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Comments
2. Heads of Station
3. Trad gunbarrel every time
4. Bond getting a mission
5. Spying, Bond is a spy after all
6. The JB theme used effectively in the score - I find Thomas Newman's use of it borders on pastiche.
7. Title of the next Bond film on the end credits
8. A return to DC era grittiness from CR thru Skyfall
9. Faithful adaptation of Fleming - YOLT anyone? a spin off of TSWLM as per the novel?
10. Bond's class - his knowledge of food and drink etc.
11. Bond as definably upper class.
12. Bond smoking cigarettes.
13. Limited roles for M, Moneypenny and Q
In the black polo neck jumper and trousers, hiding in the shadows. I guess that
Would come under " more SPY stuff" :)
Very good list, but No 8 should be replaced by "A return to early, middle 60's Connery era grittiness"
Pretty good list especially number 6 which is getting close to being embarassing especially when it's in conjunction with the DB5 turd that just won't flush. When are we going to get the Bond theme at full blast when Bond does something Bondian rather than just an aural alert every time Mendes serves up another reference to old Bond films.
The limp plane sequence would have really benefitted from the a rousing rendition of the Bond film.
Also I would pick you up on number 11. Bond is not upper class. Andrew Bond worked for a living and Bond has to also. I can't remember which book it was off the top of my head but there's a quote somewhere where Bond imagines that he if he had enough wealth not to work he would just end up a playboy on the Riviera.
Bond is solidly middle class; probably upper middle class given how his family is portrayed in SF.
Yeah I agree with you on upper middle class - in my mind people who go to Eton are more than just 'middle class', maybe I'm just a snob though like Fleming himself :)
Also, I agree- no personal BS, no angst, the REAL James Bond gets over things quickly and moves on to his next assignment without whining about events the previous film.
1. Better memorable scores with a larger use of the Bond theme better utilized during action scenes.
2. Bond sneaking around enemy locations in Black stealth clothes. (GF and TB come to mind.)
3. A good final fight with the villain.
4. A Lotus car.
5. More time put to use of locations. Recent Bond movies have him skipping around the world way too soon.
1-Stoic macho seasoned gentleman secret agent who wears very masculine suits.
2-Quips and puns and witty one liners.
3-Provocatively sensational Bond Girls and not women with damaged pasts.
4-Megalomaniac Villains and over-the-top plots.
5-Military bases, control rooms (we sort of got that back), Silos especially!
6-The proper melodic James Bond music in the soundtrack.
7-And finally, catchy Bondian title songs. Bondian. Like Goldfigner and Thunderball.
+1
Back to the 007 theme ...they can spend big money on a massive explosion they barely filmed, a prototype Aston they forgot to drive, and an actor whom rather slit his wrists BUT they can't stand to pay royalties to give fans Barry's 007 theme?
Definitely. With Vesper, Camille, Severine and Madeleine, it has become a standard in Craig's films. This personal issues stuff really needs to end, both with Bond and with the women.
the more i watch SP, the more i like the gunbarrel... it's very simple, but it works well enough (just the design mind you).. when Bond turns and fires, i kind of like how they silhouette him out against the background - it's a nice touch..... but i don't like that it stayed still - had it moved, and then fallen into a corner like it's traditionally supposed to, it would've been 10x better.... but who knows, since Mendes probably wont be coming back for Bond 25 - perhaps whoever is directing next won't try and f### with it just so he can have his stupid little pretentious moment to start the film.
Hear, hear! Locales are just used for throwing money on the screen nowadays. Last time we truly saw this was OP. Actually there was a lot of cultural immersion there come to think of it - you really felt India and Germany. You do not feel Rome or Austria or Tangier in SP.
Although what you say might be more difficult to capture now due to the general urbanisation of the world today. We see Shanghai in SF. Shanghai certainly looked far different in the 60s, 70s, even 80s. Or at least I would assume.
I agree 100%. I like those Bond films where you can really say afterwards. This filmhad one or two main location: India and Germany; or Greece and Cortina; or just one Japan.
Local alies are also something we have been missing for a long time. YOLT, Octopussy, Dr. No or Golden Eye all benefited from that. I also like it if Bond interacts with other people.
I agree with this, just leave the camp comedy out of it.
Evil minions in brightly colored uniforms.
I like Beluga and Dom Perignon and would love to drive an Aston and buy my clothes in Savile Row. It's just I can't afford it - but even if I could it wouldn't make me upper class.
And sorry about the reference, thought that'd be some humour to add in. :D
you mean that snorting lorry driver
blank check from her majesty's government ;)