Where does Bond go after Craig?

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  • Posts: 348
    Alfonso Cuaron type? we are not in 2008.

    What do you mean by this exactly?
  • 007HallY wrote: »
    007HallY wrote: »
    It’s also perhaps not fair to compare Cubby’s output to what we get nowadays. Even with many of the behind the scenes issues of the Craig era, films of this scale nowadays just have slightly longer schedules, particularity when it comes to post production. So even with a steady output we’d likely have three year gaps as opposed to two year ones.

    Yeah exactly. I think how the entertainment landscape has changed is also worth mentioning. The time Cubby was releasing films in may not have been that long ago, but it’s a whole different world to now, where it’s never been easier to access more entertainment options than ever. Making a blockbuster that appeals to “everyone” enough to justify its massive budget has never been harder, because we’re so spoilt for choice.

    I miss having a film every two years, but when I think back to that time, half the people who came to see the Brosnan films with me probably wouldn’t want to now. Going to see the latest blockbuster whether you were excited for it or not because it’s “something to do” just isn’t a thing anymore. We’ve got too many blockbusters to count at home, just a few clicks away. Sex is just a few swipes away. There’s video games, same day delivery, it’s never been easier to get into whatever niche inaccessible hobby you’d have never heard of when you were a kid.

    I wish they were filling the gap with something other than the reality show, but I do think they’ve been smart in positioning Bond as an event that comes every few years.

    Exactly. And honestly, I don’t think they’ve done too bad a job. A reality show and a video game aren’t bad things to tide fans over or potentially get new fans onboard (video games are especially good - I have memories of my non-Bond fan friends getting a kickstart at CR/the Craig era with Everything or Nothing).

    As you said as well, there’s also an element of cinema (and by this I mean going to see movies in the theatres, in itself I’m sure a Barrie definition) needing to be ‘grander’ in order to simply get people interested in order for them to go and see it. Bond needs to be an event, similar to SF in 2012.

    I do think getting more news on the video game will help tide a lot of us over. I’m almost as excited for that as I am the next film. I’ve got fond memories of those old ones too, and games have come on light years since (Red Dead 2 was on par with the likes of Unforgiven for me). And the team making it have already nailed the Bond vibe with the new Hitman games. I think we could be in for something really special.
  • edited November 2023 Posts: 4,137
    007HallY wrote: »
    007HallY wrote: »
    It’s also perhaps not fair to compare Cubby’s output to what we get nowadays. Even with many of the behind the scenes issues of the Craig era, films of this scale nowadays just have slightly longer schedules, particularity when it comes to post production. So even with a steady output we’d likely have three year gaps as opposed to two year ones.

    Yeah exactly. I think how the entertainment landscape has changed is also worth mentioning. The time Cubby was releasing films in may not have been that long ago, but it’s a whole different world to now, where it’s never been easier to access more entertainment options than ever. Making a blockbuster that appeals to “everyone” enough to justify its massive budget has never been harder, because we’re so spoilt for choice.

    I miss having a film every two years, but when I think back to that time, half the people who came to see the Brosnan films with me probably wouldn’t want to now. Going to see the latest blockbuster whether you were excited for it or not because it’s “something to do” just isn’t a thing anymore. We’ve got too many blockbusters to count at home, just a few clicks away. Sex is just a few swipes away. There’s video games, same day delivery, it’s never been easier to get into whatever niche inaccessible hobby you’d have never heard of when you were a kid.

    I wish they were filling the gap with something other than the reality show, but I do think they’ve been smart in positioning Bond as an event that comes every few years.

    Exactly. And honestly, I don’t think they’ve done too bad a job. A reality show and a video game aren’t bad things to tide fans over or potentially get new fans onboard (video games are especially good - I have memories of my non-Bond fan friends getting a kickstart at CR/the Craig era with Everything or Nothing).

    As you said as well, there’s also an element of cinema (and by this I mean going to see movies in the theatres, in itself I’m sure a Barrie definition) needing to be ‘grander’ in order to simply get people interested in order for them to go and see it. Bond needs to be an event, similar to SF in 2012.

    I do think getting more news on the video game will help tide a lot of us over. I’m almost as excited for that as I am the next film. I’ve got fond memories of those old ones too, and games have come on light years since (Red Dead 2 was on par with the likes of Unforgiven for me). And the team making it have already nailed the Bond vibe with the new Hitman games. I think we could be in for something really special.

    Can’t fault a good video game (I think you’re roughly around my age from my interactions with you so you’ll know the significance of it, and while I’m not a game player myself nowadays I do have memories of EoN being popular before CR, and a bit later I had my share of playing Nightfire and even Agent Under Fire multiplayer with friends, so it does help things).
  • Junglist_1985Junglist_1985 Los Angeles
    Posts: 1,031
    Was just behind a few SAG strikers during lunch today here in Los Angeles. They are hoping to finalize deal by end of today, or at the very latest by end of week. Should get things moving on B26 in near future.
  • peterpeter Toronto
    Posts: 9,509
    BMB007 wrote: »
    BMB007 wrote: »
    fjdinardo wrote: »
    Bernie99 wrote: »
    fjdinardo wrote: »
    been 2 years since NTTD came out and still nothing on Bond 26

    And 4 years of finishing shooting NTTD...
    But it's ok, Barbara, Michael and Gregg need a break, because the development on NTTD was so exhausted...

    I miss Cubby

    We need Nolan, then we can expect Bond 26 in 2025-2026, without Nolan we can wait 4 years from now

    Cubby would never let so many years go by without Bond films.

    1989-1995

    So we are all going to just casually overlook the fact that they didn't have a choice between 1989-95. The situations aren't the same.


    [John Calley has entered the chat]

    They have a choice now? Pandemics caused delays of "No Time to Die" then their financier went broke/was bought out by a conglomerate then there were two strikes shutting down the industry.

    I never said they have a choice now. But there were the legal issues that arouse that got in the way, plus a studio head that refused to greenlight another Bond.


    What I don't understand, is if it's a WGA strike, then why not hire writers outside the US? But Bond has access to British writers anyway, so they won't be scabs for hiring their (usual) writers.

    The British writers would be seen as scabs, @MajorDSmythe ... The writers (and actors) were striking against the studios (Amazon/MGM being part of that group). Any writer/actor who crosses a picket line is a scab and would be unhireable.

    And anyone hiring these people to cross picket lines (EoN), would be blackballed (not that EoN would do this; they're professionals who respect process)
  • edited November 2023 Posts: 1,336
    M_Blaise wrote: »
    Alfonso Cuaron type? we are not in 2008.

    What do you mean by this exactly?

    Bond needs a fresher approach.
  • Posts: 1,980
    @DEKE_RIVERS - What does that fresher approach look like?

    Not seeing much on this thread about where Bond 26 goes. For me, hiring Christopher Nolan is not an answer. I am interested in speculations about what a new Bond film might look like and how Bond might be different.

  • LucknFateLucknFate 007 In New York
    edited November 2023 Posts: 1,646
    CrabKey wrote: »
    @DEKE_RIVERS - What does that fresher approach look like?

    Not seeing much on this thread about where Bond 26 goes. For me, hiring Christopher Nolan is not an answer. I am interested in speculations about what a new Bond film might look like and how Bond might be different.

    Fun ideas I've thrown around but don't feel like going into the same detail again:

    1. One option could be a future-forward, highly tech-oriented Splinter-Cell vibe, which could either lean lighter and humorous or darker and maybe political even. Look to the future-forward tech demonstration in the latest Avatar (2) movie: sonic weapons, human-mech suits (let's see Bond fight a henchman in an exoskeleton!), modern laser tech, hydrofoil boats, crab-like amphibious vehicles, it's all very cool! Call up James Cameron, pay him whatever he wants, and even if he doesn't make the next Bond movie, at least hire him for some ideas perhaps.

    2. Not a full direction per se but something I'd like to see. I've recently pitched doing the Dr. No novel's giant squid creature fight as a surprise twist - deliver a good, standard Bond adventure with Bond and maybe a woman getting away in the end, only for Bond to fall into the sea trap equipped with only a knife in his teeth to defeat his ultimate foe-a true force of nature! I think it could be pulled off with the right SFX/VFX house.

    3. I like I think SIS_HQ and others' suggestion to adapt more of the TSWLM novel in some way, either as a PTS or broader project (start with a woman character's perspective, all hope is lost, Bond arrives as yet another potential threat only to actually be the one to save the day. That leads me to:

    4. As for who could be realistic villains an audience can all rally against, take the inspo from TSWLM and other Fleming novels and go with gangsters. One movie, he's dealing with the Yakuza in Japan and other regional countries, perhaps. Another movie, the U.S. (Bond in DC? 007 in NY?). Another movie, South America again, etc. Gangsters open up the world to a guy like Bond.

    5. I've also pitched seeing Bond more as leader, pooling on his MI6, military, and government resources when the time really calls for it-the Bond equivalent of an Avengers-level event etc. Let's see Bond the Commander literally call in the navy as his trump card (and not to blow himself up!). For those who ask how to do patriotism the right way in today's world, this could be one ticket: have the navy show up and save the day with Bond taking charge.

    6. Many have offered that introducing a "new to the film audience" platonic woman relationship could be good, like May, or reintroduce the novel's Mary Goodnight, or something again slightly different for the character and give Bond a normal actual girlfriend he wants to return home to, who knows seemingly nothing about his job like in OHisMSS, etc.

    I've seen other good ideas in this thread but that's some for now.
  • edited November 2023 Posts: 1,859
    LucknFate wrote: »
    CrabKey wrote: »
    @DEKE_RIVERS - What does that fresher approach look like?

    Not seeing much on this thread about where Bond 26 goes. For me, hiring Christopher Nolan is not an answer. I am interested in speculations about what a new Bond film might look like and how Bond might be different.

    Fun ideas I've thrown around but don't feel like going into the same detail again:

    1. One option could be a future-forward, highly tech-oriented Splinter-Cell vibe, which could either lean lighter and humorous or darker and maybe political even. Look to the future-forward tech demonstration in the latest Avatar (2) movie: sonic weapons, human-mech suits (let's see Bond fight a henchman in an exoskeleton!), modern laser tech, hydrofoil boats, crab-like amphibious vehicles, it's all very cool! Call up James Cameron, pay him whatever he wants, and even if he doesn't make the next Bond movie, at least hire him for some ideas perhaps.

    2. Not a full direction per se but something I'd like to see. I've recently pitched doing the Dr. No novel's giant squid creature fight as a surprise twist - deliver a good, standard Bond adventure with Bond and maybe a woman getting away in the end, only for Bond to fall into the sea trap equipped with only a knife in his teeth to defeat his ultimate foe-a true force of nature! I think it could be pulled off with the right SFX/VFX house.

    3. I like I think SIS_HQ and others' suggestion to adapt more of the TSWLM novel in some way, either as a PTS or broader project (start with a woman character's perspective, all hope is lost, Bond arrives as yet another potential threat only to actually be the one to save the day. That leads me to:

    4. As for who could be realistic villains an audience can all rally against, take the inspo from TSWLM and other Fleming novels and go with gangsters. One movie, he's dealing with the Yakuza in Japan and other regional countries, perhaps. Another movie, the U.S. (Bond in DC? 007 in NY?). Another movie, South America again, etc. Gangsters open up the world to a guy like Bond.

    5. I've also pitched seeing Bond more as leader, pooling on his MI6, military, and government resources when the time really calls for it-the Bond equivalent of an Avengers-level event etc. Let's see Bond the Commander literally call in the navy as his trump card (and not to blow himself up!). For those who ask how to do patriotism the right way in today's world, this could be one ticket: have the navy show up and save the day with Bond taking charge.

    6. Many have offered that introducing a "new to the film audience" platonic woman relationship could be good, like May, or reintroduce the novel's Mary Goodnight, or something again slightly different for the character and give Bond a normal actual girlfriend he wants to return home to, who knows seemingly nothing about his job like in OHisMSS, etc.

    I've seen other good ideas in this thread but that's some for now.



    I hope that almost none of the above ever become remotely a part of a Bond thriller.
  • edited November 2023 Posts: 1,980
    @delfloria - We know what you don't want, what would you like to see? Not looking to argue. I really want to know what people hope the next film could be. Not interested in a director, star, or EON's schedule. I want to read more ideas about what these next films look like.

  • LucknFateLucknFate 007 In New York
    edited November 2023 Posts: 1,646
    delfloria wrote: »
    LucknFate wrote: »
    CrabKey wrote: »
    @DEKE_RIVERS - What does that fresher approach look like?

    Not seeing much on this thread about where Bond 26 goes. For me, hiring Christopher Nolan is not an answer. I am interested in speculations about what a new Bond film might look like and how Bond might be different.

    Fun ideas I've thrown around but don't feel like going into the same detail again:

    1. One option could be a future-forward, highly tech-oriented Splinter-Cell vibe, which could either lean lighter and humorous or darker and maybe political even. Look to the future-forward tech demonstration in the latest Avatar (2) movie: sonic weapons, human-mech suits (let's see Bond fight a henchman in an exoskeleton!), modern laser tech, hydrofoil boats, crab-like amphibious vehicles, it's all very cool! Call up James Cameron, pay him whatever he wants, and even if he doesn't make the next Bond movie, at least hire him for some ideas perhaps.

    2. Not a full direction per se but something I'd like to see. I've recently pitched doing the Dr. No novel's giant squid creature fight as a surprise twist - deliver a good, standard Bond adventure with Bond and maybe a woman getting away in the end, only for Bond to fall into the sea trap equipped with only a knife in his teeth to defeat his ultimate foe-a true force of nature! I think it could be pulled off with the right SFX/VFX house.

    3. I like I think SIS_HQ and others' suggestion to adapt more of the TSWLM novel in some way, either as a PTS or broader project (start with a woman character's perspective, all hope is lost, Bond arrives as yet another potential threat only to actually be the one to save the day. That leads me to:

    4. As for who could be realistic villains an audience can all rally against, take the inspo from TSWLM and other Fleming novels and go with gangsters. One movie, he's dealing with the Yakuza in Japan and other regional countries, perhaps. Another movie, the U.S. (Bond in DC? 007 in NY?). Another movie, South America again, etc. Gangsters open up the world to a guy like Bond.

    5. I've also pitched seeing Bond more as leader, pooling on his MI6, military, and government resources when the time really calls for it-the Bond equivalent of an Avengers-level event etc. Let's see Bond the Commander literally call in the navy as his trump card (and not to blow himself up!). For those who ask how to do patriotism the right way in today's world, this could be one ticket: have the navy show up and save the day with Bond taking charge.

    6. Many have offered that introducing a "new to the film audience" platonic woman relationship could be good, like May, or reintroduce the novel's Mary Goodnight, or something again slightly different for the character and give Bond a normal actual girlfriend he wants to return home to, who knows seemingly nothing about his job like in OHisMSS, etc.

    I've seen other good ideas in this thread but that's some for now.



    I hope that almost none of the above ever become remotely a part of a Bond thriller.

    Almost all of it already is part of a Bond thriller or the character's established background... lol, it's mostly on the page somewhere, much of it from Fleming, so I'm sorry you don't like it. I'm now suspicious if any of the franchise's more iconic movies/scenes had been briefly laid out to you and given the option, you'd reject them.
  • Posts: 1,336
    CrabKey wrote: »
    @DEKE_RIVERS - What does that fresher approach look like?

    Not seeing much on this thread about where Bond 26 goes. For me, hiring Christopher Nolan is not an answer. I am interested in speculations about what a new Bond film might look like and how Bond might be different.

    Anything but Craig's Bond.
  • Jordo007Jordo007 Merseyside
    edited November 2023 Posts: 2,641
    One thing I hope they don't do with Bond #7 is make him as analogue as Daniel's Bond was post QOS.

    One of my favourite scenes in Casino, is when Bond breaks into M's flat and he's logged into her computer using her password. It's such a small scene, but it shows Bond is intelligent and capable, without treading on Q's toes.
  • Posts: 4,137
    Jordo007 wrote: »
    One thing I hope they don't do with Bond #7 is make him as analogue as Daniel's Bond was post QOS.

    One of my favourite scenes in Casino, is when Bond breaks into M's flat and he's logged into her computer using her password. It's such a small scene, but it shows Bond is intelligent and capable, without treading on Q's toes.

    Agreed. Bond should have a degree of tech knowledge, albeit not to the extent Q does. It’d be a bit strange seeing a Bond in his 30s playing the grizzled ‘man of action’ who doesn’t understand technology (I don’t think even Craig’s Bond drifted quite into that area, he was just a bit more ‘analogue’ as you say).

    It’ll be interesting seeing how modern tech is used in Bond going forward. One of the few things I liked about Higson’s OHiMSS was the fact that some time was spent talking about the fact that Bond doesn’t have an online presence, and that MI6 agents regularly have fake identities online when they go undercover.
  • SIS_HQSIS_HQ At the Vauxhall Headquarters
    Posts: 3,787
    LucknFate wrote: »
    CrabKey wrote: »
    @DEKE_RIVERS - What does that fresher approach look like?

    Not seeing much on this thread about where Bond 26 goes. For me, hiring Christopher Nolan is not an answer. I am interested in speculations about what a new Bond film might look like and how Bond might be different.

    Fun ideas I've thrown around but don't feel like going into the same detail again:

    1. One option could be a future-forward, highly tech-oriented Splinter-Cell vibe, which could either lean lighter and humorous or darker and maybe political even. Look to the future-forward tech demonstration in the latest Avatar (2) movie: sonic weapons, human-mech suits (let's see Bond fight a henchman in an exoskeleton!), modern laser tech, hydrofoil boats, crab-like amphibious vehicles, it's all very cool! Call up James Cameron, pay him whatever he wants, and even if he doesn't make the next Bond movie, at least hire him for some ideas perhaps.

    2. Not a full direction per se but something I'd like to see. I've recently pitched doing the Dr. No novel's giant squid creature fight as a surprise twist - deliver a good, standard Bond adventure with Bond and maybe a woman getting away in the end, only for Bond to fall into the sea trap equipped with only a knife in his teeth to defeat his ultimate foe-a true force of nature! I think it could be pulled off with the right SFX/VFX house.

    3. I like I think SIS_HQ and others' suggestion to adapt more of the TSWLM novel in some way, either as a PTS or broader project (start with a woman character's perspective, all hope is lost, Bond arrives as yet another potential threat only to actually be the one to save the day. That leads me to:

    4. As for who could be realistic villains an audience can all rally against, take the inspo from TSWLM and other Fleming novels and go with gangsters. One movie, he's dealing with the Yakuza in Japan and other regional countries, perhaps. Another movie, the U.S. (Bond in DC? 007 in NY?). Another movie, South America again, etc. Gangsters open up the world to a guy like Bond.

    5. I've also pitched seeing Bond more as leader, pooling on his MI6, military, and government resources when the time really calls for it-the Bond equivalent of an Avengers-level event etc. Let's see Bond the Commander literally call in the navy as his trump card (and not to blow himself up!). For those who ask how to do patriotism the right way in today's world, this could be one ticket: have the navy show up and save the day with Bond taking charge.

    6. Many have offered that introducing a "new to the film audience" platonic woman relationship could be good, like May, or reintroduce the novel's Mary Goodnight, or something again slightly different for the character and give Bond a normal actual girlfriend he wants to return home to, who knows seemingly nothing about his job like in OHisMSS, etc.

    I've seen other good ideas in this thread but that's some for now.

    What's wrong with this, I'm very much on board with these ideas.

    That's the thing with us fans, we're always afraid of bringing Bond to greater heights.
  • Posts: 1,859
    CrabKey wrote: »
    @delfloria - We know what you don't want, what would you like to see? Not looking to argue. I really want to know what people hope the next film could be. Not interested in a director, star, or EON's schedule. I want to read more ideas about what these next films look like.

    I can see that no argument was intended. No problem. There were bits and pieces in the above list that I liked. Just one of those days I woke up on the wrong side of the bed as they say. What would I like to see.................I'll have to give that some thought or ask GPT about it.
  • edited November 2023 Posts: 1,859
    LucknFate wrote: »
    delfloria wrote: »
    LucknFate wrote: »
    CrabKey wrote: »
    @DEKE_RIVERS - What does that fresher approach look like?

    Not seeing much on this thread about where Bond 26 goes. For me, hiring Christopher Nolan is not an answer. I am interested in speculations about what a new Bond film might look like and how Bond might be different.

    Fun ideas I've thrown around but don't feel like going into the same detail again:

    1. One option could be a future-forward, highly tech-oriented Splinter-Cell vibe, which could either lean lighter and humorous or darker and maybe political even. Look to the future-forward tech demonstration in the latest Avatar (2) movie: sonic weapons, human-mech suits (let's see Bond fight a henchman in an exoskeleton!), modern laser tech, hydrofoil boats, crab-like amphibious vehicles, it's all very cool! Call up James Cameron, pay him whatever he wants, and even if he doesn't make the next Bond movie, at least hire him for some ideas perhaps.

    2. Not a full direction per se but something I'd like to see. I've recently pitched doing the Dr. No novel's giant squid creature fight as a surprise twist - deliver a good, standard Bond adventure with Bond and maybe a woman getting away in the end, only for Bond to fall into the sea trap equipped with only a knife in his teeth to defeat his ultimate foe-a true force of nature! I think it could be pulled off with the right SFX/VFX house.

    3. I like I think SIS_HQ and others' suggestion to adapt more of the TSWLM novel in some way, either as a PTS or broader project (start with a woman character's perspective, all hope is lost, Bond arrives as yet another potential threat only to actually be the one to save the day. That leads me to:

    4. As for who could be realistic villains an audience can all rally against, take the inspo from TSWLM and other Fleming novels and go with gangsters. One movie, he's dealing with the Yakuza in Japan and other regional countries, perhaps. Another movie, the U.S. (Bond in DC? 007 in NY?). Another movie, South America again, etc. Gangsters open up the world to a guy like Bond.

    5. I've also pitched seeing Bond more as leader, pooling on his MI6, military, and government resources when the time really calls for it-the Bond equivalent of an Avengers-level event etc. Let's see Bond the Commander literally call in the navy as his trump card (and not to blow himself up!). For those who ask how to do patriotism the right way in today's world, this could be one ticket: have the navy show up and save the day with Bond taking charge.

    6. Many have offered that introducing a "new to the film audience" platonic woman relationship could be good, like May, or reintroduce the novel's Mary Goodnight, or something again slightly different for the character and give Bond a normal actual girlfriend he wants to return home to, who knows seemingly nothing about his job like in OHisMSS, etc.

    I've seen other good ideas in this thread but that's some for now.



    I hope that almost none of the above ever become remotely a part of a Bond thriller.

    Almost all of it already is part of a Bond thriller or the character's established background... lol, it's mostly on the page somewhere, much of it from Fleming, so I'm sorry you don't like it. I'm now suspicious if any of the franchise's more iconic movies/scenes had been briefly laid out to you and given the option, you'd reject them.

    You caught me in a bad mood because of the non committal attitude EON is projecting at the moment and seeing them just spend time on two areas of entertainment I have no use for, reality shows and games (except for those is a VR format). I did include "almost" though, for what it is worth.

    1. I don't think Cameron would be the right choice. I'm not a fan of his current stuff like AVATAR. If he went back to his ALIENS roots I think it could work. I'm old school about large gadgets. If they are real like the Disco, the underwater sleds or personal glide suits I'm fine but if they can only rendered in CGI then I have a problem. I'm afraid that things like exoskeletons would get us too close DAD.

    2. As in FRWL, the reason the fight works so well with Grant on the train is that we are introduced to him early in the film as Bond's potential killer and we follow him all the way through until the train fight. Introducing a random, surprise villain or octopus to end the film would lack impact. Just so you know I would LOVE to see a remake of Dr. No WITH the squid fight but in it's proper place.

    3. The idea of Bond at the hotel and besting an insurmountable gang of interlopers to save a damsel in distress could work but then again I'm of the opinion that smaller PTS sequences that do not over shadow the climax of the movie and are their own separate mini stories are best. ie; Goldfinger, Thundrball, bank sequence of TWINE, without the boat chase.

    4. I think Bond needs fantastic villains, who can use the Yakuza and other gangland figures as their minions is the key. The more ordinary villains like Green have done nothing more me.

    5."Patriotism" always sticks sideways in my throat. Bond maybe at the service of His Majesty but I always feel that once on assignment he, more times than not, ends up with protecting the world as opposed to his country. I love the Bond films that end with big YOLT, OHMSS and TSWM type battles and am all for Bond having an army at his disposal but he does not have to be in command of them. Leave that to Tiger or the Sub captains.

    6. I just don't think Bond should have a personal ties at home.......... It makes him too human and not the archetype archangel, al la Dr. No, on mission to rid the world of evil. I'd like to see Sylvia Trench come back myself. Also enough of the platonic relationship stuff. Bond could be dead tomorrow and should be as hedonistic as possible. Would even still like to see him smoke his three ringed cigarettes occasionally.

    Well, there you you go. Sorry about being so generally negative in first response.
  • SIS_HQSIS_HQ At the Vauxhall Headquarters
    edited November 2023 Posts: 3,787
    delfloria wrote: »
    3. The idea of Bond at the hotel and besting an insurmountable gang of interlopers to save a damsel in distress could work but then again I'm of the opinion that smaller PTS sequences that do not over shadow the climax of the movie and are their own separate mini stories are best. ie; Goldfinger, Thundrball, bank sequence of TWINE, without the boat chase.

    The TSWLM book was almost similar to the PTS of Goldfinger, Bond beating a bunch of gangsters to save a girl was almost a mini film in itself, more like trailer, think of CR.

    And it doesn't overshadow the climax of the film neither, I actually think that the majority of the PTS from the Moore Bond films did overshadow the climax of the films for me, TSWLM, OP, and AVTAK, even the skydiving in MR is on par with the space climax.
  • echoecho 007 in New York
    edited November 2023 Posts: 6,290
    Gangsters are a bit low-rent for a Bond film, IMHO.
  • Posts: 3,327
    echo wrote: »
    Gangsters are a bit low-rent for a Bond film, IMHO.

    I don't agree. LTK is a superb film, and felt very Fleming.
  • LucknFate wrote: »
    One option could be a future-forward, highly tech-oriented Splinter-Cell vibe, which could either lean lighter and humorous or darker and maybe political even. Look to the future-forward tech demonstration in the latest Avatar (2) movie: sonic weapons, human-mech suits (let's see Bond fight a henchman in an exoskeleton!), modern laser tech, hydrofoil boats, crab-like amphibious vehicles, it's all very cool! Call up James Cameron, pay him whatever he wants, and even if he doesn't make the next Bond movie, at least hire him for some ideas perhaps.

    I would be very interesting to see such direction on the big screen. It reminds me of the Dynamite comics but also of Alfonse Ruggiero/Michael Wilson's Bond 17/GoldenEye script that involved smart building and cars, and, infamously, an android. Without going as far as introducing an android, I wouldn't be against seeing a highly tech-oriented movie.

    It could be the perfect antithesis to GoldenEye: whereas the starting point in 1995 was that Bond was a relic of the Cold War that needed to prove that the Double O Section was still relevant in the 90s; the starting point of Bond 26 could be that the Double O Section is created to strengthen the UK’s deterrence in the context of the emergence of hybrid warfare and the return to high-intensity conflicts in Europe. In this new timeline, the Double O Section is created to answer Tomorrow's threats.

    No sure however about James Cameron. I think other directors could bring such vision to the big screen, including Alex Garland and Gareth Edwards.
  • DenbighDenbigh UK
    Posts: 5,970
    LucknFate wrote: »
    One option could be a future-forward, highly tech-oriented Splinter-Cell vibe, which could either lean lighter and humorous or darker and maybe political even. Look to the future-forward tech demonstration in the latest Avatar (2) movie: sonic weapons, human-mech suits (let's see Bond fight a henchman in an exoskeleton!), modern laser tech, hydrofoil boats, crab-like amphibious vehicles, it's all very cool! Call up James Cameron, pay him whatever he wants, and even if he doesn't make the next Bond movie, at least hire him for some ideas perhaps.
    I think other directors could bring such vision to the big screen, including Alex Garland and Gareth Edwards.
    Both good choices for that kind of film. I also think Villeneuve would be a good choice for that kind of film as well, maybe more so than a classic approach.
  • LucknFateLucknFate 007 In New York
    edited November 2023 Posts: 1,646
    Denbigh wrote: »
    LucknFate wrote: »
    One option could be a future-forward, highly tech-oriented Splinter-Cell vibe, which could either lean lighter and humorous or darker and maybe political even. Look to the future-forward tech demonstration in the latest Avatar (2) movie: sonic weapons, human-mech suits (let's see Bond fight a henchman in an exoskeleton!), modern laser tech, hydrofoil boats, crab-like amphibious vehicles, it's all very cool! Call up James Cameron, pay him whatever he wants, and even if he doesn't make the next Bond movie, at least hire him for some ideas perhaps.
    I think other directors could bring such vision to the big screen, including Alex Garland and Gareth Edwards.
    Both good choices for that kind of film. I also think Villeneuve would be a good choice for that kind of film as well, maybe more so than a classic approach.

    From a business perspective, it also would make sense to try to beat any potential actual Splinter Cell or Metal Gear Solid movies that might be planned. Let Bond redefine the spy genre for the modern, as you said "hybrid warfare" age, before anyone else gets to, more inspired by the character's video game adventures which have been fairly so-called sci-fi, especially GoldenEye: Rogue Agent (cybernetic eyeball came back in NTTD!) and Everything Or Nothing.
  • Agent0099Agent0099 Milford, Michigan
    Posts: 29
    echo wrote: »
    Gangsters are a bit low-rent for a Bond film, IMHO.

    Didn't translate very well to Fleming's Diamonds are forever novel, But I 100% Agree with @jetsetwilly LTK was great with gangsters and pure fleming.
  • LucknFateLucknFate 007 In New York
    edited November 2023 Posts: 1,646
    Agent0099 wrote: »
    echo wrote: »
    Gangsters are a bit low-rent for a Bond film, IMHO.

    Didn't translate very well to Fleming's Diamonds are forever novel, But I 100% Agree with @jetsetwilly LTK was great with gangsters and pure fleming.

    And as I said at the outset of my OP (and I appreciate @delfloria following up with some constructive notes on my ideas) those were rough suggestions, starting points, for where Bond could go, either as part of a story or a broader narrative. I think gangsters have that unique quality of being able to provoke both moments of disgust and sympathy from an audience, they often can be forgiven or are depicted as misled, but they can also be pure evil.

    I do agree that the gangster concept would need elevating to some degree, with a provocative leader with grander ambitions, but it could also just be part of a greater corporate espionage conspiracy, etc., or with a revelation that there's broader political/government corruption entangled.

    Bond used to do more "corporate" espionage, there's a lot of it in YOLT, but like, was it ever even established that Safin operated some sort of a company in NTTD? How did he arrange supplies, etc. with no contracts, etc. (don't overthink it, I know). Inception also is really a good recent story of basic greedy corporate espionage (though its protagonist is a freelance privateer and Bond is not).
  • VenutiusVenutius Yorkshire
    edited November 2023 Posts: 3,152
    I suspect that Gangs of London's already done the elevated gangster thing - the shadowy 'Investors' above the actual crime families in GOL are clearly non-State actors operating on a global stage, beyond the reach (or perhaps even knowledge) of govt. In a Bond context, that'd point us at a re-run of Quantum/Spectre, just from a different angle. I can see the appeal as a different way into it if that was the way they wanted to go, but I'm rather hoping that they rest the many-tentacled global nemesis thing for a while and give us some standalones with new villains.
  • peterpeter Toronto
    Posts: 9,509
    The actors strike has ended
  • Posts: 1,980
    @delfloria Thanks for sharing.

  • Great news! Now EON and EON's defenders no longer have any excuses. 😎
  • DenbighDenbigh UK
    Posts: 5,970
    peter wrote: »
    The actors strike has ended
    dancing-danielcraig.gif
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