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I don't believe that at all. When I think of Connery I think of FRWL or TB, not GF. When I think of Brosnan GE comes to mind first naturally because it didn't sink like the others for me. I wish well for Skyfall, and if it isn't Dan's best, that is fine. He has done more than enough as Bond and made me care for his Bond like a person. I expect Skyfall to ramp it up, and hopefully be able to compete with CR. No matter how it spins I think Dan's work so far as Bond has been brilliant.
Goldfinger and TSWLM both have all the classic elements to them; all the most memorable and instantly recognizable elements to them.
Goldfinger has the DB5, Auric Goldfinger, Oddjob, the classic gadgets.
TSWLM has the submarine Lotus and Jaws.
Will Craig's 3rd film be as memorable as these 2 films? Will it have all the classic elements to it that make it an instant classic?
Clearly then, yes, they're all hoping that SF will be his GF/ Spy.
And the notion of the third Bond film as the Bond film in a successful 007 actor's tenure resurrecting itself in Craig's era makes perfect sense when you think about it. The first effort is the introduction (getting the actor out of the blocks in hopefully a damn good movie); the second about consolidation (giving the audience somewhat the same as they just had and underlining the actor in the role); the third then is about upping the stakes and giving the audience the best possible ride - whatever that'll be.
It certainly - to my mind - worked in the Conners and Sir Rog eras; less so in The Brozzer's, let's be fair. I mean, TWINE is watchable hokum, but I think many (big Bond fans or casual film fans) agree that his first, GE, was his best, even if his performance in that one wasn't...
God, I hope not. GOLDFINGER is not a very good film.
I'm sure the prison-cell-under-the-plan idea, if realistically arguing, was designed as a "broom closet" so as not to raise suspicion during the building of the complex. But then again a model of Fort Knox might raise some eye brows. Plus, if the compound were somehow being surveyed by the CIA or FBI or MI6, it would look suspicious if Bond was moved with armed guards from one building to another and didn't come out until the next morning.
For me, I sit back, enjoy the dialogue, the charm, and the jokes. I love the golf scene, the laser scene, the gadgets on the car, and yes, even the finale. It showed us even Bond can't always do it alone. And to be fair, he was on the US turf, and Goldfinger probably would have been transferred into the hands of the CIA no matter what.
But yes, in the end I don't enjoy watching my hero be as non-heroic as Bond is in GF, but I admire it for what it does provide: the charismatic side of Bond on full power.
My dad just called it "the gentleman's Bond film" whatever that means.
Bond wiped LeChiffre clean of his money, then gave him to the CIA who let him escape only to be shot by White.
In QoS Bond didn't make Greene drink the oil. Greene did that himself and ended up getting shot by someone other than Bond. If I were Bond I'd have shot Greene right then and there.
While we're comparing films, I've always considered CR the Craig version of TB. Not because he goes to the Bahamas, but because the film is colourful and there's a lot happening. CR Craig also reminds me so much of TB's Connery. Craig's CR (and we all know it's superb) is like imagining Connery's first Bond outing was TB.
I think Craig's Bond will more likely be his Thunderball.
Moreover, I think The Brozzer's best is GE, as is LALD for Moore. I think Conner's best is TB, allthough FRWL is exrtremely good as well.
But I guess the only thing all of us can agree on when it comes to movie quality, is that OHMSS is Lazenby's best..;-)