director who "gets Bond" is subjective. The may understand what tropes and traditions work in a Bond, but still do their own thing. Take Fukunaga for instance: in one interview he mentioned how important the opening gunbarrel is, but still did it differently in his film.
    TBH the directors whom I feel got Bond the most were Peter Hunt, and John Glen as they had worked on previous films prior to directing. Martin Campbell, as well.

    How about Terence Young?
  • CraigMooreOHMSSCraigMooreOHMSS Dublin, Ireland
    Posts: 8,230
    I think Barbara knows that too, because look at what happened with The Rhythm Section with Reed Morano at the helm.

    What happened with The Rhythm Section (I'm assuming you are referring to its box-office failure) had zero to do with Morano, though.
  • SecretAgentMan⁰⁰⁷SecretAgentMan⁰⁰⁷ Lekki, Lagos, Nigeria
    Posts: 2,181
    I think Barbara knows that too, because look at what happened with The Rhythm Section with Reed Morano at the helm.

    What happened with The Rhythm Section (I'm assuming you are referring to its box-office failure) had zero to do with Morano, though.

    Yeah, its box-office and negative reviews.
  • ProfJoeButcherProfJoeButcher Bless your heart
    edited September 2022 Posts: 1,714
    mtm wrote: »
    - so the discussion had reached the point of a massive overreaction to the original innocuous statement.
    You've decided that I was saying you hated the idea of a woman directing a film, but you misunderstood.

    Well, you were inarticulate, and that's what I have to work with. You characterized my comment as an overreaction to the prospect of a woman director, and it wasn't any kind of reaction at all to that prospect. Between Sam's comment and where we were, you had moved the conversation to an argument that it is good to 'engineer' the choice of director, which is what people were then talking about.
    mtm wrote: »
    It feels like you're actually trying to intentionally misinterpret now. Again, I was very careful to word it that the people were reacting to Mendes' statement, which you missed.

    I didn't miss it. DarthDimi was reacting to your comment, not Sam's. I was reacting to DarthDimi's, not Sam's. You're conflating.
    mtm wrote: »
    Again, let's spell it out. Imagine someone saying that it would be good if a British person directed the next one; if the casting net for directors was engineered to stay restricted to just that one social group. Do you imagine this much huffing and puffing and to-ing and fro-ing if they'd said that?

    That almost seems like a deliberately dumb example, as you're now talking about maintaining the status quo. No, I don't think there would be much huffing and puffing about maintaining the status quo. If someone said the next director needs to be Canadian, I'm sure the conversation would be 'Well, Canadians are fine, but I don't see why they need to get a Canadian specifically' and then maybe some more elderly people would be a bit more anti-Canadian or something. :)) It'd be just like this.
  • Posts: 16,204
    ToTheRight wrote: »
    Doesn't remotely matter to me what gender the director of the next Bond film is.
    I think a director who "gets Bond" is subjective. The may understand what tropes and traditions work in a Bond, but still do their own thing. Take Fukunaga for instance: in one interview he mentioned how important the opening gunbarrel is, but still did it differently in his film.
    TBH the directors whom I feel got Bond the most were Peter Hunt, and John Glen as they had worked on previous films prior to directing. Martin Campbell, as well.

    How about Terence Young?

    Him, too!
  • I think Both Mendes and Fukanaga failed mixing dramatic realism with camp.

    Bond's personal struggles were valid but set in a world with cartoony, underdeveloped villains.

    It would be nice if the films have a consistent tone, and go knee deep instead of tiptoeing around but never really jumping in.
  • mtmmtm United Kingdom
    edited September 2022 Posts: 16,576
    mtm wrote: »
    - so the discussion had reached the point of a massive overreaction to the original innocuous statement.
    You've decided that I was saying you hated the idea of a woman directing a film, but you misunderstood.

    Well, you were inarticulate, and that's what I have to work with. You characterized my comment as an overreaction to the prospect of a woman director, and it wasn't any kind of reaction at all to that prospect. Between Sam's comment and where we were, you had moved to the conversation to an argument that it is good to 'engineer' the choice of director, which is what people were then talking about.
    mtm wrote: »
    It feels like you're actually trying to intentionally misinterpret now. Again, I was very careful to word it that the people were reacting to Mendes' statement, which you missed.

    I didn't miss it. DarthDimi was reacting to your comment, not Sam's. I was reacting to DarthDimi's, not Sam's. You're conflating.
    mtm wrote: »
    Again, let's spell it out. Imagine someone saying that it would be good if a British person directed the next one; if the casting net for directors was engineered to stay restricted to just that one social group. Do you imagine this much huffing and puffing and to-ing and fro-ing if they'd said that?

    That almost seems like a deliberately dumb example, as you're now talking about maintaining the status quo. No, I don't think there would be much huffing and puffing about maintaining the status quo. If someone said the next director needs to be Canadian, I'm sure the conversation would be 'Well, Canadians are fine, but I don't see why they need to get a Canadian specifically' and then maybe some more elderly people would be a bit more anti-Canadian or something. :)) It'd be just like this.

    Oh man, I'm so tired of you twisting my words, intentionally misinterpreting things and being pointlessly argumentative. If you can't understand what I'm saying, don't make up your own version (although I suspect you actually understand what I'm saying very well). I'm not going to reply to each of these points because they're not worth replying to and it would just play into your hands of wanting an argument. Just stop it.
  • CraigMooreOHMSSCraigMooreOHMSS Dublin, Ireland
    Posts: 8,230
    I think Barbara knows that too, because look at what happened with The Rhythm Section with Reed Morano at the helm.

    What happened with The Rhythm Section (I'm assuming you are referring to its box-office failure) had zero to do with Morano, though.

    Yeah, its box-office and negative reviews.

    The box office outcome lies squarely at the feet of the piss-poor marketing campaign. Nobody went to see the film, for sure; not because it was bad, or because it had a female director, but because they hadn't a clue it was even in theatres. If there's any lessons to be learned, it's in that department. I don't think Babs is going to look at it and say "that film wasn't a success because of Reed Morano".

    For what it's worth, I found the reviews to be quite harsh. It was a perfectly serviceable film. Neither bad nor exceptional. It certainly didn't deserve to flop the way it was pre-destined to by the marketing team.
  • mtmmtm United Kingdom
    Posts: 16,576
    I think Barbara knows that too, because look at what happened with The Rhythm Section with Reed Morano at the helm.

    What happened with The Rhythm Section (I'm assuming you are referring to its box-office failure) had zero to do with Morano, though.

    Yeah, its box-office and negative reviews.

    The box office outcome lies squarely at the feet of the piss-poor marketing campaign. Nobody went to see the film, for sure; not because it was bad, or because it had a female director, but because they hadn't a clue it was even in theatres. If there's any lessons to be learned, it's in that department. I don't think Babs is going to look at it and say "that film wasn't a success because of Reed Morano".

    For what it's worth, I found the reviews to be quite harsh. It was a perfectly serviceable film. Neither bad nor exceptional. It certainly didn't deserve to flop the way it was pre-destined to by the marketing team.

    Yes I didn't hear about it much apart from on here, and to be honest it didn't sound hugely interesting even then. There are loads of these little B-movie thrillers which pop out never to be seen again.
  • ProfJoeButcherProfJoeButcher Bless your heart
    edited September 2022 Posts: 1,714
    mtm wrote: »
    mtm wrote: »
    - so the discussion had reached the point of a massive overreaction to the original innocuous statement.
    You've decided that I was saying you hated the idea of a woman directing a film, but you misunderstood.

    Well, you were inarticulate, and that's what I have to work with. You characterized my comment as an overreaction to the prospect of a woman director, and it wasn't any kind of reaction at all to that prospect. Between Sam's comment and where we were, you had moved to the conversation to an argument that it is good to 'engineer' the choice of director, which is what people were then talking about.
    mtm wrote: »
    It feels like you're actually trying to intentionally misinterpret now. Again, I was very careful to word it that the people were reacting to Mendes' statement, which you missed.

    I didn't miss it. DarthDimi was reacting to your comment, not Sam's. I was reacting to DarthDimi's, not Sam's. You're conflating.
    mtm wrote: »
    Again, let's spell it out. Imagine someone saying that it would be good if a British person directed the next one; if the casting net for directors was engineered to stay restricted to just that one social group. Do you imagine this much huffing and puffing and to-ing and fro-ing if they'd said that?

    That almost seems like a deliberately dumb example, as you're now talking about maintaining the status quo. No, I don't think there would be much huffing and puffing about maintaining the status quo. If someone said the next director needs to be Canadian, I'm sure the conversation would be 'Well, Canadians are fine, but I don't see why they need to get a Canadian specifically' and then maybe some more elderly people would be a bit more anti-Canadian or something. :)) It'd be just like this.

    Oh man, I'm so tired of you twisting my words, intentionally misinterpreting things and being pointlessly argumentative. .

    :-bd It's a motte and bailey argument. You advance one position and retreat to a more innocuous one when people argue with you. Mendes said something, you take it somewhere else, and when people argue with you you pretend they're taking issue with Sam.

  • edited September 2022 Posts: 784
    I think Barbara knows that too, because look at what happened with The Rhythm Section with Reed Morano at the helm.

    What happened with The Rhythm Section (I'm assuming you are referring to its box-office failure) had zero to do with Morano, though.

    Yeah, its box-office and negative reviews.

    The box office outcome lies squarely at the feet of the piss-poor marketing campaign. Nobody went to see the film, for sure; not because it was bad, or because it had a female director, but because they hadn't a clue it was even in theatres. If there's any lessons to be learned, it's in that department. I don't think Babs is going to look at it and say "that film wasn't a success because of Reed Morano".

    This
  • Jordo007Jordo007 Merseyside
    Posts: 2,641
    Reading that article, I hope they were just being calculating and trying to say what they feel is appropriate to 2022, rather than seeing it as a mission statement.

    Similar to how before NTTD, they said the next Bond will be a man but he could be of any race from the commonwealth. They're not going to publicly state that James Bond won't be black while promoting a film.
    We just need to trust they're judgement
  • SecretAgentMan⁰⁰⁷SecretAgentMan⁰⁰⁷ Lekki, Lagos, Nigeria
    Posts: 2,181
    I think Barbara knows that too, because look at what happened with The Rhythm Section with Reed Morano at the helm.

    What happened with The Rhythm Section (I'm assuming you are referring to its box-office failure) had zero to do with Morano, though.

    Yeah, its box-office and negative reviews.

    The box office outcome lies squarely at the feet of the piss-poor marketing campaign. Nobody went to see the film, for sure; not because it was bad, or because it had a female director, but because they hadn't a clue it was even in theatres. If there's any lessons to be learned, it's in that department. I don't think Babs is going to look at it and say "that film wasn't a success because of Reed Morano".

    For what it's worth, I found the reviews to be quite harsh. It was a perfectly serviceable film. Neither bad nor exceptional. It certainly didn't deserve to flop the way it was pre-destined to by the marketing team.

    Yeah, valid points. The marketing wasn't great. I'm not entirely against a female director, though. But if they must pick one, let it be one who understands Bond. That's why I suggested Susanne Bier, if they want to go the female route.
  • CraigMooreOHMSSCraigMooreOHMSS Dublin, Ireland
    Posts: 8,230
    Bier's a good director, she'd do a fine job.

    To be honest, the point is kind of moot in the sense that Bond is pretty much critic-proof and almost guaranteed to be successful unless there's a very dramatic shift.
  • ProfJoeButcherProfJoeButcher Bless your heart
    Posts: 1,714
    If anyone is anxious about a female director (or a black Bond or whatever), it's worth considering that someone outside the status quo might have a stronger incentive to make a classic, traditional Bond. I don't know if that makes sense to anyone else, but I can imagine a female director, to the extent she's concerned with appearances at all, would want to show that she can make a proper Bond film, and not that she can make a completely unrecognizable pink version of Bond or whatever.

    I think a woman directing a black Bond would end up being more similar to the classics that anything Danny Boyle directing Craig would have been like.
  • .
    If anyone is anxious about a female director (or a black Bond or whatever), it's worth considering that someone outside the status quo might have a stronger incentive to make a classic, traditional Bond. I don't know if that makes sense to anyone else, but I can imagine a female director, to the extent she's concerned with appearances at all, would want to show that she can make a proper Bond film, and not that she can make a completely unrecognizable pink version of Bond or whatever.

    I think a woman directing a black Bond would end up being more similar to the classics that anything Danny Boyle directing Craig would have been like.

    Good point
  • SecretAgentMan⁰⁰⁷SecretAgentMan⁰⁰⁷ Lekki, Lagos, Nigeria
    Posts: 2,181
    Bier's a good director, she'd do a fine job.

    To be honest, the point is kind of moot in the sense that Bond is pretty much critic-proof and almost guaranteed to be successful unless there's a very dramatic shift.

    Yeah, more like Bond's success is set in stone.
  • edited September 2022 Posts: 784
    I don't know about you, but I want to be surprised and amazed.

    As long as the new film captures the old feeling, something fresh isn't something bad. And a female director should be encouraged to achieve it.
  • mtmmtm United Kingdom
    edited September 2022 Posts: 16,576
    mtm wrote: »
    mtm wrote: »
    - so the discussion had reached the point of a massive overreaction to the original innocuous statement.
    You've decided that I was saying you hated the idea of a woman directing a film, but you misunderstood.

    Well, you were inarticulate, and that's what I have to work with. You characterized my comment as an overreaction to the prospect of a woman director, and it wasn't any kind of reaction at all to that prospect. Between Sam's comment and where we were, you had moved to the conversation to an argument that it is good to 'engineer' the choice of director, which is what people were then talking about.
    mtm wrote: »
    It feels like you're actually trying to intentionally misinterpret now. Again, I was very careful to word it that the people were reacting to Mendes' statement, which you missed.

    I didn't miss it. DarthDimi was reacting to your comment, not Sam's. I was reacting to DarthDimi's, not Sam's. You're conflating.
    mtm wrote: »
    Again, let's spell it out. Imagine someone saying that it would be good if a British person directed the next one; if the casting net for directors was engineered to stay restricted to just that one social group. Do you imagine this much huffing and puffing and to-ing and fro-ing if they'd said that?

    That almost seems like a deliberately dumb example, as you're now talking about maintaining the status quo. No, I don't think there would be much huffing and puffing about maintaining the status quo. If someone said the next director needs to be Canadian, I'm sure the conversation would be 'Well, Canadians are fine, but I don't see why they need to get a Canadian specifically' and then maybe some more elderly people would be a bit more anti-Canadian or something. :)) It'd be just like this.

    Oh man, I'm so tired of you twisting my words, intentionally misinterpreting things and being pointlessly argumentative. .

    :-bd It's a motte and bailey argument. You advance one position and retreat to a more innocuous one when people argue with you. Mendes said something, you take it somewhere else, and when people argue with you you pretend they're taking issue with Sam.

    And still you go on. No, I'm not saying they take issue with Mendes himself... I gave you the benefit of the doubt of thinking you were pretending to not understand, but I think you genuinely don't. You're really not worth talking to, you're determined to get some sort of 'gotcha' moment on me for some reason, it's like having a yapping dog following you around. Please go and argue with a mirror or something. Time to fully ignore you.
  • echoecho 007 in New York
    Posts: 6,359
    Gee, you'd think some of you weren't given birth to by women. 8-|

    Have a little more faith in women. Yes, even female directors.
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