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PTS: SP
Title track: SP
Titles: SP
Main villain: LTK
Main Bond Girl: SP
Henchman: LTK
Plot: LTK
Dialogue: SP
Score: LTK
Settings: SP
Action: LTK
Humour: SP
Cinematography: SP
Benign Bizarre: LTK
Suspense: LTK
Minor Characters: SP
Glamour: SP
Bond performance: LTK
SP - 10
LTK - 8
Spectre wins this round for me.
Agreed. The film needed a new director and writer if they were going in a new direction.
The crap revenge story just didn't give Dalton a chance after his nuanced turn in TLD.
Title track: SP
Titles: SP
Main villain: LTK
Main Bond Girl: LTK
Henchman: LTK
Plot: LTK
Dialogue: LTK
Score: LTK
Settings: SP
Action: LTK
Humour: LTK
Cinematography: SP
Benign Bizarre: SP
Suspense: LTK
Minor Characters: LTK
Glamour: LTK
Bond performance: LTK
SP 6
LTK 12
Licence to Kill is intense and violent and shares little in common with the Roger Moore era (it goes back to Fleming). Audiences weren’t ready for a film ahead of its time and its summer release alongside a series of blockbusters meant its one of the least remembered Bond films. Interestingly, the stripped down and violent formula of Licence to Kill was back with Casino Royale and Quantum of Solace where it was met with almost hysterical praise. Licence to Kill was 17 years too early and modern audiences should be able to see it for what it is – a stunning film - the best Bond film at the time since LALD.
Sorry can't agree that it's a 'stunning' film.
It's ugly, nasty for the sake of it and just doesn't work. It want's to be taken seriously with a vengeful new Bond but then has a Truck doing an inexplicable wheelie. And after all the bloodshed we're asked to swallow a soppy epilogue where Bond gets the girl and Felix Leiter is ready to go fishing (presumably after he's arranged the funeral of his murdered wife)
Dalton overacts terribly and looks as if he's just trying too hard to be this tough no-nonsense Bond. It just comes across as awkward.
I can never understand how people think it 'goes back to Fleming' Its nothing like Fleming.
And to liken it to CR and QoS is insulting to those two excellent films.
As is the aquarium scene with the exploding fish tanks.
Yeah it nicks two scenes from LALD but they're not in the same context as the novel and are kind of shoehorned into the naff un-Fleming revenge plot we are served up.
:))
PTS: LTK (I realize this might be controversial, but apart from the tracking shot, I'm not a fan of the SP pretitles at all. LTK has the incredible mid air stunt, which was so good that it was recently copied by Nolan in TDKR, and it also has Sanchez at his best. "What did he promise you? His heart? Give her his heart!". Priceless)
Title track: LTK (Love Gladys's soulful title track. Can't stand Smith's tripe)
Titles: LTK (Just so I can listen to Gladys).
Main villain: LTK (probably one of the most one sided thrashings on this thread. Davi's Sanchez is one of the best Bond villains of all time, and carries the film, along with Dalton)
Main Bond Girl: SP (Much as I dislike Seydoux's Swann of "can't any of you speak?!" fame, I'm afraid Carey Lowell's Pam Bouvier is one of the most annoying leading ladies in Bondom. "Why can't you be my executive assistant?" Indeed. Well, because it's a bloody James Bond film Pam.)
Henchman: LTK (Benicio del Toro's charismatic and intense Dario easily dispatches the generic and derivative Hinx)
Plot: LTK (One of the best plots in my view. A simple revenge tale, but beautifully told and acted, with some very smart elements of deception and psychological manipulation)
Dialogue: LTK (although the best lines are from Sanchez rather than Bond, the earlier film is a clear winner here)
Score: LTK (Kamen is no Barry, but he did a wonderful job of incorporating his trademark Lethal Weapon/Die Hard suspense scoring with the Bond style)
Settings: SP (much better locations in the latest film)
Action: LTK (Glen doing what he does best again. Bond's escape from the Wavecrest and the finale with the tankers are highlights)
Humour: LTK (some great vicious lines from Sanchez. "Launder it")
Cinematography: SP (I can't stand the piss yellow but the cinematography is very good in the latest film)
Benign Bizarre: SP
Suspense: LTK (incredibly tense in various places - particularly when you wonder whether Sanchez, Dario or Heller would catch onto Bond's plan)
Minor Characters: LTK (Heller, Hawkins, Sharky, Krest, Joe Butcher, Killifer & Della trump White)
Glamour: SP (just for the train sequence in SP, although LTK is also very nice in the casino)
Bond performance: LTK (absolute thrashing imho. LTK was made for Dalton and he delivers an incredibly intense performance. SP was not made for Craig's strengths, and regrettably it shows imho)
LTK: 13
SP: 5
LTK for the win.
It holds up really well today, compared to GE which came years later, which now looks horribly dated and old fashioned!
Well but that is because of the awful score and the focus on 90s computer technology which make GE look and sound a bit dated. The same could however be said about FRWL or FYEO whose plots were about some kind of old fashioned technology (from today's point of view).
I msut agree somehow.
WRT to LTK however, I also think that the film is really solid and rewatchable. The pace is good, too. My main problem is that in my eyes it is the least Bondian film of the whole series. If Sharky did not die and had a bigger part, this could easily be Lethal Weapon 2.5. There is hardly anything in it that seperates it from being typical late 80s American action cinema.
Exactly.
Leiter maiming scene, reference to Tracy, Milton Krest, whipping scene, tone, Daltons performance. All very very Fleming.....ripped from the pages of his novels.....the only other films like this are CR, DN, FRWL, GF, TB and OHMSS.
It should start to do better now that the Brosnan years will be upon us shortly, although GE is likely to kick its 'a'.
TND will also kick its butt (prediction here). :D
True.
It's a different kind of humour. We've had quite a variety - from TB, DAF, to DAD and SP