It looks like you're new here. If you want to get involved, click one of these buttons!
^ Back to Top
The MI6 Community is unofficial and in no way associated or linked with EON Productions, MGM, Sony Pictures, Activision or Ian Fleming Publications. Any views expressed on this website are of the individual members and do not necessarily reflect those of the Community owners. Any video or images displayed in topics on MI6 Community are embedded by users from third party sites and as such MI6 Community and its owners take no responsibility for this material.
James Bond News • James Bond Articles • James Bond Magazine
Comments
But, as much as EON likes repeating themselves, I'm sure they'll kill her off, despite the fact we've already had the dead girlfriend motif play out in the Craig films already and then spent a fourth of his tenure with him searching for closure on that event.
I would prefer Bond to have a new companion next time out, and in every new film.
If they kill her off we'd have yet another revenge film, only to repeat the same story arc shared by both CR and QoS in the same era.
At the start of the next film Bond and her will likely be in a retreat of some sort, living a quiet life, with Bond completely uncommunicative with those at MI6 about his whereabouts. The PTS could even shy away from showing Bond at all and instead show Blofeld escaping his capture. Or the film would start showing Bond and Madeleine off in their bliss together and then, inevitably, something occurs-someone appears with aims to kill them both-and she dies in the crossfire, setting the tone for the whole feature.
While many would see this coming and call it cliche, I think it's a far better option than just having Bond say, "oh, me and Maddy didn't really work out" without detailing anything about what actually happened. Nor do I think it's a great idea to just start anew with another Bond girl. That worked fine in the 60s when there wasn't such an emphasis on continuity and the consequences of Bond's world and his interrelationships at home and abroad, but in the current slate of films I expect for the decisions made that weigh heavily on Bond and his life to be taken very seriously. He is ready to drop his life and begin a new one with Madeleine at the end of SP, so just glossing over her with a throwaway line just doesn't work.
From my perspective, the only course to follow is to have her die, spurring Bond to come back one final time to take out Blofeld once and for all. This era deserves a hellraiser of a finale, and in this kind of film we'd have a Bond who essentially has nothing stopping him from doing what must be done, even if it means his demise. I'd love to see some of Fleming's YOLT adapted in here, especially the garden of death and castle, as I've said previously. I think it'd be a really gothic, dark place to take the next Bond. And with Waltz rumored to be open to returning, we could see some of this.
This. But She did already go through a bit of this with Bond in SP. IMO, have Swann vanish in a plot related sense. A kidnapping perhaps. Yes, the mission is personal again for Bond and it will compel him drive through the story to save her instead of avenging her. Then she can leave to which Bond accepts because he knows they're both better off separate.
Predictably dark this is.
This would be the best option. But oops they already bungled that by having her do it already in the finale of SP.
There really aren't many options left open to them.
Kill her is the most obvious. Too obvious - but that probably won't stop them.
Let her leave Bond Gala style. Has to be the favourite if they don't bump her off.
Let them get married and live happily ever after. Not an option unless they want to f**k the whole series up.
In one of the John Gardner books Bond got serious about a girl and at the end she was in a coma. In the next book Bond used to visit her and I think in the end had to turn the machine off. Different but I don't want Bond films reduced to some tearjerking melodrama with him sat at a hospital bed.
Probably the best way out of it is to have a scene with Bond and MP at the start with him sat drinking vodka and saying it didn't work out.
That's actually really good. And original (at least in the movies).
I didn't like the fact that killing her off would be too similar to Vesper, but it also serves to add some weight to Blofeld's claim that he is behind all the deaths. That being said, having her killed in SP (the MI6 demolition scene) would probably be a better option than any of the ones that they had given us to speculate.
That's hilarious!! =))
She could always be incapacitated in some way...or have her the lead Bond girl again. Léa Seydoux could be even more sensational with better material.
The back to basics reboot can come once Craig leaves and I sincerely do hope we see Craig one more time.
Which pretty much assures that EON will go down that path. They love beating a dead horse as much as anyone in Hollywood, with their obsession with the "this time...it's personal" plot device being a prime example.
Yep. The Craig era doesn't need any more dead Bond girls or traitors. Perhaps Swann could hold information that leads Bond to bring down the rest of SPECTRE.
Or indeed have them split (on or off screen) because despite tossing his gun away at the end of SPECTRE Bond isn't the settling down type she briefly led him to think he was after all.
So far the best idea on this thread came from @Murdock. Have her leave Bond.
My point is, no one leaves Bond in the films, at least not unless she's a villain. It's unheard of. That is part of the film legend.