The What if Bond is modernized from a straight white male in the next film adventure?

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  • edited December 3 Posts: 131
    I'd have no problem with a youthful 45 who could do three films over 10 years.
    The more pertinent thing is whether they can get their act together and get a film out every 3 to 4 years.
  • Posts: 1,650
    I may have written in this idea somewhere along the line...If hire a more mature actor, then suggest filming 3 movies in short order. This has been done with LOTR, and other series. Really, filming 2 or 3 movies at one stretch. This requires having well-organized production and READY scripts on hand at the start.
  • Yes- and you'd get a proper arc rather than cack handed retconning like Quantum being part of Spectre or whatever they fudged there.
  • Posts: 4,300
    The main problem with that approach is that Bond films are fundamentally different adventures each time. That's even with overarching storylines - DN and FRWL are very different films despite being sequels, as are CR and QOS etc. With SP I can very much understand why they incorporated Blofeld/SPECTRE into the Craig era. It would have been a missed opportunity not to, and there's no way they could have planned it prior due to the circumstances. I think a big reason why Bond has lasted for so long is because there's that opportunity to course correct with each new instalment - go for a slightly different tone, try new ideas etc. Often it's based on something about the reception to the last one and will mean hiring new directors and even certain writers who can accommodate that change in direction best too. So I wouldn't want them to shoot these films back to back.

    You can still do that while having three year gaps (maybe even two year ones) so I don't think that'll discount an actor in his mid-40s.
  • edited December 3 Posts: 2,296
    007HallY wrote: »
    The main problem with that approach is that Bond films are fundamentally different adventures each time. That's even with overarching storylines - DN and FRWL are very different films despite being sequels, as are CR and QOS etc. With SP I can very much understand why they incorporated Blofeld/SPECTRE into the Craig era. It would have been a missed opportunity not to, and there's no way they could have planned it prior due to the circumstances. I think a big reason why Bond has lasted for so long is because there's that opportunity to course correct with each new instalment - go for a slightly different tone, try new ideas etc. Often it's based on something about the reception to the last one and will mean hiring new directors and even certain writers who can accommodate that change in direction best too. So I wouldn't want them to shoot these films back to back.

    You can still do that while having three year gaps (maybe even two year ones) so I don't think that'll discount an actor in his mid-40s.

    I’m not really sure if it would’ve been a missed opportunity to leave SP out of the Craig era entirely to be honest. I can understand EON wanting to capitalize on regaining the rights to Blofeld at that specific time, but it’s not as if the series had trouble creating memorable villains from scratch before.

    I don’t think these movies should be shot back to back, nor should they be shot in such quick succession. But if they plan on doing another Multi-Film arc for the character like they did with the Craig era, they should at least have some sort of idea on where things should end up, even if they deviate from it sightly. Or they could go back to the “one-off” style of the first 20 films. The returning characters are enough to provide continuity, and maybe they can make references to events of previous films.

    I’m fine with either option; I just want a good Bond film first and foremost.

    As for the question, we’ve kind of had an older Bond in Craig; but I’ll be open minded if the next pick if someone in their 40’s.
  • Posts: 4,300
    007HallY wrote: »
    The main problem with that approach is that Bond films are fundamentally different adventures each time. That's even with overarching storylines - DN and FRWL are very different films despite being sequels, as are CR and QOS etc. With SP I can very much understand why they incorporated Blofeld/SPECTRE into the Craig era. It would have been a missed opportunity not to, and there's no way they could have planned it prior due to the circumstances. I think a big reason why Bond has lasted for so long is because there's that opportunity to course correct with each new instalment - go for a slightly different tone, try new ideas etc. Often it's based on something about the reception to the last one and will mean hiring new directors and even certain writers who can accommodate that change in direction best too. So I wouldn't want them to shoot these films back to back.

    You can still do that while having three year gaps (maybe even two year ones) so I don't think that'll discount an actor in his mid-40s.

    I’m not really sure if it would’ve been a missed opportunity to leave SP out of the Craig era entirely to be honest. I can understand EON wanting to capitalize on regaining the rights to Blofeld at that specific time, but it’s not as if the series had trouble creating memorable villains from scratch before.

    I reckon most of us here would claim it was a missed opportunity if they hadn't used SPECTRE (let's be honest, Quantum was a bit lame/non-existent, and the Craig era was beginning to lean into those classic Bond tropes anyway).
  • mtmmtm United Kingdom
    Posts: 16,602
    Yeah can you imagine the complaints if they'd got the rights to Spectre and Blofeld and sat on them for more than ten years (which is what it would be now)?
  • SecretAgentMan⁰⁰⁷SecretAgentMan⁰⁰⁷ Lekki, Lagos, Nigeria
    Posts: 2,186
    Ludovico wrote: »
    007HallY wrote: »
    Moore was 45 during LALD and I think his age/experience worked in his favour. I’d argue that Brosnan being 42 worked for GE because it’s about a Bond who’s been around a bit (albeit is still in his prime). An actor in their mid or even late 40s could still be a Bond in their prime in that sense.

    Depends on the actor, but no reason the public wouldn’t embrace a Bond of that age. There might be a question of longevity in the role though, but generally speaking I don’t think it’d be a problem.

    Yeah, I think if the days of "James Bond Will Return In ThunderBall" for example, comes back, then giving an older guy the role shouldn't be a problem, since the films would be released faster. But how excited would Bond fans be, if the next Bond film is announced at the end of Bond 26? Truly excited...I believe.

    Yeah, I think that's the issue with an older Bond: shorter tenure. Moore was cast in very specific circumstances, when they had to go for someone more famous. And like Brosnan, he looked younger than his age.

    Yeah. If that's done again, EON must have a special reason, like the older actor being the best they saw fit for the role, after thorough checks.
  • 007HallY wrote: »
    007HallY wrote: »
    The main problem with that approach is that Bond films are fundamentally different adventures each time. That's even with overarching storylines - DN and FRWL are very different films despite being sequels, as are CR and QOS etc. With SP I can very much understand why they incorporated Blofeld/SPECTRE into the Craig era. It would have been a missed opportunity not to, and there's no way they could have planned it prior due to the circumstances. I think a big reason why Bond has lasted for so long is because there's that opportunity to course correct with each new instalment - go for a slightly different tone, try new ideas etc. Often it's based on something about the reception to the last one and will mean hiring new directors and even certain writers who can accommodate that change in direction best too. So I wouldn't want them to shoot these films back to back.

    You can still do that while having three year gaps (maybe even two year ones) so I don't think that'll discount an actor in his mid-40s.

    I’m not really sure if it would’ve been a missed opportunity to leave SP out of the Craig era entirely to be honest. I can understand EON wanting to capitalize on regaining the rights to Blofeld at that specific time, but it’s not as if the series had trouble creating memorable villains from scratch before.

    I reckon most of us here would claim it was a missed opportunity if they hadn't used SPECTRE (let's be honest, Quantum was a bit lame/non-existent, and the Craig era was beginning to lean into those classic Bond tropes anyway).

    Perhaps. I think this is one of those situations where fans wouldn’t have been pleased either way given how some already complain about the way SP was used during Craig’s tenure. I personally felt had they fleshed out the Quantum idea a bit more that could’ve been something special; I like the idea of a shadowy organization being ran by corrupt politicians instead of the typical Blofeld-like figure.

    The benefit of featuring Blofeld across multiple films is that you continuously build him up as a credible threat to Bond. The 60’s films by and large did a good job at doing that; YOLT actually feels like the culmination of everything that was leading up to it. Whereas the Craig era lacks that sense of build-up with Blofeld/SP - it sort of lacks that sense of tension and history between Bond and Blofeld/SPECTRE that was present in the 60’s films. That’s probably why some still complain about the way Blofeld/SP were handled in Craig’s tenure. At least with creating new villains for Bond to battle, you don’t have the baggage that comes with living up to previous incarnations.
  • edited December 3 Posts: 12,521
    Hindsight is 20/20, but still, Craig was already three films deep when the rights to Spectre came back. I think most of us would have / could have accepted waiting to use them until his time was finished, especially since it only ended up being for a film and a half basically, minus the silly retconning. If Craig had been willing to do a whole three more movies, maybe something would have made sense with a Spectre arc, but they did not have a great plan in place nor that commitment. SP and NTTD aren’t total losses or anything, but I do think Craig’s era would have been superior with two more standalone, no Spectre adventures a la SF instead. Maybe a PTS in one of them to still at least close the book on Mr. White or something, and mention how Quantum was finished.
  • mtmmtm United Kingdom
    Posts: 16,602
    FoxRox wrote: »
    Hindsight is 20/20, but still, Craig was already three films deep when the rights to Spectre came back. I think most of us would have / could have accepted waiting to use them until his time was finished, especially since it only ended up being for a film and a half basically, minus the silly retconning.

    Honestly I think all we’d be getting is “why did they stick with Quantum for three films when they had the rights to SPECTRE right there? We could have finally seen Blofeld back in the films but Babs was obviously too in love with Jesper Christiansen to use the best villain Fleming came up with” etc. etc. Fans will find a reason to rag on these films no matter what they do.
  • edited December 4 Posts: 12,521
    mtm wrote: »
    FoxRox wrote: »
    Hindsight is 20/20, but still, Craig was already three films deep when the rights to Spectre came back. I think most of us would have / could have accepted waiting to use them until his time was finished, especially since it only ended up being for a film and a half basically, minus the silly retconning.

    Honestly I think all we’d be getting is “why did they stick with Quantum for three films when they had the rights to SPECTRE right there? We could have finally seen Blofeld back in the films but Babs was obviously too in love with Jesper Christiansen to use the best villain Fleming came up with” etc. etc. Fans will find a reason to rag on these films no matter what they do.

    Maybe. I’m sure some would have complained no matter what, but if we knew for a fact Craig would only do 1 or 2 more films tops after SF, many would understand that it’d be a bit late to cram Spectre into his era. This is, of course, how I and many others ended up feeling. I’m pretty sure this was a concern of mine before I first saw SP, just wondering how well they would be established and everything.

    There’ll always be those who complain just to complain, of course, and there’s definitely something to be said for narrative adjustments just so that complaints can be made, but I at least like to think most of us agree that the retconning and forcing of Spectre didn’t end up the best in what we got. If they had been available since the start of Craig’s era, I’d understand the criticism of not using them more, since they had been gone since DAF, and the opportunity to set them up well would have been there with an era’s fresh start. I guess it’s sort of damned if you, damned if you don’t. I just think the logical move still would be to wait on it until a better plan to use them was made. After all, they are taking their time and waiting to get this next era right!
  • thedovethedove hiding in the Greek underworld
    Posts: 5,479
    I will never understand why the rush with using SP, especially when you apparently had this arc planned for Craig.

    They should have stuck with using Quantum as the main baddies. Let that play out and then bring in SP for the new guys. Or use SP for Craig but use them for more than one film and then dispose of them in a quick sequence in the very next film.

    So many missed opportunities with the Craig films. A shame
  • NickTwentyTwoNickTwentyTwo Vancouver, BC, Canada
    edited December 4 Posts: 7,593
    thedove wrote: »
    I will never understand why the rush with using SP, especially when you apparently had this arc planned for Craig.

    They should have stuck with using Quantum as the main baddies. Let that play out and then bring in SP for the new guys. Or use SP for Craig but use them for more than one film and then dispose of them in a quick sequence in the very next film.

    So many missed opportunities with the Craig films. A shame

    This. To me the Blofeld death is more controversial than the "other" death in NTTD. Spectre should have had a stinger where two armed guards were carting Blofeld off to prison, and they zoom in on a guards hand... wearing a Spectre ring.
    Then in NTTD, they use Malek/Safin for all the marketing as he'd just won an Oscar, but in the film, they have Blofeld escape prison, visit Safin on the island and kill him, and usurp him and become the main villain again.
    Then, if Bond's fate had to be met, I'd be happier at least that it was Blofeld that orchestrated it (and then he can die as well), and not someone else.
    Or imagine, Bond lives and gets amnesia as he does in YOLT, and sails away from the island not remembering his life, or Madeleine etc., with the implication that his mere existence would likely kill them anyways... could have been interesting (and the tribute to YOLT I so desire).

    Anyways, not the thread. Luke Evans, please.

  • M_BaljeM_Balje Amsterdam, Netherlands
    edited December 4 Posts: 4,537
    With NTTD we already get some OHMSS, Goldeneye and a bit Dr No.

    And Daniel Craig era is full with symbol of remake / hinting to upcoming remake of event that we thought we left behind us.

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  • edited December 4 Posts: 4,300
    FoxRox wrote: »
    mtm wrote: »
    FoxRox wrote: »
    Hindsight is 20/20, but still, Craig was already three films deep when the rights to Spectre came back. I think most of us would have / could have accepted waiting to use them until his time was finished, especially since it only ended up being for a film and a half basically, minus the silly retconning.

    Honestly I think all we’d be getting is “why did they stick with Quantum for three films when they had the rights to SPECTRE right there? We could have finally seen Blofeld back in the films but Babs was obviously too in love with Jesper Christiansen to use the best villain Fleming came up with” etc. etc. Fans will find a reason to rag on these films no matter what they do.

    Maybe. I’m sure some would have complained no matter what, but if we knew for a fact Craig would only do 1 or 2 more films tops after SF, many would understand that it’d be a bit late to cram Spectre into his era. This is, of course, how I and many others ended up feeling. I’m pretty sure this was a concern of mine before I first saw SP, just wondering how well they would be established and everything.

    There’ll always be those who complain just to complain, of course, and there’s definitely something to be said for narrative adjustments just so that complaints can be made, but I at least like to think most of us agree that the retconning and forcing of Spectre didn’t end up the best in what we got. If they had been available since the start of Craig’s era, I’d understand the criticism of not using them more, since they had been gone since DAF, and the opportunity to set them up well would have been there with an era’s fresh start. I guess it’s sort of damned if you, damned if you don’t. I just think the logical move still would be to wait on it until a better plan to use them was made. After all, they are taking their time and waiting to get this next era right!

    I can see the logic in putting SPECTRE into the Craig era later on. You had this mysterious (albeit underdeveloped) criminal organisation in the first two films. Yes, they were called 'Quantum' (or something) but effectively they're a version of SPECTRE anyway as most alternative criminal organisations in Bond are in practice. They had the right idea framing SPECTRE as the bigger villain. They even got White to return with us learning the potential consequences of going against Blofeld. I know some people complain about the 'author of all your pain' stuff, but ultimately I think it's better that a figure like Blofeld (and again, it may as well be Blofeld and not some lesser character) be the one to have been pulling the strings all along and effectively responsible for Vesper's death.

    I think it works, even if that rise and fall is something only applicable to one or two films. I'm not sure if we'd have gotten something as interesting by sticking with Quantum or some sort of elaborately pre-planned affair. Personally, I wish they'd leaned a bit more into the idea of SPECTRE coming from a little civil war within Quantum, with Blofeld rising up and rebranding it (I suppose it's there in SP to some extent, but maybe if they'd leaned into it a bit more it could have been stronger).
  • mtmmtm United Kingdom
    edited December 4 Posts: 16,602
    FoxRox wrote: »
    mtm wrote: »
    FoxRox wrote: »
    Hindsight is 20/20, but still, Craig was already three films deep when the rights to Spectre came back. I think most of us would have / could have accepted waiting to use them until his time was finished, especially since it only ended up being for a film and a half basically, minus the silly retconning.

    Honestly I think all we’d be getting is “why did they stick with Quantum for three films when they had the rights to SPECTRE right there? We could have finally seen Blofeld back in the films but Babs was obviously too in love with Jesper Christiansen to use the best villain Fleming came up with” etc. etc. Fans will find a reason to rag on these films no matter what they do.

    Maybe. I’m sure some would have complained no matter what, but if we knew for a fact Craig would only do 1 or 2 more films tops after SF, many would understand that it’d be a bit late to cram Spectre into his era. This is, of course, how I and many others ended up feeling. I’m pretty sure this was a concern of mine before I first saw SP, just wondering how well they would be established and everything.

    Ian Fleming established them and used them in one book, pretty much; I feel like two hours of screen time is enough to establish a villain.
    And that's not to mention all of the fans who complain at the notion at having linked story threads running through different Bond films; now they're bad because they didn't do that enough. As you say, they're damned if they do, damned if they don't.
    007HallY wrote: »
    Personally, I wish they'd leaned a bit more into the idea of SPECTRE coming from a little civil war within Quantum, with Blofeld rising up and rebranding it (I suppose it's there in SP to some extent, but maybe if they'd leaned into it a bit more it could have been stronger).

    Yes I think the idea of two super evil organisations fighting each other is a fun one we've not seen before, and I agree we could have had more of that. I guess it was just too much story to pack in though.
  • echoecho 007 in New York
    Posts: 6,382
    007HallY wrote: »
    FoxRox wrote: »
    mtm wrote: »
    FoxRox wrote: »
    Hindsight is 20/20, but still, Craig was already three films deep when the rights to Spectre came back. I think most of us would have / could have accepted waiting to use them until his time was finished, especially since it only ended up being for a film and a half basically, minus the silly retconning.

    Honestly I think all we’d be getting is “why did they stick with Quantum for three films when they had the rights to SPECTRE right there? We could have finally seen Blofeld back in the films but Babs was obviously too in love with Jesper Christiansen to use the best villain Fleming came up with” etc. etc. Fans will find a reason to rag on these films no matter what they do.

    Maybe. I’m sure some would have complained no matter what, but if we knew for a fact Craig would only do 1 or 2 more films tops after SF, many would understand that it’d be a bit late to cram Spectre into his era. This is, of course, how I and many others ended up feeling. I’m pretty sure this was a concern of mine before I first saw SP, just wondering how well they would be established and everything.

    There’ll always be those who complain just to complain, of course, and there’s definitely something to be said for narrative adjustments just so that complaints can be made, but I at least like to think most of us agree that the retconning and forcing of Spectre didn’t end up the best in what we got. If they had been available since the start of Craig’s era, I’d understand the criticism of not using them more, since they had been gone since DAF, and the opportunity to set them up well would have been there with an era’s fresh start. I guess it’s sort of damned if you, damned if you don’t. I just think the logical move still would be to wait on it until a better plan to use them was made. After all, they are taking their time and waiting to get this next era right!

    I can see the logic in putting SPECTRE into the Craig era later on. You had this mysterious (albeit underdeveloped) criminal organisation in the first two films. Yes, they were called 'Quantum' (or something) but effectively they're a version of SPECTRE anyway as most alternative criminal organisations in Bond are in practice. They had the right idea framing SPECTRE as the bigger villain. They even got White to return with us learning the potential consequences of going against Blofeld. I know some people complain about the 'author of all your pain' stuff, but ultimately I think it's better that a figure like Blofeld (and again, it may as well be Blofeld and not some lesser character) be the one to have been pulling the strings all along and effectively responsible for Vesper's death.

    I think it works, even if that rise and fall is something only applicable to one or two films. I'm not sure if we'd have gotten something as interesting by sticking with Quantum or some sort of elaborately pre-planned affair. Personally, I wish they'd leaned a bit more into the idea of SPECTRE coming from a little civil war within Quantum, with Blofeld rising up and rebranding it (I suppose it's there in SP to some extent, but maybe if they'd leaned into it a bit more it could have been stronger).

    Wasn't the real misstep actually calling it Quantum in QoS? Without that, it easily could have been revealed later as Spectre all along...
  • Posts: 4,300
    echo wrote: »
    007HallY wrote: »
    FoxRox wrote: »
    mtm wrote: »
    FoxRox wrote: »
    Hindsight is 20/20, but still, Craig was already three films deep when the rights to Spectre came back. I think most of us would have / could have accepted waiting to use them until his time was finished, especially since it only ended up being for a film and a half basically, minus the silly retconning.

    Honestly I think all we’d be getting is “why did they stick with Quantum for three films when they had the rights to SPECTRE right there? We could have finally seen Blofeld back in the films but Babs was obviously too in love with Jesper Christiansen to use the best villain Fleming came up with” etc. etc. Fans will find a reason to rag on these films no matter what they do.

    Maybe. I’m sure some would have complained no matter what, but if we knew for a fact Craig would only do 1 or 2 more films tops after SF, many would understand that it’d be a bit late to cram Spectre into his era. This is, of course, how I and many others ended up feeling. I’m pretty sure this was a concern of mine before I first saw SP, just wondering how well they would be established and everything.

    There’ll always be those who complain just to complain, of course, and there’s definitely something to be said for narrative adjustments just so that complaints can be made, but I at least like to think most of us agree that the retconning and forcing of Spectre didn’t end up the best in what we got. If they had been available since the start of Craig’s era, I’d understand the criticism of not using them more, since they had been gone since DAF, and the opportunity to set them up well would have been there with an era’s fresh start. I guess it’s sort of damned if you, damned if you don’t. I just think the logical move still would be to wait on it until a better plan to use them was made. After all, they are taking their time and waiting to get this next era right!

    I can see the logic in putting SPECTRE into the Craig era later on. You had this mysterious (albeit underdeveloped) criminal organisation in the first two films. Yes, they were called 'Quantum' (or something) but effectively they're a version of SPECTRE anyway as most alternative criminal organisations in Bond are in practice. They had the right idea framing SPECTRE as the bigger villain. They even got White to return with us learning the potential consequences of going against Blofeld. I know some people complain about the 'author of all your pain' stuff, but ultimately I think it's better that a figure like Blofeld (and again, it may as well be Blofeld and not some lesser character) be the one to have been pulling the strings all along and effectively responsible for Vesper's death.

    I think it works, even if that rise and fall is something only applicable to one or two films. I'm not sure if we'd have gotten something as interesting by sticking with Quantum or some sort of elaborately pre-planned affair. Personally, I wish they'd leaned a bit more into the idea of SPECTRE coming from a little civil war within Quantum, with Blofeld rising up and rebranding it (I suppose it's there in SP to some extent, but maybe if they'd leaned into it a bit more it could have been stronger).

    Wasn't the real misstep actually calling it Quantum in QoS? Without that, it easily could have been revealed later as Spectre all along...

    Probably. To be honest I don't know if the average viewer of Bond films would have known Quantum was meant to be called Quantum before 2015 off the top of their heads. I even remember one friend at the time kind of just assuming it'd been SPECTRE all along anyway.
    mtm wrote: »
    FoxRox wrote: »
    mtm wrote: »
    FoxRox wrote: »
    Hindsight is 20/20, but still, Craig was already three films deep when the rights to Spectre came back. I think most of us would have / could have accepted waiting to use them until his time was finished, especially since it only ended up being for a film and a half basically, minus the silly retconning.

    Honestly I think all we’d be getting is “why did they stick with Quantum for three films when they had the rights to SPECTRE right there? We could have finally seen Blofeld back in the films but Babs was obviously too in love with Jesper Christiansen to use the best villain Fleming came up with” etc. etc. Fans will find a reason to rag on these films no matter what they do.

    Maybe. I’m sure some would have complained no matter what, but if we knew for a fact Craig would only do 1 or 2 more films tops after SF, many would understand that it’d be a bit late to cram Spectre into his era. This is, of course, how I and many others ended up feeling. I’m pretty sure this was a concern of mine before I first saw SP, just wondering how well they would be established and everything.

    Ian Fleming established them and used them in one book, pretty much; I feel like two hours of screen time is enough to establish a villain.
    And that's not to mention all of the fans who complain at the notion at having linked story threads running through different Bond films; now they're bad because they didn't do that enough. As you say, they're damned if they do, damned if they don't.
    007HallY wrote: »
    Personally, I wish they'd leaned a bit more into the idea of SPECTRE coming from a little civil war within Quantum, with Blofeld rising up and rebranding it (I suppose it's there in SP to some extent, but maybe if they'd leaned into it a bit more it could have been stronger).

    Yes I think the idea of two super evil organisations fighting each other is a fun one we've not seen before, and I agree we could have had more of that. I guess it was just too much story to pack in though.

    Good point about Fleming. And yeah, I suppose. It's still somewhat there with what happens with White, but maybe it could have been honed slightly more without being too expositional.
  • Posts: 15,229
    mtm wrote: »
    FoxRox wrote: »
    Hindsight is 20/20, but still, Craig was already three films deep when the rights to Spectre came back. I think most of us would have / could have accepted waiting to use them until his time was finished, especially since it only ended up being for a film and a half basically, minus the silly retconning.

    Honestly I think all we’d be getting is “why did they stick with Quantum for three films when they had the rights to SPECTRE right there? We could have finally seen Blofeld back in the films but Babs was obviously too in love with Jesper Christiansen to use the best villain Fleming came up with” etc. etc. Fans will find a reason to rag on these films no matter what they do.

    Damn if they did, damn if they didn't. Quantum mutating into SPECTRE never bothered me, because they used Quantum only because they didn't have the right to SPECTRE. Yes, it was handwaved rather quickly, but I think it was the right call.

    Anyway back on topic, what I'd fear about casting an older Bond would be a Dalton-like situation (albeit for different reasons): short tenure due to his age, an early tenure too similar to Craig's later half of his era, a difficulty to establish the new Bond as his own man as well as having to go through the same casting process over again sooner. And as much as the Craig era was successful, he isn't what Sean Connery was circa 1967-1971: we don't need a Roger Moore. Oh and that's something else: I can't think of a single British actor in his forties with the stature of Moore.
  • mtmmtm United Kingdom
    Posts: 16,602
    007HallY wrote: »
    echo wrote: »
    007HallY wrote: »
    FoxRox wrote: »
    mtm wrote: »
    FoxRox wrote: »
    Hindsight is 20/20, but still, Craig was already three films deep when the rights to Spectre came back. I think most of us would have / could have accepted waiting to use them until his time was finished, especially since it only ended up being for a film and a half basically, minus the silly retconning.

    Honestly I think all we’d be getting is “why did they stick with Quantum for three films when they had the rights to SPECTRE right there? We could have finally seen Blofeld back in the films but Babs was obviously too in love with Jesper Christiansen to use the best villain Fleming came up with” etc. etc. Fans will find a reason to rag on these films no matter what they do.

    Maybe. I’m sure some would have complained no matter what, but if we knew for a fact Craig would only do 1 or 2 more films tops after SF, many would understand that it’d be a bit late to cram Spectre into his era. This is, of course, how I and many others ended up feeling. I’m pretty sure this was a concern of mine before I first saw SP, just wondering how well they would be established and everything.

    There’ll always be those who complain just to complain, of course, and there’s definitely something to be said for narrative adjustments just so that complaints can be made, but I at least like to think most of us agree that the retconning and forcing of Spectre didn’t end up the best in what we got. If they had been available since the start of Craig’s era, I’d understand the criticism of not using them more, since they had been gone since DAF, and the opportunity to set them up well would have been there with an era’s fresh start. I guess it’s sort of damned if you, damned if you don’t. I just think the logical move still would be to wait on it until a better plan to use them was made. After all, they are taking their time and waiting to get this next era right!

    I can see the logic in putting SPECTRE into the Craig era later on. You had this mysterious (albeit underdeveloped) criminal organisation in the first two films. Yes, they were called 'Quantum' (or something) but effectively they're a version of SPECTRE anyway as most alternative criminal organisations in Bond are in practice. They had the right idea framing SPECTRE as the bigger villain. They even got White to return with us learning the potential consequences of going against Blofeld. I know some people complain about the 'author of all your pain' stuff, but ultimately I think it's better that a figure like Blofeld (and again, it may as well be Blofeld and not some lesser character) be the one to have been pulling the strings all along and effectively responsible for Vesper's death.

    I think it works, even if that rise and fall is something only applicable to one or two films. I'm not sure if we'd have gotten something as interesting by sticking with Quantum or some sort of elaborately pre-planned affair. Personally, I wish they'd leaned a bit more into the idea of SPECTRE coming from a little civil war within Quantum, with Blofeld rising up and rebranding it (I suppose it's there in SP to some extent, but maybe if they'd leaned into it a bit more it could have been stronger).

    Wasn't the real misstep actually calling it Quantum in QoS? Without that, it easily could have been revealed later as Spectre all along...

    Probably. To be honest I don't know if the average viewer of Bond films would have known Quantum was meant to be called Quantum before 2015 off the top of their heads. I even remember one friend at the time kind of just assuming it'd been SPECTRE all along anyway.

    Yeah and lets not forget that for all the complaining about SPECTRE being retrofitted into the Quantum story, Quantum had been basically retrofitted into the CR story! :)
    007HallY wrote: »
    mtm wrote: »
    FoxRox wrote: »
    mtm wrote: »
    FoxRox wrote: »
    Hindsight is 20/20, but still, Craig was already three films deep when the rights to Spectre came back. I think most of us would have / could have accepted waiting to use them until his time was finished, especially since it only ended up being for a film and a half basically, minus the silly retconning.

    Honestly I think all we’d be getting is “why did they stick with Quantum for three films when they had the rights to SPECTRE right there? We could have finally seen Blofeld back in the films but Babs was obviously too in love with Jesper Christiansen to use the best villain Fleming came up with” etc. etc. Fans will find a reason to rag on these films no matter what they do.

    Maybe. I’m sure some would have complained no matter what, but if we knew for a fact Craig would only do 1 or 2 more films tops after SF, many would understand that it’d be a bit late to cram Spectre into his era. This is, of course, how I and many others ended up feeling. I’m pretty sure this was a concern of mine before I first saw SP, just wondering how well they would be established and everything.

    Ian Fleming established them and used them in one book, pretty much; I feel like two hours of screen time is enough to establish a villain.
    And that's not to mention all of the fans who complain at the notion at having linked story threads running through different Bond films; now they're bad because they didn't do that enough. As you say, they're damned if they do, damned if they don't.
    007HallY wrote: »
    Personally, I wish they'd leaned a bit more into the idea of SPECTRE coming from a little civil war within Quantum, with Blofeld rising up and rebranding it (I suppose it's there in SP to some extent, but maybe if they'd leaned into it a bit more it could have been stronger).

    Yes I think the idea of two super evil organisations fighting each other is a fun one we've not seen before, and I agree we could have had more of that. I guess it was just too much story to pack in though.

    Good point about Fleming. And yeah, I suppose. It's still somewhat there with what happens with White, but maybe it could have been honed slightly more without being too expositional.

    Certainly a plot which is all about an all-out war between two huge criminal gangs is enough to fill a film with, I think.
  • edited December 5 Posts: 12,521
    Well, it’s a lot easier to explain and fit things into a novel than a film, especially if we’re talking only one of each. With the first few movies done in the series, there was a lot of buildup and multiple encounters with Spectre that made it feel bigger and more like a real rivalry, whereas with SP, the retconning was hard to buy, and the “it was me all along” from Blofeld doesn’t really hit the same when you don’t even see him until Craig’s era was almost over. I mean, sure, you don’t see his face in the early movies for a while, but you know he’s there, and that Bond is up against a big, intimidating organization that will take more than 1 or 2 movies to take down.

    As for the whole continuity thing, though my preference is for standalone movies, the approach of direct sequels isn’t a problem itself - it’s the way they try to retroactively explain away all the past threats being caused by Spectre. I don’t mind Quantum eventually becoming Spectre (though I agree with others it would have been more interesting to see a war between the two, inevitably leading to Spectre winning), but to say it was like that all along + every other villain just feels so lazy. There were still better ways to use Spectre if they were going to, but I maintain I would have liked it more if they just waited in general so they could have all the buildup and intensity they did in the first few films.

    It’s more distracting to retroactively use Spectre than Quantum, because us Bond fans know about the rights situation with Spectre whereas Quantum simply wasn’t named for a while (maybe in hopes they would have gotten Spectre rights earlier?), while Spectre legally couldn’t have been. I’m glad if some people are happy with what we ended up getting, but for me it was ultimately lackluster and a significant downgrade from the back and forth affairs we saw between Bond and Spectre in the oldest films. And to reiterate, I’m not knocking SP and NTTD in their entireties, although the former is one of my least favorite installments. I just was not and am not happy with how Spectre was handled, and I do believe they would have been better served with a clean slate. If they want to go that route with the next era, now they can from the beginning.
  • echoecho 007 in New York
    Posts: 6,382
    There's always the Foreign Legion origin story, which was interesting...

    As far as the question goes, why do Bond in his 40s-50s? Go full Lazenby!
  • Posts: 15,229
    echo wrote: »
    There's always the Foreign Legion origin story, which was interesting...

    As far as the question goes, why do Bond in his 40s-50s? Go full Lazenby!

    Oh I wishes they used the Foreign Legion backstory and I hope they use it in the future!
  • Posts: 2,026
    Old is not what Bond 26 needs. The film is the opportunity to get out from under a lot the baggage left by previous films. Old Bond, old M, old Felix, old Blofeld, old SPECTRE, and old MI6 building are gone. Done. Over. Finished. Move on. Clearly the producers were signaling their desire to get rid of almost everything. So get on with it. Other than Bond, dump the rest. We went a long time without Felix, SPECTRE, and Blofeld. That can happen again.
  • echoecho 007 in New York
    Posts: 6,382
    I don't think they spent money for the Spectre rights not to use them.

    The temptation to use Blofeld will always be there. The lawsuit was the only reason they didn't in mid-series (TSWLM being a prime example).
  • Posts: 12,521
    I definitely think Spectre is coming back, too. Now they have the opportunity to plan it out better ahead of time, so there are no excuses now that the rights are secure to not do it really well. I do wonder if the trend of each new actor getting a different final number of films will continue and Bond #8 specifically will get a trilogy. I imagine when a new Bond is picked, the minimum expectation is 3 films, unless things go severely wrong behind the scenes. In any case, I don't realistically see Roger's record of 7 being broken since it takes longer to get the films out now, and that's already a lot of commitment. Who knows, though!
  • Posts: 2,026
    Agree. There will not be another seven film Bond. Even five feels a stretch. Assuming three years between films, that's a long commitment.
  • Posts: 4,300
    I suppose it's very much a case of never say never. It's not out of the realm of possibility we could get another 7 film Bond actor (unlikely as it seems now).
    FoxRox wrote: »
    I definitely think Spectre is coming back, too. Now they have the opportunity to plan it out better ahead of time, so there are no excuses now that the rights are secure to not do it really well.

    I think if they were to use SPECTRE it'd only be if they see a creative opportunity to include it. Otherwise there's no point of shoehorning it into a new era out of obligation. Blofeld's a tricky villain to get right anyway. Without some sort of personal element between him and Bond he's just another generic villain. I suppose they could play up the 'white whale' angle with Bond hell bent on getting him as per OHMSS, but even then I think you need more, and without Blofeld SPECTRE doesn't fully work.

    I wouldn't bet on them using it in the short term to be honest, but again never say never.

    I also can't see them pre-planning these stories out years in advance either. Why would they? That's never been how Bond films have been made, and it's certainly not how Fleming crafted his novels.
  • Posts: 15,229
    007HallY wrote: »
    I suppose it's very much a case of never say never. It's not out of the realm of possibility we could get another 7 film Bond actor (unlikely as it seems now).
    FoxRox wrote: »
    I definitely think Spectre is coming back, too. Now they have the opportunity to plan it out better ahead of time, so there are no excuses now that the rights are secure to not do it really well.

    I think if they were to use SPECTRE it'd only be if they see a creative opportunity to include it. Otherwise there's no point of shoehorning it into a new era out of obligation. Blofeld's a tricky villain to get right anyway. Without some sort of personal element between him and Bond he's just another generic villain. I suppose they could play up the 'white whale' angle with Bond hell bent on getting him as per OHMSS, but even then I think you need more, and without Blofeld SPECTRE doesn't fully work.

    I wouldn't bet on them using it in the short term to be honest, but again never say never.

    I also can't see them pre-planning these stories out years in advance either. Why would they? That's never been how Bond films have been made, and it's certainly not how Fleming crafted his novels.

    The white whale obsession can be reversed: Blofeld can become obsessed about this MI6 agent that had thwarted his lucrative schemes one time too many. There were elements of this in SP, the stepbrother angle notwithstanding.
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