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Agreed if the shit that is known as casino Royale (67) is supposed to be a bond film then Austin powers should too
The Look of Love is (not) in your post......
A resounding YES from me. Been meaning to get around to any number of them again for some time. I actually started going through them again about a year ago and made it through the first four before turning to other things. But hell, I love all four of them and wouldn't mind starting over again.
Would anyone object to two weeks per book? I have other things I'm reading alongside and like to take my time reading. But I might be able to stick to one per week.
I'll just go ahead and fire up the thread for this now, so it gives people a couple of days to prep.
Terrific stuff, immediately jumped my list to being one of my favorite documentaries. Incredibly insightful, intriguing, and both hilarious and highly emotional, all at the same time. I wasn't sure how I'd feel about his backstory being acted out, but I loved it (especially the actors involved), gave the whole project a unique feel. Highly recommended to all Bond fans, this was truly wonderful stuff. Loved learning so much about Lazenby's upbringing, particularly just how many hurdles he had when it came to the inevitable casting of him in OHMSS.
Could you consider this:
Doing a Sir Roger Moore Community Bondathon in honour of the great man.
You could use this thread for sure I guess.
It's seven films and it would be a nice two month long hommage I'd say.
Would be easier for everyone to contribute to, as well, to honor him. Would love to do something like that, and yes, I could just tweak this thread to accommodate the discussion. Anyone else interested in participating?
Although not my favourite Bond girl, I do like Aki an enormous lot. Aki has this purity that makes her so eminently likeable. I do agree with Aki’s death scene. Rather unsettling and Connery’s reaction to it is perfect. A lesson in the economy of drama.
Before reading the novel, I would describe my feelings towards Miss Hama as decidedly “meh”. But after reading, which to my mind is Fleming’s best work, I suddenly got her. I transplanted Fleming’s superb heroine onto Hama. But, Mie herself is delectable and tough, and cute as button to boot. Plus Kissy saved the world. Not many Bond girls can say that!
I like the Japanese one-two of Aki and Kissy. Both very sexiful and competent. Way before Barbara Bach or Naomie Harris started to bang the drums for “women’s equality” on Bond.
The production values on You Only Live Twice are just uniformly magnificent. I find I can forgive a lot when Ken Adam and John Barry are amongst the crew.
Ah! Like you I’m not fond of Gadget-Bond, but this sequence is a real treat.
I find Dahl’s script to be severely underrated. Dahl’s script is wonderfully clever and macabre, channelling Fleming’s writing on You Only Live Twice. The screenplay however is a bit dodgy, to say the least.
Quite. Such a waste. Imagine Pleasence’s Blowers popping to the post office, as the literary Blofeld had a habit of doing, to get some stamps. Utterly ridiculous.
Apart from the unseen Blofeld of From Russia With Love and Thunderball, they have never really nailed the character of Blofeld. Telly is good but not spectacular. (Blofeld has a full head of hair in the literary On Her Majesty’s Secret Service, a right old silver fox! Yeah, that the only discrepancy between the filming of You Only Live Twice and Majesty’s..)
This should be the climax to the Bond/SPECTRE clash. Alas its all wasted for a “non-threatening elf”. Pleasence is certainly iconic, but hardly menacing.
For pure entertainment purposes, nothing can beat the wonderful Charles Grey and his “come hither Sailor” eyes.
I’m still plagued by the question is You You Only Live Twice an epic conclusion to the Sean Connery saga, or an overblown spectacular mess?
I loved You Only Live Twice as a nipper (Ninjas, Volcanos, Bond, Japan!), grew disenfranchised with it during my teenage years (if it’s not Fleming I don’t want to know!) to having a certain fondness for it in my twilight years.
A sprinkling of the ineffable 60's magic, and one gets an iconic entry into the Bond series. Hugely enjoyable, if rather daft.
Me too. So smug, a face you'd like to hit. A different, but not altogether bad Blofeld. DAF nailed the outline of what a Bond vs. Blofeld battle should be, where the hero and villain share a respect for each other, despite being grave enemies. And of course the film ends with Gray being the Blofeld that all the others are revealed to be in the end, cowards who escape when all things go to hell.
Absolutely. That scene in the Whyte House is a top scene in the franchise for me. Wonderfully crafted, with little moments where both characters are strategizing on the fly while acting coy and gentlemanly.
This is my only bookmarked thread. At first I thought it was @NicNac's Bondathon thread. I've forgot about this thread until I clicked on it today. Then I spent the afternoon just reading the amazing posts, from you, @BeatlesSansEarmuffs, @NicNac, @0BradyM0Bondfanatic7 etc. What a treat.
Certainly, after this thread, I was burnt out by all things Bondian. I'd lived and dreamt Bond like never before. It was exhausting. But well worth it.