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https://www.youtube.com/watch?t=13&v=TOcBrK5GUro
http://www.amazon.com/gp/product/B012JM8NB4/ref=as_li_tl?ie=UTF8&camp=211189&creative=373489&creativeASIN=B012JM8NB4&link_code=as3&tag=douosec-20&linkId=GZSEQGUE6LS25ZH3
I'm astonished. And I slightly expected my astonishment ;-).
I already love tracks 3 (His Name Is Napoleon Solo), 11 (Signori Toileto Italiano), 15 (Into The Lair), 16 (Laced Drinks), 19 (The Drums Of War), 22 (A Last Drink), 24 (The Unfinished Kiss), 25 (The Red Mist) & 27 (Warhead).
It's very 1960's retro, lots of Barry-esque influences. But most importantly, Daniel Pemberton uses in his orchestration a lot of famous instruments from the 1960's: xylophones, russian klavecimbel's, snare drums, german flutes. and yes, finger snips too .
It also has a slightly western-flavour to it, reminiscent of Ennio Morricone. I think this could surprise at the Oscars next year....
http://www.comicbookmovie.com/action/news/?a=123357
SP better be bloody awesome!
Sounds like an amalgam of Barry's The Ipcress File & From Russia With Love. The jazz influences are quite clear.
Pemberton is my new favourite for Bond. EON better start making calls now.
http://www.amazon.com/The-Man-U-N-C-L-E-Original-Soundtrack/dp/B012JM8NB4/ref=pd_sim_sbs_340_1?ie=UTF8&refRID=1HCRGX1SP7WANFBKG503
http://bit.ly/1DY6MrH
It's quite amazing really. Henry Jackman earlier this year had a magnificent spy-score for "Kingsman". Lots of people said it's reminiscent of John Barry.
Then Theodore Shapiro had a pretty nice score for "Spy". He composed the wonderful title song 'Who Can You Trust'.
Joe Kraemer's spy-score for "Rogue Nation" sounds more 'grown-up' as compared to Michael Giacchino. I really like it.
But I think Daniel Pemberton really IS the new 'John Barry'. Just read my review above of the "UNCLE"-score. He creates these magnificent arrangements/melodies that James Bond 007 needs.
I trust Thomas Newman will give us a magnificent score for "SPECTRE". But sjee, the competition within the soundtracks of spy movies this year is pretty damn stiff!
I agree on Kingsman too. For me, Jackman's work there and apparently Pemberton's work on Uncle could be the standouts for me. Kraemer's MI sounds a little more traditional, but I'll report back once I've watched the film either this weekend or early next week.
Newman definitely has his work cut out for him. He has the privilege of scoring the big daddy in a highly competitive year and has to nail it. When the going gets tough.......as they say.
Loved his work on The Game - if any out there haven't seen it, you'r in for a treat!
I have to admit the moment she says, "Mr. Solo," got a reaction out of me.
https://hmssweblog.wordpress.com/2015/08/03/daniel-pemberton-u-n-c-l-e-score-avoids-007-sound/
Just read it. I'm looking so so sooo much forward to hear the full score for this film. Daniel Pemberton should be considered doing a Bond film, because he has such a good vision for this film and he openly distances his score from the Bond films.