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I thought the character of, ahem... Oberhauser worked very well, and whilst I was originally opposed to his being Bond's foster brother, this seems to work in the context of SP because it makes the conflict between him and Bond take on a more personal dimension, which makes the character better suited to be a recurring one.
If we turn the movie clock back a few decades to OHMSS, it is really never that clear why Bond had this personal desire to catch and kill Blofeld after the events of TB and YOLT, since they only met briefly in YOLT. If, however, we introduce the fact that Blofeld had a personal grudge against Bond and worked to be "the author of all your pain", then Bond's desire to bring Blofeld down makes better sense. Making Bond a relative of a brilliant but sociopathically insane criminal such as Blofeld gives rise to all kinds of story ideas that otherwise would not be available or credible.
As far as Christolph Waltz's portrayal as Oberhauser/Blofeld is concerned, I think he got it spot-on. There's just the right level of brooding, shadowy menace to create a feeling of real fear in the viewer -- it did me, anyway. A lot of this is down to good direction and cinematography, but the way Waltz delivers his lines is nothing short of brilliant. He's calm, assured and full of understated steel-hard menace, in which insanity is implied, rather than overtly thrust in your face Joker-style.
The Spectre board meeting in Rome is very well done -- it has all the spooky gothic overtones of a Mafia meeting, with Oberhauser/Blofeld being a much feared and respected Don. HIs shadowed figure is treated with deference and respect that more than borders on fear, and much of this permeates to the audience and, indeed, to Bond himself as he watches from the balcony. All that's missing is the calm pitiless green-eyed inhuman gaze of the white Persian cat as a metonym for Blofeld's face, especially as Hinx puts out the eyes of that hapless minion -- but that would have been giving the game away too soon, wouldn't it? Pity.
Nice analysis, @Darius. I agree with all of it.
I think that because there was nothing behind the eyes emphasises Blofeld's almost shark-like presence. If Waltz had portrayed Blofeld as a drooling boggle-eyed maniac, the character would have lacked credibility and menace, because this is something many associate with insanity and can therefore relate to. When there's nothing behind the eyes, then that is something that instils real fear because everyone fears the unknown.
Silva in SF was better villain. Same goes for Le Chiffre.
I guess Le Chiffre's bloody eye was a nod to Blofeld.
Totally agree: Waltz is superb with a quiet menace
To tell you the truth, I didn't think he was very intimidating.
But I hope he grows into his role like DC did, should he make a return. :)
I've only seen the film once (so far) but I really felt he was playing the role exactly the same as every other Christoph Waltz character. I do not think an actor always has to have the greatest range, and I think Christoph Waltz is wonderful, but I got a sense that I had seen his shtick before, and consequently did not find him as threatening or revelatory as Javier Bardem's performance in Skyfall.
Still, on further viewing, and with the (obvious) revelation of Oberhauser's true identity out of the way, I expect I will appreciate him more.
I am VERY pleased that they managed to bring Blofeld's cat and scar into the film. I think the greatest triumph of SPECTRE is how it embraced the cheesier aspects of the series but managed to do it with style!
Each and every bit of criticism I had for the guy was blown out of the water in SP. From the way he swaggered across the screen in the PTS tracking shot to how he handled the playful script. Waltz could have been on screen for just 2 mins for all I cared.
I don't think his performance was tired, quite the opposite. He seemed really assured in the role and like he was really enjoying it. He seemed a bit tired during interviewing but I would be if I'd spent 6-8 months non-stop on one project. I've written screenplays and just that takes a lot out of you. It takes me typically 6 months from first idea to a final draft and you don't feel like writing the next one straight after but look forward to a break from it.
I don't know that felt very Fleming to me somehow.
This.
Yeah I liked the Dr. No feel
Agree. It was a great touch.