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The one thing I can think of is to sort of do what they planned on doing with Natalya in TND (she was supposed to be there in place of Paris Carver) and have her as a supporting Bond Girl where Bond leverages his personal connection to her for information. Considering her dad's connection to Spectre it would make sense for her to know stuff too.
He could just be taking a deserved sabbatical after saving MI6 once again. Even if it was supposed to mean his retirement you could easily fix that with one line of dialogue.
Blofeld's escape could make for a cool PTS.
BOND: "M, Madeline and I just broke up. I'd liked to return for duty now."
M: "What?! Are you serious? Bond, you quit... twice. Both times were because of women."
BOND: "Yes... and now I'm not with a woman. So I'm coming back."
M: "No. I need someone who won't run away with a girl because the brain in his pants is telling him he's in love."
BOND: "But..."
M: "No! I need someone reliable. Someone who won't clown around. Speaking of, I have an important mission that needs taking care of. Now bugger off Bond. Moneypenny, get me 009."
MONEYPENNY: "Yeah, about that..."
[Ducks and runs. Bigly.]
Bond 25 You Only Quit Twice .
if she created a better emotional connection with Bond and the audience, you can justify another movie with some form of role for her,
I think I may be typical in that, I really dont care enough about her as a character and yet, it would seem strange to make no reference to her. (when you watch the last 2 mins of SP, it's clear that emotionally, she has played a key role in Bond's decision making process)
So if DC comes back with no reference to this, it will just further undermine SP IMHO
Spot on, Pat. This 'neither/nor' is right at the heart of my problems with SP and the places it's left the narrative. I've said before that my frustration with the film isn't because it's bad, but rather that it could be so much better.
In the case of Madeline, they've got an excellent actress who's beautiful, and whose character has a compelling backstory. She's not used up to that potential, but she's also clearly not set up to be 'just another' Bond girl.
Again, though, given my druthers I think I'd be happy enough with not mentioning her again. Like you, I'm just not connected enough to her character and don't need to see anything 'resolved.'
A big theme of the film is Bond's choice, paralleling with CR, that he can continue the life of a spy/assassin or not. So it's self-evident from the context of the film that Bond is 'done', in that moment at least.
Absolutely, it's not exactly the symbolic riddles that TS Eliot plays in The Waste Land, it's not that complicated.
James Bond quits the service, does he? So that's the end of it? The next movie will be about his adventures in stamp collecting, or him working out how to collect his pension?
We'll have to see where they take it. But dramatically the point is always that Bond can never quit, this is his life. Hence Fleming kills Tracy off in OHMSS; any thought he has of marrying Vesper is cut short by her suicide.
Its as if the writers just did not think about the impact of these scenes...really weird IMHO
Yes.
Here's a link:
https://uk.movies.yahoo.com/sam-mendes-was-furious-lea-seydoux-jetted-between-movies-while-making-spectre-095223033.html
Even though the producers seemed relatively comfortable with her schedule plan, perhaps they'll write her out for the next film because they won't want to work with her again? She better hope that Mendes doesn't return.
Yeah, it seems like the majority of people want her to leave but if Craig returns (which he most likely will) it'd be awkward to not have her in the film. Unless, they give Craig a line saying something like "Madeleine got hit by a bus yesterday... sooo what's my mission, M?" That would be the minimum that they could do.