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Thesis 205: Disagree. It was a film too many for my beloved Mr Moore.
<font color=blue size=7><b>In TLD, Timothy Dalton registers beautifully on all key counts of charm, machismo, sensitivity and technique. </b></font>
Actually, if I could find one fault with Dalton's performance (which he isn't guilty of in LTK as much) it would be that he frequently makes what I call the 'Slingblade face'
Not a dealbreaker by any means, but noticeable and annoying
Definitely Agree!
Dalton gives one of the most beautifully nuanced performances in Bondian history.
While Dalton might be a technically gifted actor he lackes Charm and the sexual tension all the other actors brought to the role.
A nice but correctly failed experiment over two movie.
disagree
I would have to agree with this thesis. It's all there up on the screen.
He brought the right amount of charm, machismo, sensitivity & technique to the role. Agree.
<font color=blue size=7><b>DAF should have allowed Bond to exact revenge on Blofeld in a more dramatic and fullfilling way. </b></font>
The answer to this thesis is so obvious it doesn't deserve a reply, and is why the film will be held in contempt by me for many years to come.
Like Brady said: obvious YES. Whether he was Connery or Lazenby retuning, Bond should have made it his mission to kill Blofeld- period.
Although there is one thing I never hear get talked about: in DAF, how is there at least no mention of Draco?? What really would have been cool is to see Bond team up with Draco for mutual revenge. Admittedly though, at least as far as action is concerned, I suppose that would have looked too similar to the climax of OHMSS....
Just a thought though.
Yet another awesome idea. Though, if they couldn't even bother to reference Tracy in the film there likely wouldn't have been any note of Draco either.
How so?
Because Connery acts like he doesn't care, which is an odd thing to do when fighting the man who killed your wife. Add that to the fact that Lazenby referred to "the other fella," and it sure seems like there are two different people.
Not entirely. They had good sense to go back to basics after Moonraker and Die Another Day even though those made money.
But at any rate, they were in charge of the biggest film franchise in the world, and they wanted it to succeed. The change left us with 13 more Bond movies over 40 years later. Not a bad tradeoff.
They had the idea to bring a Bond of depth back in OHMSS, but that didn't work so we got films leading into all of the 70s and half the 80s where Bond was at times a world renown celebrity figure with about as much depth as a kiddie pool. I'd say they sold out on their vision.
Then the page when static and I lost the rest of my work when went to retrieve..
Bottom line is, of course thesis has it correct. Blofeld should of been killed off once and for all in Diamonds (preferably by George's Bond) but it never occured. It's a pity in retrospect, but there's nothing to be done about it now. Character (Blofeld) survives, (although there's a wait of a whole decade before this comes to light) and finally the demise occurs in quite frankly, absurd and embarrassing circumstances
As before, real pity, when you look back
YOLT, DAF then OHMSS. Makes much better sense.
Maybe they wanted to balance the silliness with the depth, and knew the audience at that point wanted silliness. Like I said earlier, they still made deeper Bond movies like For Your Eyes Only and some top-flight Bond adventures like The Spy Who Loved Me.