Which Film is the one that feels LEAST like a Bond film to you ?

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  • TripAcesTripAces Universal Exports
    Posts: 4,585
    MR: It’s sci fi. Only Bond film that is difficult.
    LALD: Music and setting (Harlem and Louisiana, for example) are unlike anything else in the franchise...but in a good way.
  • Posts: 1,314
    This might sound like heresy but Live and Let Die.

    It’s like a white mans interpretation of Shaft, with a funk driven though admittedly great score, bond as the least discrete spy in the world for a large portion of the first half, and a cheap looking production and cinematography. I don’t think the non letterbox ratio helps. Ditto Golden Gun.
  • Posts: 6,709
    Any film that came out after OHMSS, with the exception of TLD.

    Polemical much? I know, I know. But deep down it's now I feel. Love them all, though.
  • Posts: 342

    One of the things I did admire about QOS back in the day is that it felt it didn't need to carry all of the Bond tropes in order to call itself a Bond film, especially as the Brosnan run was still fresh in memory where it seemed to indulge in every trope to the point that in TWINE he actually introduces himself "Bond, James Bond" TWICE. It felt like overkill. QOS was probably too extreme an opposite, but I was game to let the pass. All that mattered to me was whether it was a solid adventure film... and it wasn't. But the fact that they did cut back on such tropes made its reintroduction in later much more special.

    What's interesting to look back on is Connery's run. Unlike later installments, the filmmakers didn't feel the need to throw every single trope into the films like a checklist which Brosnan's films did. In all of six films, Connery only introduces himself "Bond, James Bond" in three films. He doesn't even wear a tuxedo in two films (unless you count the man in the Connery mask in FRWL). He's only served a vodka martini in three films, one of them being stirred not shaken as a gag. Even after getting a tricked out vehicle in GF, he only gets that again in briefly in TB and the remaining films have him driving another.

    But Connery’s run didn’t need tropes. They had Connery, and that was enough.

    To make my point, look at OHMSS, where they shoehorned in many tropes to remind you it was a Bond film - including past props, clips from previous films, and even the Goldfinger tune!
  • Posts: 6,709
    Troy wrote: »

    One of the things I did admire about QOS back in the day is that it felt it didn't need to carry all of the Bond tropes in order to call itself a Bond film, especially as the Brosnan run was still fresh in memory where it seemed to indulge in every trope to the point that in TWINE he actually introduces himself "Bond, James Bond" TWICE. It felt like overkill. QOS was probably too extreme an opposite, but I was game to let the pass. All that mattered to me was whether it was a solid adventure film... and it wasn't. But the fact that they did cut back on such tropes made its reintroduction in later much more special.

    What's interesting to look back on is Connery's run. Unlike later installments, the filmmakers didn't feel the need to throw every single trope into the films like a checklist which Brosnan's films did. In all of six films, Connery only introduces himself "Bond, James Bond" in three films. He doesn't even wear a tuxedo in two films (unless you count the man in the Connery mask in FRWL). He's only served a vodka martini in three films, one of them being stirred not shaken as a gag. Even after getting a tricked out vehicle in GF, he only gets that again in briefly in TB and the remaining films have him driving another.

    But Connery’s run didn’t need tropes. They had Connery, and that was enough.

    To make my point, look at OHMSS, where they shoehorned in many tropes to remind you it was a Bond film - including past props, clips from previous films, and even the Goldfinger tune!

    All of which it didn't really need, cause it was a superb film with a possibly superb Bond that sadly never had his continuity.
  • Posts: 342
    Denbigh wrote: »
    Tuck91 wrote: »
    Denbigh wrote: »
    If I'm being really honest, both of Dalton's films.
    Could you convey further?
    Would you say the living daylights is more Bondian than LTK? I can think of many moments.
    Well it's not really anything to do with Dalton's portryal of Bond, more the stories, the scale, and the tone. A lot of people compare the Dalton-era to the Craig-era, but to me LTK and TLD feel more like those old American cop/detective shows? I don't know if anyone else feels the same. I actually think, to a certain extent, QoS suffered the same problems, but not as much as these two did. Definitely products of that transition from the 80s to the 90s, even that scene of Bond running from the helicopter in slow motion with Felix, feels more like a Baywatch homage than anything cool. Just my opinion :D


    I agree. LTK to me feels like a US TV action movie. Somehow feels cheap, with 1980s / 1990s stock drug smuggling plot
  • NS_writingsNS_writings Buenos Aires
    Posts: 544
    00Agent wrote: »
    Ryan wrote: »
    barryt007 wrote: »
    I would love to know how many Bond fans GE created ,it must be a massive amount.
    This film probably deserves a lot more credit than it already gets for saving the series.
    It made Bond young and fresh again,made a brand new audience to add to the fans that were already there.

    Thanks in part to the game, GoldenEye was somewhat of a cultural phenomenon for anybody who grew up in the nineties. Speaking for myself, I know many people from my generation (current late twenties/early thirties) who still reflect on GoldenEye (film and game) very fondly and many who became lifelong Bond fans as a result.

    Absolutely. There is a "GoldenEye Generation" I talked about in The World of GoldenEye. The film is a new classic - for many of us 90s kids it has the effect of Goldfinger and Thunderball.

    \m/ I'm a Goldeneye boomer myself.

    Least Bondian film for me: LTK.

    It's not only a great film, but it's thanks to the success of GoldenEye that we are now waiting for a 25th Bond film.

    Agree with LTK. I particularly enjoy it and it has a fantastic villain, but I do think it lacks that cinematic quality of the Bond films as many of the 80s films do. This said with enormous respect to John Glen, mind you.
  • Posts: 17,756
    Tuck91 wrote: »
    The series needs another goldeneye at this point.

    Very much agree with this.
  • Posts: 6,709
    Tuck91 wrote: »
    The series needs another goldeneye at this point.
    Very much agree with this.
    Yes, definitely. Although we can't say it's in a bad form. Not at all, really.
  • edited October 2019 Posts: 17,756
    Univex wrote: »
    Tuck91 wrote: »
    The series needs another goldeneye at this point.
    Very much agree with this.
    Yes, definitely. Although we can't say it's in a bad form. Not at all, really.

    No, no, not at all. Just think that a GE type of film is what Bond 26 should be. ;-)
  • Posts: 6,709
    Univex wrote: »
    Tuck91 wrote: »
    The series needs another goldeneye at this point.
    Very much agree with this.
    Yes, definitely. Although we can't say it's in a bad form. Not at all, really.

    No, no, not at all. Just think that a GE type of film is what Bond 26 should be. ;-)

    Yes, I get what you mean.
  • 4EverBonded4EverBonded the Ballrooms of Mars
    Posts: 12,480
    They all do, in varying degrees, feel like a Bond film to me.
    I guess I'd have to go with:

    LTK and TMWTGG, both of which annoyed me quite a lot, even upon first viewing in the theater. Disappointing for sure.

    I would add OHMSS but the film itself is very Bondian, and Diana is superb.
    Only Laz hurts the film. I never bought him as Bond in it, not at all. But I'll leave the film itself as Bondian enough.
  • edited October 2019 Posts: 17,756
    Univex wrote: »
    Univex wrote: »
    Tuck91 wrote: »
    The series needs another goldeneye at this point.
    Very much agree with this.
    Yes, definitely. Although we can't say it's in a bad form. Not at all, really.

    No, no, not at all. Just think that a GE type of film is what Bond 26 should be. ;-)

    Yes, I get what you mean.

    giphy.gif
    _________

    I would like to add LTK to my list. Completely forgot to include it.

    I share the views re. LTK looking very much like an U.S TV action film. In a strange way I think it kinda works – but of course, it would've been even better if it felt more like a "traditional" Bond film. I do wonder what the opinion of Dalton would have been back then (and now) if LTK was more like a typical Bond film.
  • MakeshiftPythonMakeshiftPython “Baja?!”
    edited October 2019 Posts: 8,183
    Troy wrote: »

    One of the things I did admire about QOS back in the day is that it felt it didn't need to carry all of the Bond tropes in order to call itself a Bond film, especially as the Brosnan run was still fresh in memory where it seemed to indulge in every trope to the point that in TWINE he actually introduces himself "Bond, James Bond" TWICE. It felt like overkill. QOS was probably too extreme an opposite, but I was game to let the pass. All that mattered to me was whether it was a solid adventure film... and it wasn't. But the fact that they did cut back on such tropes made its reintroduction in later much more special.

    What's interesting to look back on is Connery's run. Unlike later installments, the filmmakers didn't feel the need to throw every single trope into the films like a checklist which Brosnan's films did. In all of six films, Connery only introduces himself "Bond, James Bond" in three films. He doesn't even wear a tuxedo in two films (unless you count the man in the Connery mask in FRWL). He's only served a vodka martini in three films, one of them being stirred not shaken as a gag. Even after getting a tricked out vehicle in GF, he only gets that again in briefly in TB and the remaining films have him driving another.

    But Connery’s run didn’t need tropes. They had Connery, and that was enough.

    Yup, it's what makes his films true classics in the Bond series. In the commentaries for Connery's films the filmmakers talk about how there were no terms like "Bondian" to describe such tropes because it was all new at the time. Nobody was consciously thinking "we have to have Bond wearing a tux in one scene" or "we have to have a him ordering a martini at some point".

    To make my point, look at OHMSS, where they shoehorned in many tropes to remind you it was a Bond film - including past props, clips from previous films, and even the Goldfinger tune!

    Yup, one of my least favorite elements in OHMSS was the heavy handed attempts at trying to sell you the idea that Lazenby is the same exact Bond as Connery, as opposed to Lazenby giving his own take on the character like Roger Moore would. So they give him lines that might have fit Connery's style of performance but feels awkward delivered by Lazenby. Moneypenny calls him "same old James". The film was already a very strong installment that didn't need any of those touches, but it was the first non-Connery film and everyone was too conscious of it.

    In contrast, there was a concerted effort in LALD to make it feel different from past films so you're never reminded too much of Connery and inadvertently comparing Moore to him. This was their second shot at doing a Bond without Connery, so they were gonna try to make sure it worked on its own accord and become a hit film. It's in moments like Bond ordering bourbon and water rather than a vodka martini. He never at any point wears a tuxedo. Q never even shows up. His briefing is done at his own flat rather than at MI6.

    Unlike OHMSS, it went onto become a bigger hit. It wasn't until TSWLM that the series ever felt comfortable again indulging in the Bondian tropes, and from that point on the series has more or less functioned in that manner.
  • Posts: 1,917
    SF probably for me. The credits should read Albert R. Broccoli's Eon Productions presents Judi Dench as Ian Fleming's M in Skyfall. Starring Daniel Craig as James Bond. It feels more like an M movie than a James Bond one.

    It doesn't help part of its plot copies The Dark Knight as well as TWINE and has members of MI6 look incompetent at several points in the film.

  • ThunderballThunderball playing Chemin de Fer in a casino, downing Vespers
    edited October 2019 Posts: 814
    I’m one of those that became a fan through Goldeneye. It was late 1995, I was 16 years old and went to see it largely on the strength of the killer trailer. That was the first Bond movie I ever saw. Soon after that i saw the Connery six (the first four were my favorite Bond movies then, and, alongside OHMSS and CR, they still are) and a handful of Moore’s outings. I was hooked. I didn’t see OHMSS at the time. My dad told me that it was merely okay and that Lazenby wasn’t a very good Bond. Boy, was he 100% wrong as I found out many years later.

    Anyway, that’s not entirely on topic. One of the, if not the least Bond-esque Bond film to me is probably Licence To Kill, but I don’t care, I love the hell out of it.

    If you count the unofficial ones, then both Casino Royales and NSNA definitely. Obviously they don’t feel like real Bond films. Aaaand... I don’t like them. I tend to act like they don’t exist. The EON movies, good or bad glad or sad, are the official ones.
  • 4EverBonded4EverBonded the Ballrooms of Mars
    Posts: 12,480
    I still adore SF.
    LTK did indeed look and feel like another vice cop drug cartel TV movie and I said so at the time. Really disappointing, though I still loved Dalton as Bond. But it felt more "off" (just not right) than other Bond films so it gets on my list here.
  • 00Agent00Agent Any man who drinks Dom Perignon '52 can't be all bad.
    edited October 2019 Posts: 5,185
    00Agent wrote: »
    Ryan wrote: »
    barryt007 wrote: »
    I would love to know how many Bond fans GE created ,it must be a massive amount.
    This film probably deserves a lot more credit than it already gets for saving the series.
    It made Bond young and fresh again,made a brand new audience to add to the fans that were already there.

    Thanks in part to the game, GoldenEye was somewhat of a cultural phenomenon for anybody who grew up in the nineties. Speaking for myself, I know many people from my generation (current late twenties/early thirties) who still reflect on GoldenEye (film and game) very fondly and many who became lifelong Bond fans as a result.

    Absolutely. There is a "GoldenEye Generation" I talked about in The World of GoldenEye. The film is a new classic - for many of us 90s kids it has the effect of Goldfinger and Thunderball.

    \m/ I'm a Goldeneye boomer myself.

    Least Bondian film for me: LTK.

    Agree with LTK. I particularly enjoy it and it has a fantastic villain, but I do think it lacks that cinematic quality of the Bond films as many of the 80s films do. This said with enormous respect to John Glen, mind you.

    I don't know about that. I think the Villain is pretty weak. It's just some welsh oversensitive bloke with a personal vendetta... though making him betray his country early on makes him instantly unlikeable so that works well.

    Bond on the other hand is great, but why the hell is he a drug dealer now and talks in a mexican accent?

    That whole movie is seriously confused. I think they took Flemings quote of "heroes and villains get all mixed up" a little bit to literally on this one imho.
  • The least Bond-like movies for me are LTK and the four Craig's. A trad Bond movie would be...

    1. Villain has a vile plot.
    2. Bond get his instructions from M, gadgets from Q and is off on an adventure.

    I think we left this formula behind with TND, which is possibly the last 'formula' Bond film.
  • ThunderfingerThunderfinger Das Boot Hill
    Posts: 45,489
    Univex wrote: »
    Tuck91 wrote: »
    The series needs another goldeneye at this point.
    Very much agree with this.
    Yes, definitely. Although we can't say it's in a bad form. Not at all, really.

    No, no, not at all. Just think that a GE type of film is what Bond 26 should be. ;-)

    I really hope not. It is a bottom three Bond film for me.
  • Posts: 17,756
    Univex wrote: »
    Tuck91 wrote: »
    The series needs another goldeneye at this point.
    Very much agree with this.
    Yes, definitely. Although we can't say it's in a bad form. Not at all, really.

    No, no, not at all. Just think that a GE type of film is what Bond 26 should be. ;-)

    I really hope not. It is a bottom three Bond film for me.

    giphy.gif
  • Posts: 631
    Everything up to and including Moonraker feels Bondian to me, no matter how good or poor those individual movies are. Those films are genuine James Bond, the real deal.

    Everything after Moonraker feels slightly off, somehow, like copies or forgeries of Bond movies, or like fan fiction, or as if the film makers are trying too hard. Sometimes the copies are very good, but they don’t feel like Bond.

    Only my feelings though.
  • NS_writingsNS_writings Buenos Aires
    Posts: 544
    00Agent wrote: »
    00Agent wrote: »
    Ryan wrote: »
    barryt007 wrote: »
    I would love to know how many Bond fans GE created ,it must be a massive amount.
    This film probably deserves a lot more credit than it already gets for saving the series.
    It made Bond young and fresh again,made a brand new audience to add to the fans that were already there.

    Thanks in part to the game, GoldenEye was somewhat of a cultural phenomenon for anybody who grew up in the nineties. Speaking for myself, I know many people from my generation (current late twenties/early thirties) who still reflect on GoldenEye (film and game) very fondly and many who became lifelong Bond fans as a result.

    Absolutely. There is a "GoldenEye Generation" I talked about in The World of GoldenEye. The film is a new classic - for many of us 90s kids it has the effect of Goldfinger and Thunderball.

    \m/ I'm a Goldeneye boomer myself.

    Least Bondian film for me: LTK.

    Agree with LTK. I particularly enjoy it and it has a fantastic villain, but I do think it lacks that cinematic quality of the Bond films as many of the 80s films do. This said with enormous respect to John Glen, mind you.

    I don't know about that. I think the Villain is pretty weak. It's just some welsh oversensitive bloke with a personal vendetta... though making him betray his country early on makes him instantly unlikeable so that works well.

    Bond on the other hand is great, but why the hell is he a drug dealer now and talks in a mexican accent?

    That whole movie is seriously confused. I think they took Flemings quote of "heroes and villains get all mixed up" a little bit to literally on this one imho.

    Agree that Sánchez is "generic" and perhaps a very realistic villain, but I happen to enjoy him a lot. He's a dangerous guy to cross and he has something few villains had in the following films - you are actually afraid of him!
  • 00Agent00Agent Any man who drinks Dom Perignon '52 can't be all bad.
    edited October 2019 Posts: 5,185
    00Agent wrote: »
    00Agent wrote: »
    Ryan wrote: »
    barryt007 wrote: »
    I would love to know how many Bond fans GE created ,it must be a massive amount.
    This film probably deserves a lot more credit than it already gets for saving the series.
    It made Bond young and fresh again,made a brand new audience to add to the fans that were already there.

    Thanks in part to the game, GoldenEye was somewhat of a cultural phenomenon for anybody who grew up in the nineties. Speaking for myself, I know many people from my generation (current late twenties/early thirties) who still reflect on GoldenEye (film and game) very fondly and many who became lifelong Bond fans as a result.

    Absolutely. There is a "GoldenEye Generation" I talked about in The World of GoldenEye. The film is a new classic - for many of us 90s kids it has the effect of Goldfinger and Thunderball.

    \m/ I'm a Goldeneye boomer myself.

    Least Bondian film for me: LTK.

    Agree with LTK. I particularly enjoy it and it has a fantastic villain, but I do think it lacks that cinematic quality of the Bond films as many of the 80s films do. This said with enormous respect to John Glen, mind you.

    I don't know about that. I think the Villain is pretty weak. It's just some welsh oversensitive bloke with a personal vendetta... though making him betray his country early on makes him instantly unlikeable so that works well.

    Bond on the other hand is great, but why the hell is he a drug dealer now and talks in a mexican accent?

    That whole movie is seriously confused. I think they took Flemings quote of "heroes and villains get all mixed up" a little bit to literally on this one imho.

    Agree that Sánchez is "generic" and perhaps a very realistic villain, but I happen to enjoy him a lot. He's a dangerous guy to cross and he has something few villains had in the following films - you are actually afraid of him!

    Sorry @NS_writing i was just joking. What i meant is that Davi's Sanchez is more "Bond like" in that film than Bond. I don't recognize Bond in LTK. That's why it's the least Bondian film for me. But it's really a well made action Thriller. Sanchez is one of the best villains for sure.
  • MakeshiftPythonMakeshiftPython “Baja?!”
    Posts: 8,183
    00Agent wrote: »
    00Agent wrote: »
    00Agent wrote: »
    Ryan wrote: »
    barryt007 wrote: »
    I would love to know how many Bond fans GE created ,it must be a massive amount.
    This film probably deserves a lot more credit than it already gets for saving the series.
    It made Bond young and fresh again,made a brand new audience to add to the fans that were already there.

    Thanks in part to the game, GoldenEye was somewhat of a cultural phenomenon for anybody who grew up in the nineties. Speaking for myself, I know many people from my generation (current late twenties/early thirties) who still reflect on GoldenEye (film and game) very fondly and many who became lifelong Bond fans as a result.

    Absolutely. There is a "GoldenEye Generation" I talked about in The World of GoldenEye. The film is a new classic - for many of us 90s kids it has the effect of Goldfinger and Thunderball.

    \m/ I'm a Goldeneye boomer myself.

    Least Bondian film for me: LTK.

    Agree with LTK. I particularly enjoy it and it has a fantastic villain, but I do think it lacks that cinematic quality of the Bond films as many of the 80s films do. This said with enormous respect to John Glen, mind you.

    I don't know about that. I think the Villain is pretty weak. It's just some welsh oversensitive bloke with a personal vendetta... though making him betray his country early on makes him instantly unlikeable so that works well.

    Bond on the other hand is great, but why the hell is he a drug dealer now and talks in a mexican accent?

    That whole movie is seriously confused. I think they took Flemings quote of "heroes and villains get all mixed up" a little bit to literally on this one imho.

    Agree that Sánchez is "generic" and perhaps a very realistic villain, but I happen to enjoy him a lot. He's a dangerous guy to cross and he has something few villains had in the following films - you are actually afraid of him!

    Sorry @NS_writing i was just joking. What i meant is that Davi's Sanchez is more "Bond like" in that film than Bond. I don't recognize Bond in LTK. That's why it's the least Bondian film for me. But it's really a well made action Thriller. Sanchez is one of the best villains for sure.

    It's a subversive reversal that I like as a concept. It would have been even more daring if they made the film from the perspective of Sanchez, and Bond is the villain who's a force of nature. In a sense, Bond is taking on the same role as Silva who has a personal vendetta, destroying Sanchez and his operations from the inside out and it all comes to a climatic ending in what is essentially the middle of nowhere.
  • thedovethedove hiding in the Greek underworld
    Posts: 5,424
    Interesting thoughts here. When I read the title of the thread I immediately thought of LTK. In a recent Bond and Friends podcast (big fan of these by the way!) It was mentioned about the cast of this film being somewhat American in nature and that this makes it feel less like a Bond film. Looking at the cast I can see what the person meant. To me it was like a budget cast pretending to be a Bond film. The film just doesn't have that glamour or style. I think the casting also plays into the feeling this is just not a Bond film.

    The Aston Martin usage is kind of starting to bug me. When or why must Bond always drive the Aston Martin DB5? Fine you introduce the car in CR. Cute we see Bond win it at poker. Then we see it in SF and suddenly it has the gadgets from GF installed? WTH? Then it shows up again in SP and now we see it will be in NTTD. Enough, can Bond drive something else? Or can we just give car chases a rest?

    Thankfully they have laid off the tuxedo or Craig's Bond has only worn it where it makes sense.

    Okay rant over! LOL!
  • Posts: 1,680
    I’m starting to prefer the bond films where things happen to him. This is prominent in thunderball, Moonraker, for your eyes only, die another day, Casino Royale, and skyfall.
  • chrisisallchrisisall Brosnan Defender Of The Realm
    Posts: 17,795
    Least Bondian? LOL, why Moonraker... of course! Best novel turned into worst movie. I blame Star Wars. ;)
  • DrClatterhandDrClatterhand United Kingdom
    Posts: 349
    It's Dire 'Nother Day for me. Bond is built on practical stunts and not extremely ropey CGI. That was an utter embarrassment to the franchise. It also plays like a best of and isn't its own thing. The editing has really dated too. Basically, it's Bond for mouth-breathers. I utterly detest it with the intensity of a billion burning suns.
  • Posts: 1,680
    chrisisall wrote: »
    Least Bondian? LOL, why Moonraker... of course! Best novel turned into worst movie. I blame Star Wars. ;)

    Bond is almost killed so many times in Moonraker. The g force spin, the fight with the ninja henchman, the cable car fight, the snake fight
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