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Comments
Less plot holes? OP, FYE, both of Dalton's films...
I can make sense of all of them, even SF.
You just have to watch them a lot.
This can be either making sense or rationalizing.
Okay, here's my list of Tight, Loose & Sloppy:
DN- T
FRWL- T
GF- L
TB- L
YOLT- S
OHMSS- T
DAF- S
LALD- L
TMWTGG- L
TSWLM- L
MR- S
FYEO- T
OP- T
AVTAK- T/L
TLD- T
LTK- T
GE- T
TND- T/L
TWINE- L
DAD- L (before you chastise me, the story wasn't bad; the production/execution was Sloppy)
CR- T
QOS- T (maybe a little TOO tight)
SF- S
SP- L/S
In all honesty.......?
I think SF has proven outside the fan community how little people give about plot holes. What counts for me is: How much impact -emotionally- a movie has on first viewing. So that makes this topic way more relevant for those who (over-)analize the movies after an incredible amount of rewatches.
:-??
You know it.
I understand that the move was all about the card game, but for pete's sake, at least come-up w/a bloody reason in the plot why Le Chiffre cant' simply be kidnapped. Don't just ignore it! The entire move was centered around this huge plot hole!
Then there are the secondary villains who attack Le Chiffre in his hotel room during a break from playing cards. They're pissed at him for gambling with their money. What do they do? They threaten to cut-off his girlfriend's arm! They tell him they'd take his arm but they need him to win! Why would they attack him, rattling the hell out of him, in the MIDDLE of the card game (instead of waiting til after) if they needed him to win!? Could anyone concentrate & have the focus to win a card game after that?
Then they attack Bond in the hotel -- no worries that anyone will hear the fighting in the hallway where they attempt to hack Bond with a machette (or that security cameras will pick it up).
Then there's Vesper who shows no signs of the trauma she's supposedly experiencing for the most of the movie but seems quite happy go lucky.
I'm sorry but, while its plot holes are not nearly as bad as SF's, there's no way CR is a tight story.
On Her Majesty's Secret Service doesn't really have plot holes, but it has one of the most unconvincing plots ever and the pacing is terrible.
Moonraker obviously has an immensely unrealistic plot, but if I can recall correctly, it didn't really have too many plot holes itself. If anything, The Spy Who Loved Me had more plot holes. Moore's last three probably had the least plot holes.
The Living Daylights doesn't really have plot holes, but it has some of the most unconvincing near-death misses in Bond.
Obanno leaned into Le Chiffre because he was pissed that this fancy ass Frenchman had gambled away all his hard earned illegal spoils.
He wanted to kill him real bad. It took big self-control not to kill him but grudgingly let him live.
The message to Le Chiffre was clear. You are only still alive due to a technicality. In thug world, one must always be flexing one's muscle.
The reason why Bond does not simply kidnap and kill Le Chiffre is not remotely a plot hole. It's taken right from the original Fleming story. The idea is to truly bankrupt Le Chiffre, who has an exploitable gambling vice, so that he is rendered useless and exposed to his employers, who will then thuggishly kill him, leaving him nowhere to turn but to the good guys, who can then exploit him for their own purposes.
SF is probably the toughest to explain in parts, but even it is fathomable.