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- Scaramanga sleeps with Andrea before a kill and the film actually states a reason for that.
- The belly dancer's about to give it all up to Moore in under two minutes since meeting him. And she's lost her charm...
- There's the lyrics of the theme song which leave little room for doubt.
- The Bottom's Up bar shows topless girls serving drinks. That's a first in a Bond film. And the entire scene has some sleazy vibes.
- The third nipple.
- Chew Me
- Andrea showering and the camera being ever so careful not to show any flesh but almost.
- And then Moore beats her while she has the bathrobe on, which sort of boosts the sexual tension.
- Bond and Andrea perform the nasty while Goodnight is in the closet and Bond mentions how her turn will come.
I honestly can't think of any other film in Moore's Bond era to stack up so many sexual playfulnesses, some subtle, many not so much.
Let me see ... offhand I disagree.
I am voting for FYEO as more sexually laden than TMWTGG. Yep.
I know Scaramanga had fun with terrozing Maud's character, Andrea (thanks for reminding me) with his gun as foreplay, but well, no. I think there was more innuendo at least in FYEO, from the countess to Bibi (which was not consummated, just out there on her part), to the lovely Melina ... and well I love the midnight swim at the end, too. Anyway, there's my vote.
Add to this you 've also got the phallic shaped 'mushroom' rock, the highly symbolic popping champagne bottle spurting white spray all over a midget and to top it all, a device called a 'Solex agitator' which sounds more like a woman's bedside vibrator than a brand new source of renewable energy.
So is TMWTGG the most sexually explicit...I concur!
Looking and all the points you raise and trying to think through Moore's other 6 films, I agree.
<font color=blue size=7><b>Kamran Shah's Western manners and English accent make Bond's association with the Mujahideen more easily digestible, even today.</b></font>
I want to say Eton, but I am not sure. TLD aficionados like @thelivingroyale, @DarthDimi and @MajorDSmythe would be good choices to shed some light on this.
I sort of remember the word "Eton". But I am probably remembering that wrong. Can't check the film just now ...
It was Oxford and I agree with the thesis. Cambridge is associated with Bond during YOLT and TSWLM if I recall that correctly as well. Unfortunately, a story like this one was only possible until the Afghans got rid of the Russians because they needed Western aid. It''ll likely never happen again.
Yep, I would agree with this. Probably appeared a little odd at the time? But i was alot younger then, and if they were happy to 007? That's good enough for me! :D
I find the Mujahadeen part of TLD still greatly enjoyable even though it's aged horribly. Kamran Shah having a Western manner is minimal towards that enjoyability.
Did the audiences of the late eighties really need their cinematic Mujahedeen allies made more palatable with 'proper' breeding? I would argue that the characters that fill roughly the same role in the far more right wing 1989 film Rambo 3 managed perfectly well without any of the 'westernised trappings'.
<font color=blue size=7><b>The Bond legacy could not have been done much cinematic justice before 1960.</b></font>
Disagree.
I would say it was, especially considering the limitations of the day. It would be unfair to compare todays capabilities to those of the 1960's. And it was a groundbreaking movie at the time.
<font color=blue size=7><b>Femke's Xenia is the most vicious henchwoman of the Bond series so far.</b></font>
Absolutely agreed. Definitely the modern Fiona Volpe literally with a twist. Except this one is a term that for me doesn't necessarily apply to Volpe- a serial killer.