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Comments
So far I'm enjoying it more than AVTAK, which I saw last night. Moore's more convincing here too.
Which makes his threat of 'taking her power himself' even more disturbing then!
In one instance it makes sense because he said he took her mother's virginity so then he may just hold onto the child for this reason (other than hunting down the child and possibly killing the parents)
The age thing of kanaga would be a problem. To be generous with the age difference he'd have been about 16 when he deflowered her mother - and then it would also leave a large chunk of time when kanaga had no access to anyone's 'sight'.
I can't remember if there is any expansion on Solitare's mother's fate in the novel?
I don't really mind the inclusion of Blofeld in FYEO, it seemed to keep in with the goofiness of Charles Gray's performance, despite being an obvious reference to Telly Salavas' incarnation. But a total letdown compared to his death in the books.
Though Melina's cries sound a bit overdone to me.
Not the best reading from Miss Boquet.
It's quite a contrast to her happy go lucky self in her opening scene, pre-parent's death, and makes her behaviour in the remainder of the film more poignant.
Most exciting scene in the series.
I always felt FYEO had the tone and feeling of a WWII movie in many ways. In addition to The Guns of Navarone, the rock climbing scene reminds me of Richard Burton and Clint Eastwood climbing the mountaintop castle in Where Eagles Dare.
His interaction with Saida is great too.
Agree on both fronts. I've always loved both sequences, but then again I find a lot of TMWTGG superb.