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Very much this. I find it difficult to sit through, and I was the other fella who put it firmly at the bottom.
While I'm no fan of MR either, I saw it on the big screen a couple of years ago and it was so much fun to watch in the company of a receptive audience. OP, not so much.
I wasn’t very pleased with Skyfall and Spectre either and in the light of that it has climbed a bit but not much. Mainly for the Tosca scenes which I have come to appreciate a lot actually. I currently have it at #21 and I rank it above Spectre, but that initial letdown is hard to shake off.
But subsequent viewings made me appreciate QOS and its superluminal narrative and visual style much more. I think Craig is really strong in this one too, and Arnold's score, though stark, is actually one of his better works in my opinion. The choice of shots, which used to be problematic for me, is now something I actually applaud.
I had QOS at number 10, far below CR but only one spot below SP. In fact, SP and QOS constantly trade places as my number 2 and 3 of the Craig Bonds.
And despite its brief run time and plethora of action, the movie finds plenty of wonderful character moments throughout. And for a movie that was apparently being written on the spot by non-writers, there’s a lot of very good dialogue! I love all the scenes of Bond and Matthis together in particular.
Always thought the cinematography in QoS was better than SF. SF has a couple of stunning shots, but most of it I find rather flat and bleached out (the pts!)
Personally, as a lover of Franco-Italian cinema, I really like the arty stuff too, such as the location cards, the fancy camera work, and the mixture of vagueness and subtlety that makes this one so unique.
If there is one gripe, it's Amalric. A fine actor, but terribly underwritten. The boat chase isn't the best ever either.
Having said that, I'm definitely in the pro-QOS camp.
QoS is definitely never boring, not a second.
And I love the location cards.
@goldenswissroyale Nice to see I'm not alone on the location title cards.
As for QoS, I know I'm on a fan site when it finishes this high and I love it! It's a top ten for me. Have been enthralled since opening night and I'm glad that it seems to be gaining new levels of appreciation every year.
It's not without its faults and I do understand why some take issue with it, but the positives far outweigh any niggles I might find. Craig, first and foremost, gives an outstanding performance. The fight scenes, score, cinematography are all top notch. I love the style, character moments and the clever little editing touches.
Regarding the length, I don't disagree that some additional time to focus on plot and characters would strengthen the film, but the short runtime is refreshing (especially in the Craig era) and is yet another unique feature to love about this fantastic Bond film. Someone once described it as an adrenaline rush and I quite agree.
QoS is not well regarded outside the fandom. Heck, not even with some within. But its defenders are a passionate bunch and I'm always happy to read the positive remarks on here.
I did see that poster before. It was in a newspaper ad for the movie when it came out (those ones that run a one line review with)
Regarding the boat chase, Empire magazine included a Bond booklet in one of their issues, and it had brief interviews with some of the Directors, and Forster stated that it was the one set piece he wasn't happy with!
And I love the use of the location cards too, particularly the London one!
An overview of the films still in the running:
- Dr. No
- From Russia with Love
- Goldfinger
- Thunderball
- On Her Majesty's Secret Service
- Live and Let Die
- The Spy Who Loved Me
- For Your Eyes Only
- The Living Daylights
- Licence to Kill
- GoldenEye
- Casino Royale
- Skyfall
To be continued...
STARRING
Roger Moore as James Bond 007
WITH
Carole Bouquet, Julian Glover, Topol & Lynn-Holly Johnson
FOR YOUR EYES ONLY
MUSIC BY Bill Conti
DIRECTED BY John Glen
FYEO's best finish was 6th, which it managed on three occasions. It also secured three 8th, three 9th and two 10th places, giving it 11 top 10 spots.
With 9 more top 15 finishes and almost everything else away from the bottom 5, FYEO appears to be well-appreciated. One member did rank it 24th, which turns out to be its lowest score by a fair stretch.
Rog's fifth outing is also the highest rated entry that did not feature in anyone's top 5.
FYEO secured 146 points in total.
And an uninspired villains plot. I don’t think the Bolivian water supply matches that of Goldfinger contaminating the US gold supply with an atomic bomb.
I’d rather a little more time were put into QOS and it could’ve been a decent film. One thing that does work for me is Daniel Craig. He’s been solid throughout his tenure.
Its 40th anniversary this year. Must watch it soon.
I’ve no idea who's rating Thunderball so high!
(It’s a rhyming couplet) *giggle*
I actually think the score works well throughout most of the film, with a few exceptions, but I can understand how it's not for everyone. The humor let's you know it's still a Moore film but perhaps it's tonally jarring at times. That never bothered me either. There's a lot to love here. Even a delicatessen in stainless steel.
As a matter of fact, I had TB just behind FYEO.
FYEO is a fun movie, but it does have lengths. I cannot stand the unnecessary ice skater storyline, both Bibi and her trainer are out of place here, and so is the attack with hockey sticks.
On the other hand, what is not to love about the terrific ski chase, the unusual climbing sequence, the fun car chase (if a 2CV qualifies as a car), the beautiful settings and a slighty too old Moore in top form?