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Thesis 173: Agree, even if the book relies on coincidence but that's even deeper in the film. For example, in the book Bond don't ask for Nassau because of Domino and his brother, instead M induces that the bombs should attack the US instead the UK, and Miami could be a plauseble target, so he sends Bond to Nassau.
I very much agree with that, coincidences are frequent in Fleming. But I find in Thunderball, more so in the film than the book, there are more coincidences and Bond has more luck than in the others.
I haven't seen Thunderball for so long now as it is, don't even own a copy but blow it, it seems thesis could be correct. I don't remember too many coincidences in the film is what I should say and from what I know, it is a smart casual adventure ?
Getting in a tangle with this I feel, so it's a Goodnight
Agreed.
Not so sure about this. I looked up some reviews of OHMSS from when it was first released. They're much more positive than I had initially believed.
From the main website:
http://www.mi6-hq.com/sections/articles/history_press_ohmss_critics.php3?t=mi6&s=ohmss
And some I found on my own:
"A big, flashy production, too, is 'On Her Majesty's Secret Service', the latest of the James Bond series, but with a rank amateur(and I guess I mean that) substituted for the suave Sean Connery. The new Bond is George Lazenby and it's kind of touching watching him attempt to get the delivery of his lines, although I must admit that a less sympathetic audience will only laugh at the wrong moments. Mr. Lazenby, however, is tall, has a pleasant face and a manner that would probably also strike us as pleasant if we met him personally rather than in a movie. And, aside from Lazenby, this new 007 adventure delivers its full load of action and violence, this time directed by Peter Hunt.
"We meet Bond in Switzerland, mainly, where he encounters several willing and ready girls and a bald-headed villain, naturally played by Telly Savalas. It's a four-thunk movie, by which I mean just as Bond is about to indulge his carnal appetites with a beauty, somebody him hits him over the head and the sound track emits a loud thunk. Any normal man would develop a bad case of impotence. But not Bond. He'll be back and rutting you may be sure."
-Hollis Alpert,Saturday Review-January 10, 1970
"The latest episode in the super-serial of the sixties, the new James Bond thriller, 'On Her Majesty's Secret Service' is set mainly in Switzerland and it's marvellous fun. It introduces a new Bond, George Lazenby, who's quite a dull fellow, and the script isn't much either, but the movie is exciting anyway. The director, Peter Hunt, is a wizard at action sequences, particularly an ethereal ski chase that you know is a classic while you're goggling at it, and a mean, fast bobsled chase that is shot and edited like nothing I've ever seen before. I know that on one level it's not worth doing, but it sure has been done brilliantly. Diana Rigg is a tall, amusing Mrs. Bond; it's a shame they kill her off (in a bad 'sincere' ending). A wife never hurt Nick Charles and the Bond figure is beginning to need all the help he can get. Gabriele Ferzetti (the hero of 'L'Aventura,' who is aging to look like Olivier) is an amiable gangster-tycoon; he and Ilse Steppat, the indefatigable villainess, help give the picture some tone."
-Pauline Kael,The New Yorker-January 3, 1970
From Molly Haskell, December 25, 1969-
http://news.google.com/newspapers?id=0uwjAAAAIBAJ&sjid=K4wDAAAAIBAJ&pg=4651,5097114&dq=molly+haskell+on+her+majesty's+secret+service&hl=en
And Roger Ebert, December 29, 1969-
http://news.google.com/newspapers?id=0pZlAAAAIBAJ&sjid=1ooNAAAAIBAJ&dq=on her majesty's secret service&pg=1460,4258993
So I would say disagree.
It's never bothered me since TB's my favorite Bond film I'd say disagree.
<font color=blue size=7><b>Lois Maxwell's Moneypenny was allowed to age only because Moore's Bond visibly aged as well.</b></font>
I do think Moneypenny is matched to the actor who plays Bond in terms of age/chemistry/looking your age factor...just turns out a young Lois Maxwell matched Connery's bond and an older Lois Maxwell matched Moore's Bond in terms of the aforementioned criteria of age/chemistry/both looking same age.
She was a character when they had only recast Bond (and Felix). They were still trying to keep the same 'family' to make the change in Bond actors believable. Moneypenny and M are two of the major reason we know Sean, George, and Roger are all the same Bond. She cemented the fact that Bond has always been one man. Plus, her and Moore had the best chemistry (in my opinion).
This was before they decided they could recast everyone when they wanted.
Completely agree with you, disagree with the Thesis
But, as aforementioned, Moore took over before I think they were comfortable recasting other characters. By '81, they said 'to hell with it'.
Agree. Made sense to persue with Lois until Moore stepped down? Then start afresh with the new casting of the role.
<font color=blue size=7><b>The detailed showing of computers will age GE faster than had they not been shown.</b></font>
Agree. Although the datedness of any aspects of a Bond film have never bothered me.
Agree: You could say that about alot of movies though. How about the classic film "Wargames".
Edit: just seen the wink....duh!
I don't know... TMD has some pretty.. 'vintage' stuff if you ask me. All that synth is enough to make you sick!
<font color=blue size=7><b>The Craig Bond is played out more as a professional assassin than as a professional spy.</b></font>
The rest of CR is purely 'professional spy'. Mollaka or whoever attacked him, so he had to kill him. LeChiffre died from a professional assassin.
Quantum is tough to decide on. He's 'rogue spy', not so professional. Slate was indeed a 'dead end', and he got all the information he needed from Greene before leaving him to die.
Brady is right, he hasn't 'assassinated' that many people. In fact more of his kills are in defense. As is usual with a spy.
Disagree.