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Comments
Daft Punk of course!
:D
That certainly would be interesting.
It depends on whether he was hired when Romer was originally rumored to have left or if he was a more recent addition.
Outside of "spy" - he fares better eg. The Lego Batman Movie and His Dark Materials. I could live with this, but there are others on the RPC list I'd rather see (and others I'd rather not).
Best track on the entire score, for me.
Rupert Gregson-Williams. English and moost varation of not to dark movies. To me looks like he get more Humor DC movies and like that. He not doing Wonder Woman 1984 and he is avaible. But it looks like he is more Warner /Sony composer then Universal or Paramount/Universal. Bee movie is from Paramount/Universal.
Ramin Djawadi. Not like idea he composer of Warner tv series i hate, but he is also composer of Safe House (Universal), Iron Man (Paramount/Universal).
About:
Tom Holkenborg. One other reasen i say no to Adele is that like to see producers have enough trust for let movies doing his thing. Exept possible Dutch symbol in movie, for same reasen i prefer no Dutch hype created because he is compser. Besides that he did Batman v Superman: Dawn of Justice, to dark like Zimmer/Nolan.
King of Thieves score has a lot more personality than most, just what I'd like to see. That said I suspect it's unlikely to be him.
The obvious choice from that list would probably be Lorne Balfe, but the prospect that would excite me would be Ramin Djawadi.
Not at all. I feel like his scores are generic ambient sound and provide few melodies. He also doesn't seem to really care about source material as proven by his Terminator score. Though admittedly I'd still rather have him than Hans Zimmer.
Can't agree there. The M:I-Fallout score is one of my favorites of the last decade, and not only is he absolutely reverential to Schifrin, the Mission: Impossible theme, and "The Plot" melody -- but it seems like the entire score is built almost exclusively around them. All while keeping a modern edge to things.
A 007 score delivered in the same vein would thrill me.
Not to sound too melodramatic, the score won't be worse than in recent Bond films, and the other day I could even live with SP's score. However, I have no interest in listening to the scores of SF or SP outside the film. I expect NTTD to feature a similar score, in the sense of that it won't disturb during the film, but it won't be music I want listen to on its own. And I would be surprised if the score did anything to lift up the film. Would be most happy to be proven wrong.
Upd: just saw the article they posted, they believe it's Zimmer and not Balfe
https://www.mi6-hq.com/news/rumours-swirl-on-no-time-to-die-composer-conundrum-191228