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Comments
She did take the money, though. No, seriously, I really like her in the role. :)
I don't know about anyone else but her name always bothered me than her being a nuclear physicist.
Especially given that the same year she did a fine (and funny) job as the villain of the film Drop Dead Gorgeous.
That's what makes that whole movie so fascinating to me.
You can see the Daniel Craig era trying to be born prematurely but it's stuck inside the structure of the Brosnan era's fear of going too much outside the typical Bond formula.
This is not a criticism, it's just such an interesting dynamic to see play out.
The only Bond "actress" I didn't liked is Barbara Bach.
Her delivery was monotone and didn't had that much reactions, her character (especially in the part where it's revealed to her that her boyfriend died), there's supposed to have an emotion, but she failed to conveyed it.
Barbara Bach even made George Lazenby a real actor in comparison. 😁
But she's beautiful though.
She's so stiff and by the numbers.
The others weren't their fault, it's more on the writing or directing though (like Halle Berry or Denise Richards).
I will now good naturedly point out that all of those things are in fact the new Bond formula, to a greater or lesser extent — largely because there’s a limit to how often you can blow up MI6. Or put M in direct peril. If you take riffs on that (MI6 buildings/personnel for example, and M in peril if not outright kidnapped… ) and on the Bond Girl being the Villain (Most have been not squeaky clean and at least heavily implied *at some point* to not be on Bonds side… but that’s often true back to the sixties) then it’s very much the current formula.
But for the most part the Dalton & Brosnan eras actually did *more* with their leading ladies as characters than ever before, and on balance, probably as much as the Craig era, just without quite so much of a direct focus as we are now used to. Though it’s actually less than you would think… the roots of Madeline are there in TLD and GE particularly.