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My rankings have changed drastically.
Best underwater footage in TB is the shot of Largo and his men after they fed his shark.
Best underwater footage in TB is the shot of Largo and his men after they fed his shark.[/quote]
Ah yes and it's preceded by one of Largo's coldest moments when he nods to his men to throw the goon in and kisses his ring while the guy is screaming in the background.
Next round begins now:
You Only Live Twice vs. For Your Eyes Only
FYEO is rather forgettable to me. It's neither very bad nor is it very good.
YOLT for me.
YOLT on the other hand has a wonderful Barry score - really hitting his straps on this film - this and OHMSS are two of my favourite 007 scores. Capsule in Space and Death if Aki along with the timeless title track. The only exception to my statement about YOLT not containing greatness is - along with Barry's score - the glorious high shot of Bond fighting along the rooftop - as if in '67 James Bond was so talismanic that even God had decided to take 60 seconds out of his day to watch the super spy at work. I like Tiger, the fight in Osato's office and the sets by Ken Adam - but Connery isn't up to much in this one - his boredom fairly evident. Helga Brandt is distractingly terrible - obviously a Fiona volpe clone and her plan for dealing with bond is industrial strength stupid. And the whole Japanese wedding slows everything down. So the things I love in YOLT are superficial things - sets, music, location, cinematography and the things that bother me are performances and perhaps critically - plot and pace. Whereas the reverse is true for FYEO.
These two films have the most goofy Blofelds.