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Comments
Needless to say Kleinman is a genius.
1. Sequence near the end where it's Bond aiming the gun, then a tentacle wraps around the gun and its transitions to TWINE-esq girls posing with ink flowing off of them
2. Tentacles wrapping around 007 (little bit of OP evoked)
3. OHMSS-esq images of past Craig-era characters
Yes it sounded different to me, as well. Some of the timing on how he held his notes felt different, too.
That happens to all pop music when played through a DTS True HD sound mix.
Quite frankly, WOTW has now become my favourite Bond theme right after AVTAK.
It is overwhelming to hear that in the movie theatre combined with those stunning visuals!
So will the Blu Ray have the echo then or no?
The Blu-ray's True DTS HD will sounds exactly the same as in the cinema, yes.
I'm trying to count the previous Bond references apart from DC's previous films in the TS and glad you've spotted some. Here's my unrepeated two:
2. A blink of an eye towards the end - GE
hope to spot out some more.
Wow, you managed to wait over a month without hearing WOtW? I'm most impressed. Ideally that's what I want to do, but modern life etc.
Simply not true.
Everything you hear, which may or may not include echo in pop music, is an intentional artistic choice done in the mix and NOT something which is inherent to a DTS True HD sound mix (or any other cinema sound format). The sound system doesn't know the difference between pop music, dialogue, or a ray-run and thus does not selectively impose an echo on Sam Smith's voice.
And while we're at it the cinema environment is not a factor either, by design. Even a mediocre contemporary cinema has a relatively dead acoustical signature (walls are lined with fabric over one sort of absorptive panel or another) such that all you hear is the content which the sound artist put in the mix.
Now, if you are saying that pop music in movies tends to be mixed in such a way that it is spread out and has more ambiance compared to the CD mix, I would agree with that, but again clarify that that is a choice made at the mixing console and not something endemic to a surround sound format.
I liked that opening. It was inspired.
Somehow, I managed to avoid it! I didn't hear a second of it until I heard it attached to the film. Totally worth the wait, too.
Well I put it in very simple words.
You explained it very well.
But I have to disagree on one thing.
I own a quite elaborate HiFi home sound system with 7.1 speakers.
If I play a cd in the surround modus or cinema modus the voice of a singer appears to have a stronger echo as when played in normal music stereo modus, especially with slower orchestral music like WOTW is.
But you are right of course that the mix in the True DTS track of the music is on purpose and an artistic decision.
If only the rest of the world could keep up with the UK! ;)
Really love 1:17-1:40
HOLY word I can't say on this forum for some reason! THAT'S GREAT!
I just want to know how the hell did this person made this and how long did this take to make..
I said in this thread for SPECTRE's title sequence that I am not a big fan of actual people in the title sequence, so for that I honestly have to say that I prefer the original..but this was really well..the part you mentioned at 1:17-1:40 was amazingly done! It would have been great if Bond turned at the end with pointed gun. Still amazing though.
I think that the demolition of the lodge kinda spoils too much, but the Asia/Computer references in it were amazing. Who made this ?