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Comments
All the character scenes, so the Bond/Felix/Ash in the bar stuff, Bond and Nomi in his bedroom, all of Cuba, the MI6 interactions etc.
I highly doubt they would kill off Mathilde. They’re crazy (EoN) but not nuts. Dead children is a big no-no.
The script for NTTD wasn't something that stood out to me as something that needed a major overhaul. Though to be honest, nothing in NTTD seemed to need a re-evaluation as far as I'm concerned.
"He left me, for someone else"
The whole desk dialogue with M
A lot of the Paloma stuff
The whole smallpox dialogue with Hugh Dennis
Those are a few I can think might have been hers, off the top of my head (could be completely wrong) . The character of Paloma is great and I know PWB had a lot to do with that, which she deserves huge credit for as well.
Although there are quite a few lines in NTTD that feel so out of character in conception, that they're made worse by unusual deliveries. There's a few moments when it feels like a gear shift as if someone else was writing each different scene
I thought Spectre had some good lines, but the dialogue did seem much more natural to me with this one. Think that might be as much down to the director as it was the script though. I love both Mendes Bond films, but I do think there‘s something a bit stagey about the way he directs his actors.
Yeah, I’d like to see her return too. With NTTD she was polishing someone else’s story, and she did a great job of it, but I’d like to see what a Bond film that she’d been involved with from day one would look like.
From all reports, before PWB's involvement, the part of Paloma would have been as developed as Estrella in Spectre (remember her? The Mexican agent at the beginning, played by Stephanie Sigman, who was great in Miss Baja). For the rest, it's not always easy to identify whose idea it is for a line or a moment. In Ant-Man, people singled out the "Russian dolls" narratives by Michael Peña when he tells a story as one of the few remaining traces of Edgar Wright's wit in the script. It turned out that it was director Peyton Reed who was entirely responsible for it. So, Phoebe Waller-Bridge may have very well contributed to some of the serious dialog.
Yet, I'd still would bet on:
– the first big scene between Bond, Leiter and Ash
– "Well, that's not the first thing I thought you'd take off, but, uh..." from Bond to Nomi.
– "Bond… James Bond" at the front desk of MI6
– the exchange between Moneypenny and Nomi about taking a shot at Bond
– "Does he always have this effect on women?" when Madeleine leaves him in the interrogation room
– "What? Another child?" (which was definitely the biggest laugh from the film to me)