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The answer is, besides the car returning, NO.
I was about to say the same thing. One or two homages or winks wouldn't be too bad but I hope it's nothing like DAD where it become more of a clip show than a story.
I hope so.
But on the upside, look at Craig's off-season. When EON was pumping out Bond films every other year, the actors got very little down time to pursue other projects. But between QUANTUM OF SOLACE and SKYFALL, Craig got to do a very wide range of films and work with some world-class directors. He did a cowboy film with Jon Favreau, a dark R-rated thriller with David Fincher, an animated adventure film with Steven Spielberg and Peter Jackson, and a horror film with Jim Sheridan. The only other way he could have gotten more range would have been to land a role in INCEPTION with Christopher Nolan, PROMETHEUS with Ridley Scott, and/or RUSH with Ron Howard. The Brozzer, on the other hand, had a similar range of films during his downtime (MARS ATTACKS!, DANTE'S PEAK, THE MIRROR HAS TWO FACES, THE THOMAS CROWN AFFAIR and THE TAILOR OF PANAMA), but he had to stretch them out across seven years. So I think Craig's off-season between QUANTUM OF SOLACE and SKYFALL has given him a lot of opportunities to flex his acting muscles and really throw himself at some projects for the love of them, rather than to give himself something to do between Bond films. So I think he'll have a really fresh approach to SKYFALL, and the producers obviously think highly enough of him to give him an excellent script, cast and crew to work with. Even if SKYFALL isn't the best Bond film, I think it will have successfully put the Bond franchise in a position where actors and crew members want to work on future films. I think BOND 24 will be one of the hottest properties to get involved with when production begins.
one of DAD's many problems was that because it was the 20th film and the 40th anniversary, it felt like they were trying to shoehorn in as many winks, nods, elbow nudges, and homages as humanly possibly... hell, even the script has bits derived from almost every Bond film, some more obvious than others.... when you have too much stuff like that going on, the film becomes too crowded - and it almost gives off an aroma that the film doesn't take itself seriously, and is more concerned about presenting itself as a parody.... not to mention it becomes distracting, and looses whatever nostalgic feeling it was supposed to have over the years (IMO anyway)....
in my opinion, subtle nods - like the painting of Bernard Lee in TWINE is perfect... it's in the background, it's subtle, and its not thrown in your face - thats the best way to go..... because then, it's more of a fun easter egg, instead of a 130 minute romp down memory lane.
The grape I had little trouble with. The diamond laser is BAAAAD! It hardly worked in '73, and we got another killer satellite in '95 - why they assumed we could stomach such a contraption a third time is beyond me. The Halle Berry scene annoyed me too TBH, but that's only because no mortal woman could ever grace such a scene the way lovely Ursula did in '62 and also because a scene like that doesn't have the same cultural impact today that it had approximately 50 years ago.
Why they assumed we could stomach it the second time is far beyond me.
But that will do for me
True but fortunately the EMP device is plausible - more or less. The laser... not so much. :)
CR67
The climax will see an invasion of Indians and cowboys. Craig already did Cowboys and Aliens in preparation for that.
:O)
Bond is trowing out of Airplane by 2 villians and it end in the Europe flag in to the maintitles (Moonraker & The Spy Who Loved Me with a twist.)
Reference to Goldeneye/ For England line: For the lady ? Personal ? No for Europe !!
I think it is time to make clear that Bond no longer do things for England. At the time of Goldeneye For England line work very well, but those days i think it should be more clear that Bond should do things outside of England but be controlled by others. The lines not look like a agrement this time but a a disagree.
Reference to TMWTGG maintitle with a twist: Bond his face be in to some water mirror. If needed Bond must open the shower (Reference to Thunderball maintitle)
Movie starts with the studio logo's and the gunbarrel (As it be before CR see FRWL to- DAD) :*h*:
After the studio logo's before the gunbarrel: Michael G Wilson & Barbara Broccoli presents..
Movie starts with the studio logo and the gunbarrel changed in to the maintitle (Dr No)
Bond at some house with Eve and M & Bill Tanner wil visit him (Reference to LALD with a twist). It be funny to see Bill Tanner get red face if he see Eve in some closet, in specialy if M visit Bond to ask where she be and a view seconds later Bill Tanner get a Sms from Eve and saved the moment.
Shirley Bassey doing the title song.
It would be funny if they played this theme on a radio in the background in SF (a cracking tune btw and probably the best aspect of the film):
I knew it. My years and years of preparation will finally be needed! DEFEND THE WAGON TRAIN!
Therefore scenes like in DAD when they reminise at Q branch looking at gadgets from previous missions wont work.
They could have the old bonds play cameo roles but please no in jokes like "this would have never happened to me".