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That's the dpirit! Any film similar to NTTD must be worth watching!
I thought that when he said "you're a hard man to kill Blofeld" in Spectre.
"I actually thought the same thing as @JamesStock on my two viewings. Why doesn't he call him Franz or Oberhauser?"
Perhaps I've missed something, but I've viewed this as Bond's own disregard for any personal significance to the "familial" back story. It's Blofeld who's obsessed with Bond and not vice versa, no? He couldn't care less and is happy to put as much distance between them as possible, hence "Blofeld."
I think they just really wanted him to be Blofeld. It’s easy to see why the didn’t use the name Oberhauser after the reveal in Spectre, IMO.
Skimming through this thread quickly, but I think I agree with all your main points here. My opinion of NTTD remains high and I am so satisfied with this one as Daniel's final film. It is so fitting, and they managed to give us a great Bond movie throughout; with the ending sequence being the difficult and divisive part. I don't fault the ending, either. Just saying it is a consistently excellent Bond movie for many reasons, but I understand the ending will remain divisive. I'm quite happy and I think NTTD helps solidify all of Daniel's films. I really would have been unsatisfied if his tenure ended with Spectre.
That is also a good point I hadn't considered, yet and it works in tandem with him disconnecting his childhood memories from everything that happened since he turned 00. He loved Hannes Oberhauser (and possibly even had affection for Franz), so he doesn't want to connect those positive memories to this monster.
I think the thing this all harkens back to is that the Blofeld reveal in SP is just so underwhelming and unprepared. If we had heard the name Blofeld here and there throughout the film or even better throughout the previous films, then it still wouldn't have been a surprise that Waltz was playing Blofeld, but it could have had more significance for Bond and Madeleine - maybe even have Blofeld be to Madeleine what Safin turned out to be: That shadowy figure that destroyed her childhood. And then it would also make sense for them to continue to call him Blofeld: If Bond had searched for Blofeld for some time - Operation Bedlam, basically - then there is something he can now pin this man's identity on. The way it is in SP, he basically just pulls a name out of a hat and everyone just decides to go along with it.
It would get under his skin.
I even ask myself if NTTD might have benefitted from a Safin-like character in a lesser role (and not as the "super-super villain")--perhaps as a SPECTRE assassin or even replacing the character of Primo. I say this partly because the only Safin scene that truly worked for me was at the house in Norway in the PTS. But also because I'd have preferred the return of the Blofeld & SPECTRE narrative. I just don't see that the introduction of Safin (whose plot & motivations make little sense to me) as adding anything interesting to the film, though I get that the marketing of Malek as the villain of the new piece was perhaps crucial for purely commercial reasons.
That would have been awesome.
Completely agree about Rami Malek being cast purely for marketing kudos. He was the hot ticket after his Freddie Mercury Oscar and what a scoop to have him etc etc.
Now don't get me wrong I like Malek, I enjoy his schtick and with a better developed role his Bond villian could (and should) have been brilliant. BUT In a different Bond film!
That's the crux of it for me, in a stand alone film or at least one that didn't also feel the need to tie Spectre in Satin would have work well. In the NTTD story we got I think it would have worked so much better to not have him at all. Instead have Blofeld do all the things Safin did. I'm not entirely sure how best to bring Blofeld back in at the beginning but heck, In the absence of a better idea, a good old fashioned prison break with a " we have people everywhere" inside job would have worked.
My point is this would have elevated Blofeld's threat, given Waltz a proper stab at a solid portrayal and saved Malek for Bond 26 in a film that required less of a juggling act.
Agreed; feels shorter than both of those films.
I don't think I've ever agreed with a post more. Word for word.
EDIT: I lost track! I was going to make my 5,000th post a review of Spectre, but this is just as good.
Welcome to my world crisis, Mr. Bond. ;)
You are so young... Connery was my first. Many changes since then. Dalton still rules IMHO...
Yeah, I just started watching Nikita, and it's awesome. Halfway through first season almost- like a hundred 45 minute episodes of serious espionage wow... if only Bond producers could match that writing & production level at LEAST yearly...
I have said it before: The best version of Safin is the one that isn't on screen at all. The puppetmaster who has SPECTRE steal the weapon and the scientist for him; gets Leiter to recruit Bond; has SPECTRE basically kill itself, thinking they would kill Bond and finally has Bond and Paloma extract Valdo and the virus. Through all of that he arguably only has two people who actually know they are working with/for him (Valdo and Ash). Everyone else thinks they are advancing their own goals and get completely played by him. He is kind of an inversion of Blofeld and SPECTRE's "we have people everywhere" approach. He has no people. He has your people working for him, without even knowing it. His final master plan (as far as we can figure it out) even hinges on the virus being spread by people who have no idea they are carrying it.
By the time the action shifts to Norway and then the island, he reverts to pretty standard "lair-having villain with an army of henchmen, scientists and worker bees", which is kind of boring and at that point his motivations also fall apart. I am talking myself more and more into the headcanon that he actually had no idea what to do after he got his revenge on SPECTRE and Blofeld and everything after that is his aimless fantasy from when he was a kid and him kind of cosplaying as a mega-villain.
I agree that they cast a well-known character actor as part of the marketing machine and the Craig-Bond formula (Mikkelsen, Amalric, Bardem, Waltz and Malek is a murderer's row) and I guess at some point the guy has to actually appear in the film and not just be a player in the shadows, but they could have done a better job with it, I agree.
Same. He’s been brilliant and I’m glad he came back for one more, I thought it was a great sendoff, and I was really impressed with his performance (five films in and he was still finding new sides of the character to explore). But he’s been doing it for so long that I’m ready to see it reinvented again now, so I don’t think I’ll be pining for him when the next one comes out. He had a good run and went out on a high, I’m happy with that.
I just hope whoever we get next brings back some of the fun and charm to the series.
This is a criticism of Craig that I used to agree with, but it seems a bit 2008 to me. I thought Skyfall bought a sense of fun back nearly a decade ago, and NTTD bought back the OTT fantastical stuff (we had gadgets, bionic eyes, nanobots, goons with sci-fi magnets). Did none of the humour in the last few films land for you? If you just mean they’re too emotionally heavy, then I can see where you’re coming from, and I imagine we’ll get a more straightforward thriller next time. But I think anyone expecting a return to groanworthy sex puns and invisible cars may be disappointed.