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i dont know if i would fault the actor completely - he can only work with what is written, and he can only give the performance the director wants...
in that regard, the character is the stereotypical sacrificial ally - but it happens so early and so fast, that we havent had time to see him and Bond form any chemistry.. and thus, the emotional impact that the scene is supposed to have, is completely wasted.. that is more or less the fault of the writers - all his character did was arrange a meeting and then get strangled while being told to wait in the car like a pet dog lol.
Yes I hate to admit this but my bias may be showing here. I like GE better then CR. To me CR drags from the game to the end of the movie but maybe that's not his fault!
Thanks for showing the thread this much love!
I'm a huge fan of GE, and I agree with you that CR drags a bit at the end, but it seems like a bit of a controversial opinion around here to prefer GE to CR. :P
It's a great idea for a thread! Happy to be a part of the academy. ;)
Honorable mention to the unnominated Lewis Gilbert for his talents in staging beautifully photographed, big epic superproduction style Bond films.
Exactly.
Anyway, shame Gilbert for TSWLM or MR (I can’t help myself) isn’t there, but the nomination from the bird cage goes to Campbell
What? What the hell do you mean, Aubergine?! You want to abduct the woman on stage? What?!
:D
I have to think of some categories to cover some of the write in nominations. I am going to stick with just 5 nominees per category. A few more hours of directors and then we will jump somewhere else.
Peter Hunt for On Her Majesty's Secret Service with 6 votes
Martin Campbell for Goldeneye with 5 votes
Sam Mendes for Skyfall with 4 votes
Poor Guy Hamilton for Goldfinger received zero votes!
Our next category is best adapted screenplay. This category is only from movies which were based on the Fleming novels. The nominees are:
Richard Maibaum and Johanna Harwood for From Russia with Love
Tom Mankiewicz and Richard Maibaum for Diamonds are Forever
Neal Purvis, Robert Wade and Paul Haggis for Casino Royale
Simon Raven and Richard Maibaum for On Her Majesty's Secret Service
Richard Maibaum and Michael G. Wilson for The Living Daylights
As much as I love the stories of both From Russia with Love and On Her Majesty's Secret Service, the adaptation work was much less of a challenge for the writers. So, point goes to Casino Royale, which was a much more intricate task, despite some flaws here and there.
I know! I like that it's a tough choice. I think it causes you to really look at the work differently. I wasn't going to put DAF in this, but the dialogue is so good I thought it deserved a shout out as a nominee.
I can see your point, but I don't know if I'd agree. I think the adaptations of GF and OHMSS make very substantial plot changes to the novels. They also visually flesh out scenes and add various grace notes that ultimately make the films superior to their sources. I can't say the same for CR. It's a very fine adaptation, but structurally it's broken backed and in several instances dis-improves on its source. So my vote goes to Simon Raven, and Richard Maibaum [and Peter Hunt, whose script work was uncredited] for On Her Majesty's Secret Service. But I could just as easily give the award to Maibaum and Paul Dehn for GF if they were nominated.
Richard Maibaum and Johanna Harwood for From Russia with Love.
the way they modernized the original Fleming story, and added so much around it - and doing so without taking anything away from what made CR such a good story to begin with, was simply masterful..