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Comments
Yep, agreed. Cinematography isn't always about looking pretty. Good cinematography is supposed to suit the type of story that the film is trying to tell.
GoldenEye had those musky, hazy interiors with a focus on mid-shots and a sense of claustrophobia to evoke 60s and 70s thrillers from other spy series in 90s wrapping paper.
Tomorrow Never Dies went a new route, reflections and big clean open spaces with a lot of technological placements in the frame. Lots of wides, not too many close-ups. A techno-thriller vibe.
The World Is Not Enough attempts to dial it all down to a very un-stylised "matter of fact" way of shooting. Again there's a running theme, especially through it's establishing shots, of a ruined world. There's a barren feeling to it, all tied into it's oil supply themes.
Whether it works or not is another question entirely, but there's plenty of merit behind the decisions to shoot it the way they did.
Anyway, deadline for voting is tonight at 9pm!
Adrian Biddle's TWINE cinematography is effective and appropriately moody for the deception-driven plot (he also lensed Aliens, The Mummy, and 1492: Conquest of Paradise). The issue is Apted's direction, which doesn't quite have the punch that the movie needed to really come to life.
Elswit's and Tattersall's work on TND and DAD, respectively, are underrated, although DAD obviously has a lot of serious issues.
#12 - 2
#17 - 2
#21 - 2
12.
Winter in Scotland
17.
Bond saves the day celebrations
21.
Caspian Sea
Vote for your favourite out of these three! :)
And the fact that those three "top shots" only received two(!) votes each, proves my point. There is not a single shot that is exciting in any way.
I'm glad you take this light-heartedly, but I really don't see anything outstanding here. I've been up too long for my time zone and my age by now, so I'll see what you worked out later on this date (my time).
I'm impressed they included this shot on screen. In contrast to everything else.
I guess you're too late, @RichardTheBruce. This is already the run-off poll among three disappointing candidates. Sounds familiar?
12 if I'm able.
Anyway I vote for 12, but in the main agree, TWINE is very workmanlike and there isnt much flash to it.
I am with you. I don't understand the "hate" this film gets--I know, it's the Christmas Jones casting. But after 20+ years, I don't mind Denise Richards nearly as much. I rank TWINE as Brosnan's best, with his most assured performance. That said...
12 for me
As for TWINE, I agree Brosnan is rather good in it, but whenever I watch it there are too few scenes I am looking forward to. Many actually make me cringe, like when Electra calms the people (the whole set looks TV-style artificial), when she tortures Bond (I don't believe he is suffocating, as there is always some space between his neck and the ribbon visible), and even the skiing is underwhelming.
And no, Christmas Jones is not cringe-worthy, she is the film's comical relief and the ray of light that saves the film for me. I love Denise Richards, she has this near-absurd beauty that ticks all the cliché-boxes and knows it, but manages to play it straight.
I feel exactly the same, especially about Richards. Except that I also like the torture scene.
The way the crowd are celebrating, waving their arms in the air etc while Bond is talking to Elektra, is terrible. You could tell the extras were told "act like your team has just won the world cup". Once you see it, you can't unsee it, it's like the QoS sweeping man.
I wish. :))
I am guilty of throwing some "hate" at MR, which is the only Bond film that I find repulsive. But it has its admirers, so all the power to 'em.
I think what you describe as a TV artificiality describes several films, including CR. It can be a drawback, but I have never noticed it so much with TWINE. Maybe I'll watch again and reassess.
- Out of the frying pan, into the freezer (explosive ski jump) - great colour and near rule of thirds
- Out of the frying pan, into the silo (explosive flying fox) - nice, if logical angle
- Winter in Scotland (MI6 castle) - nice colour palette
- Inside woman - minimal detail, but really like the red lighting on Bond - recalls TND
- Caspian Sea - great vibe here
- Danger up above - love the rich blue helicopter lens flare
- What's going on out there? - again, great colours and 'rule of thirds' which interests me
Seeing this round might've brought new appreciation to me. It's really only the PTS and Azerbaijan arrival that look a bit flat IMO.
12.
Winter in Scotland
I hope everyone has a nice Christmas. In a couple of days we'll open up again for DIE ANOTHER DAY.
Happy 2023 to everyone. We're kicking off with the last of the Brosnan films, Die Another Day.
5 shot submissions per member, please. If you go above that then I will only be counting your first five.
Voting opens now and will be open until 9pm GMT on Saturday 14th January!
Let's try and keep it positive, as well. As much as the debate about film's quality is valid, let's try and encourage more engagement rather than fill the thread with negativity.
Fight of the musketeers
En garde!
Bond alerted to the danger
Can I borrow these?
A cabin by the sea
Only Pierce gets to do pain face...bitch!
Yacht Club Hong Kong
Ice palace arrival
Ice action
Diamonds Are Forever
You only whant 5 pictures... :(
Warned by the bell
Smelting face
?
Dutch flag with the mirror
?
A View To A Kill
Get the Key ?
Extra gunbarrel, Die Another Day be earlier then NTTD.
The Battle of who is Bond in Bond 21 is begun..
It's the best way to stop one person submitting 70% of the nominations and to allow others to get involved.
Good choices so far. Keep 'em coming.
Try screenmusings.org. But other than that, Google is clearly your friend. My problem is rather that I don'f find anything outstanding in DAD.