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While we normally picture Kubrick as being a control freak (requiring take after take of a scene and driving his collaborators crazy), in reading the book I learned that he was surprisingly open to the ideas of others.
..da Bronx kid done good!
His 7 part documentary on the making of 2002 is very informative and worth a watch...
He's really good. Love his analysis.
1 SPARTACUS (1960)
2 2001-A SPACE ODYSSEY (1968)
3 BARRY LYNDON (1975)
4 THE KILLING (1956)
5 PATHS OF GLORY (1957)
6 KILLER S KISS (1955)
7 DR STRANGELOVE or HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB(1964)
8 LOLITA (1962)
9 THE SHINING (1980)
10 FULL METAL JACKET (1987)
11 EYES WIDE SHUT (1999)
12 A CLOCKWORK ORANGE (1971)
13 FEAR AND DESIRE (1953)
1. Dr. Strangelove
2. 2001: A Space Odyssey
3. The Killing
4. A Clockwork Orange
5. The Shining
6. Fear and Desire
7. Full Metal Jacket
8. Eyes Wide Shut
9. Barry Lyndon
10. Lolita
11. The Killing
12. Paths of Glory
13. Spartacus
Surely you mean KILLER S KISS at either 3 or 11.
D’oh! Sorry. The Killing at 3 and Killers Kiss at 11.
I mean, how do they compare to his feature films?
The first one, from 1951. The full version is four minutes longer and also available on Youtube, but the quality sucks.
The second is also from 1951
My current ranking of Kubrick's films, minus the docus:
1) 2001: A Space Odyssey
2) Paths Of Glory
3) The Shining
4) A Clockwork Orange
5) Barry Lyndon
6) The Killing
7) Lolita
8) Spartacus
9) Dr Strangelove
10) Full Metal Jacket
11) Eyes Wide Shut
12) Killer's Kiss
13) Fear and Desire
Only 22 years old.
Any particularly interesting or surprising items?
Mintature models of the hedge maze and war room are super cool as are costumes for Spartacus, A Clockwork Orange, Barry Lyndon and Eyes Wide Shut. Well worth a visit.
If I should rank the documentaries:
1 FLYING PADRE
2 DAY OF THE FIGHT
3 THE SEAFARERS
Can you, @TR007 , remember what Cary was actually saying about ambition of "Napoleon"?
My only niggle with it is Nicole Kidman's character is such a C... !
I'm glad you like the movie. Too often must I read that people dismiss this one as Kubrick's weakest, or not a Kubrick film at all. Why? Because of the universal it's-cool-to-hate-on-Tom-Cruise-hysteria? Or because it's an exceptionally slow film? I don't know. I myself appreciate the tone of the film, the use of colours, the photography, the music and yes, the acting as well. Like almost every single film Kubrick has made, EWS is an acquired taste... but I have definitely acquired it.
I don't find it slow at all. I find it riveting from the start.
Like you, i love the tone of the film and the use of colours.
It's definitely an acquired taste. The first time i saw it my expectations were low and i was (and continue) to be suprised by it.
Interesting that it's gone down in your estimation. I find it gets better with each viewing.
You're right, it is 'silly' but then i find that with a lot of Kubrick's films. Not that thats a criticism as i like that element of his films.
Correct. Paths of Glory can still elicit a visceral response in me, despite its lack of exploitative material. It's a film so well-acted, well-staged and well-told that you get the point even without all the usual tricks. People keep listing war movies one should see to get a firm grip on the inhuman nature of war, but they rarely include Paths of Glory. I'd say this is one of the quintessential war movies, a perfect dissertation on the subject of "there's no good and evil; only evil" in war.
https://www.indiewire.com/2019/07/2001-a-space-odyssey-exhibition-museum-of-moving-image-1202161217/
Every July / August the museum plays a series of movies in 70mm as part of their “See it Big” series - with 2OO1 always serving as the centerpiece. “Roma”, “Dunkirk” and “Hamlet” (1996) are among the other offerings this year.