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Yes I agree with all this too. It would be nice to see Bond smile a bit more and start enjoying life again, rather than being broody and moody all the time.
In your opinion: I find Craig to be one of the coolest Bonds alongside Connery. In fact I think they're probably the only two to be effectively cool.
I agree that the nostalgia stuff can go now: we can lose M's office, the car etc. We've done the stuff where they've come back, it was great, but time to move forward.
I certainly wouldn't bring Arnold back: I enjoyed him but that is done now too and there are better and fresher composers out there.
I'd keep the films interlinked as I really liked seeing Bond moving through his life: if you've read the Fleming novels you can see that's part of the appeal as the series moves along. I think it would almost be quite odd to have sequels which don't mention what's happened in the previous film in fact.
I agree that tonally CR/SF/SP feels like the sweet spot- it's actually quite hard to imagine another way of doing it at the moment, which shows what a good job they've done. I guess it's the details which need a shakeup to differentiate the next guy from Craig, but it could stay in the same tonal world.
I don’t understand the criticism of Craig’s Bond being too moody and broody. He was one of the more serious takes on it, and I know the personal drama was divisive, but I don’t see anything about his performance or characterisation that makes him broodier than Dalton or the original Fleming Bond. I reckon he actually had more Connery/Moore style humour than them. He just had a detached Mcqueen type coolness layered over the usual hedonism.
I do think the films have gotten quite heavy and I’d like one that feels a bit lighter again, for the sake of keeping it fresh, but I don’t think the tone is necessarily the issue with that. I’d be up for more Connery style irony, but at the same time, my favourite is LTK, and that one has Bond at his moodiest. I still have a great time watching it because it’s a gripping, badass action film that doesn’t give you time to dwell on the nastiness. It’s the introspection, psychoanalysis and long runtimes they could do with ditching imo. Characterisation wise, I’m easy. I think they can make a fun film with any sort of Bond, it’s just all about how they execute it.
Yes I think he does the moments of humour better than Dalton (I think he basically was what Dalton was trying to do but he actually did it successfully); and I get puzzled at fans saying they don't want moody and broody when the next moment we get a picture of Brosnan or Dalton sat in their hotel rooms drinking booze alone and everyone gets excited about how Bondy they look.
I like the balance of both, and Craig did it pretty well. I still think one of the best jokes in the whole series is Craig landing on that little sofa at the beginning of Spectre. Maybe they'll dial up the lighter side slightly more next time to differentiate, maybe they'll use a totally new style of humour for Bond (I guess Craig was mercifully lacking in the bad puns..?); all is good.
Agreed. I actually find it a really bizarre criticism rewatching the Craig films. In SF his Bond is a bit more jaded, but he's not exactly miserable or brooding all the time. He smiles whenever he teases or flirts with Moneypenny throughout the film, and there's even that traditional Bondian humour whenever he's in a bad situation (ie. "Oh good, here comes the train", "Don't forget my pathetic love of country" etc.) In SP his Bond is even more at ease. He even seems to be relishing the danger of the Italian car chase sequence. Hell, one of the criticisms of NTTD is that his Bond becomes a lot more 'talkative' after the PTS.
I do think some of the dramatic decisions of the later Craig films have left a few fans with a bit of fatigue, and possibly a 'bad taste in the mouth' as it were. I really can't see where this idea that Craig's Bond is miserable and brooding all the time comes from otherwise.
So confusing, lol...
I saw Craig as being effortlessly cool, as much as Connery was effortlessly cool in his way.
Brosnan and Lazenby had to "act" cool and I could see and feel it (not good), and Moore and Dalton weren't going for that kind of tone at all (one was finding his light touch in his run, the other focussed on the grittiness of the man and his world)...
The drinking will be staying.
The smoking is long gone.
As for the next one? He will be in a tux at some point, order a martini, and because of sponsorship deals, drive an Aston. I hope that the DB5 doesn't make an appearance, and I assume there will be a whole new MI6 team that will have a different relationship with their James Bond.
But other than the above guesses? Who knows. That's what's great about the role: it'll be about the new actor and what he brings as an actor. Just by the nature of a recast, things will look and feel different, but still be grounded in the EoN creation...
He doesn't care what you think because he knows he's cool and you can't touch him, and when he starts enjoying himself- then you're in trouble. Dalton's Bond never quite believed in himself, and that's not Bond. All of the others, including Lazenby, got that bit right.
And the moment where he drunkenly threatens a mouse and kind of takes the mick out of himself and his own role in these movies was a really lovely and surprising gag we've never quite seen Bond do before.
I really wish Spectre's plot hadn't fallen apart, because it contains so many lovely moments that I think it'd be really highly regarded if it actually cohered into a whole.
I have very similar feelings @MakeshiftPython … one of the reasons I was so sad my dad passed before seeing CR. He was an Englishman and Connery was King in our house.
After seeing CR, it hurt me hard since I know old man David would have loved Craig (he enjoyed bits and pieces of the other Bonds, but never took to them as he took to Connery; knowing the old man as I did, Craig would have blown him out of the water).
Funny enough, LTK is my favourite too. Yet although Dalton had his angry moments, he still managed to have a laugh too (throwing the money out of the plane springs to mind).
I found with the later Craig films there was too much of the darkened rooms, quiet, whispery dialogue, too much personal angst. By the end of NTTD you feel nothing but sympathy and pity for Bond, something I've never felt in any other Bond film (even OHMSS tragic ending).
I feel in CR they got the balance right, but not in the later films.
:)) =D>
That actually made me chuckle loudly.
I think two weren’t worried about the cool factor, didn’t try to be cool, but instead focused on their strengths.
One was utterly lost in the role, but had flashes of natural coolness (mainly around the women characters).
And one tried way too hard and never was cool.
😂 👍🏻 👍🏻 👍🏻 😂
Post of the day and well done!! 😂
(I didn’t see that coming!)
😂😂😂 I had to make that joke, I just watched it a few nights ago and it’s still a campy delight. It’s my favorite unofficial Bond film.
It depends. First of all on what kind of aspect you wish could be replicated in yourself; in that case the sophisticatation, the humor, the elegant lifestyle he lives, his way with women. I think those elements could be looked at as Aspirational. Killing people and being sent on dangerous missions? I could do without that in my lifetime.
He’s certainly the classiest! He’s David Niven after all!
Same here, I’d love to live in a secluded location.
People always trot out the 'you'd be stupid to want to be like him as he gets tortured and beaten up by baddies' thing whenever the question of smoking arises and whether anyone would copy him, but that is to ignore a large part of his appeal over the years. If no-one ever found him slightly aspirational then all of those large firms paying top dollar to have him appear with/wear their gear over the last few decades would be pretty stupid, but I'd suggest that their very expensive marketing surveys tell them they're not.