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Maybe the period piece would work as a one off TV miniseries, but as far as the film franchise goes, I think they have to keep it modern. (And in my opinion, I think the modernness of the franchise has allowed it to be around for 50 years!)
I'm glad the first person said exactly what I was thinking.
<font color=tomato size=4><b>THESIS 003</b></font>
<font color=blue size=7> <b>The second half of almost every Bond film introduces a steep decline in quality.</b></font>
To the contrary, backwards is a dead end. If the series kept in indefinite suspension in the 50's or 60's there would have been no series any more by TMWTGG or earlier even. If the only direction the films can go is to its own past then it's got no more future.
Disagree. This thesis may be true for the Brosnan era: I consider the first halves of TND and DAD his era's 2 best hours in the role but both of them decline in their second halves. However, IMHO many earlier Bond films' second halves improve upon their first halves: YOLT, OHMSS, TMWTGG, OP for example.
Your thesis seems to be more applicable to the Pierce Brosnan films - namely TND and DAD.
TND is pretty cheesy throughout but at least the first half isn't JUST firing machine guns.
002: if they were going to stay in the 60s they shouldn't have made live and let die, there's absolutely no point going back now
003: every bond film??? no. Alot of bond films??? yes. DAD started of brilliantly with the awesome hovercraft chase and bond being captured, but got worse and worse from the 2md half onwards. CR's second half with the sinking house wasn't as good as the first (alot of craig fans like to bash DAD for overuse of CGI but this scene was just as bad and drags the rest of the 2nd half down). Moonraker was a good film but in the 2nd half went bad (jaws in love, space lazer battles).
- Moonraker (5.5/10 overall)
- For Your Eyes Only (7/10 overall)
- Tomorrow Never Dies (7/10 overall)
- Die Another Day (5/10 overall)
I enjoy For Your Eyes Only and Tomorrow Never Dies to an extent overall, but For Your Eyes Only loses a ton of steam after Bond kicks Loque's car off the cliff and Tomorrow Never Dies' second half is a barrage of bullets.
Moonraker's first half was one of the best first halves in the franchise (barring the Bondola), but after that silly cable car fight...well, that was it. Die Another Day kind of had the same thing going for it, but the ice palace halted all positive progress.
So, I personally disagree with thesis 003 as I really don't find any of the other films' second halves to be a detriment to them. (They were either good all around, or bad all around!)
DN
FRWL
TB
LALD
TLD
GE
CR
Let's hope I can add SF to that list. ;)
On the contrary, several of the Bond films build up the suspense up until the final act: Dr. No is a great example: Dr. No's identity is not revealed until later in the film. From Russia With Love also builds until the climax of the Red Grant fight, whereas the helicopter/boat chases, while perhaps not as exciting, are brief and also lets the audience catch their breath: still very effective. OHMSS is another great example: nothing new in the plot is revealed per se, but the pacing really climaxes with the action/Rigg's kinapping/Draco's surprise aerial attack.
So, it's half and half: when the film-makers get lazy and settle into formula, yes the second halves don't deliver on the promise of the first. But thankfully, several of the Bond films have stepped up and made for excellent films start to finish.
minutes before getting thrown back into his cell. As for Moonraker, the good ol' fashioned spying tactics of Drax's estate and Venice get lost in fantasy filled with gadgets and over-the-top action sequences that fail to match up to those of the first half, like the pre-title sequence parachuting or the fight with Chang in the glass shop. So as I said before, it's not true with all 22 Bond moviesd, but instead works with some more than others.
Precisely! 50 years of success should be enough time to prove to anyone that you have found a formula that works and could carry on from generation to generation.
Not the case IMO, with GF, TB, YOLT, OHMSS, TMWTGG, OP, AVTAK, TLD, LTK and QoS!!
But certainly the case with all Bond-movies with Brosnan and MR and FYEO!
I didn't use the word "slow" now, did I?
"Fast" doesn't always equal "quality" in my world!
Yeah, I figured you'd disagree on Moonraker! Hahaha. I just didn't like how the movie takes a turn from dark and ominous in the beginning to light-hearted and goofy toward the end, although some of the scenes in space take it back to the dark roots of the beginning. But you said that Cuba takes a drop with you? I could see that, given the fact that it takes a little while for things to get cooking again. But once Xenia comes down out of the helicopter, the movie starts back again!
Well, yeah, not always, but I just really like the action-packed climaxes in Brosnan's first two.
PTS-->Intro/Hook/Briefing-->Bond Girl(s)/Villain introduced-->1st conflict-->Meet New Allies-->2nd conflict-->Ally or secondary Bond Girl dies-->3rd conflict-->Main Bond Girl kidnapped by main villain-->Final Showdown with Villain-->Crisis Adverted, Reunites with Girl
With the exception of OHMSS, CR, and QOS I think you can categorize most of the films in that order. And this is why the 2nd half is really a let down - the movie spends the 1st half of the movie trying to pump you up with bigger, nastier villains or some new, interesting sechmes to bring you in, but it fails to deliver because you expects how it would end already.
* DN
* FRWL
* GF
* TB
* YOLT
* OHMSS
* MR
* FYEO
* OP
* TLD
* LTK
* GE
* CR
Hence, I disagree with the thesis.
<font color=blue size=7> <b>A different director each Bond film is better than the same director working on several Bond films.</b></font>