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Comments
There's a reason why probably no one feel like tampering with - or discussing - the colors of the 60's Bond movies: they weren't colorgraded. But glorified? Of course. The Blu Ray of the "bad/less good one" YOLT is absolutely stunning. With the Lowry restaration it even looks better than the Bond movies from the 80's and 90's, IMO. Why would anyone change that already vibrant and natural look?
The colour on the 60s Bond films on blu ray isn't entirely accurate to source.
agreed.
And if you want to honor the cinematographers, wouldn´t it be more accurate to speak of color filters ordered by Mendes? If I understand this discussion correctly, the cinematographers have hardly anything to do with the color filtering, since it is applied after shooting, and according to the demands of the director.
@Gustav, you´re by far long enough in this community to know very well that other films´ cinematography, among other elements, got attacked too in other discussions. Perhaps not as much as recent films, but then there never was made such a big hype about the cinemtographers as it has been done with Deakins and Hoytema.
That being said, IMO it´s clear from comparing SF with SP and both SF and SP with other films those DOPs did that most points of criticism should actually be pointed at Mendes more than the DOPs.
For instance, I like films such as TMWTGG and MR despite their ridiculous plots because they are so gorgeous to look at.
Also I'd like to point out that I wouldn't rate FRWL or OHMSS so highly if the films would have had darker colouring.
A movie shot through a camera with a digital sensor as opposed to celluloid film stock is what he meant, I'm sure!
Exactly, when it takes you out of the film, it's fun to do something about it if you can. I've attacked DAF many, mny times for its sloppy edditing. Moonbuggy wheels that roll around, the alley thing? It takes me right out of the movie and should nev3r have been in there. Especially the alley. Few would have noticed with the original scen (with the streets full of onlooksers) or even noticed it came out the wrong way in the reshot. Now, we got the worst possible outcome.
This is true colour...