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Comments
-I didn't like the stream of consciousness during his heroin high. It felt un-Bondian, to me; I cringed a bit.
-The book flew by rather quickly, so at the end we're left wondering how to fill some things out. If he'd let the plot breathe just a little bit, I think you could have added some more colour and background without sacrificing too much pace. For instance, why is Scipio such a powerful and feared operator? What's his reach?
-I thought a few of the plot points were telegraphed a bit. The fire extinguishers, for instance, were just mentioned too many times so that I saw them coming a mile away. Similarly , Reade seemed obviously destined to return at the end and be bent.
-You could argue that it's a bit by-the-numbers, particularly the visit the casino at Monte Carlo, the femme fatale, and so on. Admittedly, there was a bit of box-ticking. But saying a Bond is somewhat formulaic is hardly a criticism - Bond novels are sort of supposed to be formulaic.
On the other hand, I really like the way the atmosphere was established early on - this felt like a Bond story. Sixtine was good fun, as was Scipio. The locations were well drawn, and M felt spot-on.
I've said it before, after Trigger Mortis I think they should've just given him a multi-book deal. Maybe a trilogy? The 'author of the month' approach wasn't working out, and Horowitz clearly gets Bond. Give him some time and space to settle into the role and I think we'd have some great fun.
100% agree with all of this. There was some great stuff in there, but all of this was hackneyed BS.
I thought the heroin bit was great, especially when 16 applied the tourniquet, and bled the arm out. Eugh! He really went through it!