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Comments
Her main attributes aren't her own. She is ok looking, but nothing compared to Sophie Marceau who is attractive and elegant.
She is totally unconvincing as any sort of scientist, and her line delivery is just awful. Learn the lines, spit them out. No thought behind what they mean or how to portray them.
Sophie Marceau is not a Barbie Doll. She's a woman with beauty, brains and talent. She was the actress. Richards was only a subject of an eye candy.
For sure it is.
There's a new one.
Quite an old one really.
beats
THE WORLD IS NOT ENOUGH
with ease.
More action. Cooler Bond (Sorry, but the DAF Connery pretty much doesn't do anything nor is nearly effective). Better storyline.
Campy Bond over soap opera and drawn out action sequences.
"Hello gentlemen. I was just out walking my rat and seem to have lost my way" over "he kneeew where to huurt me and he used your exact words"
I'd choose TWINE - There is plenty to dislike but there are some elements of it narratively and character-wise that I really like. The Electra King revelation. Carlyle's performance as Renard. The return of Coltrane. I think acting-wise this is the best collection of performances in the Brosnan era. I think action-wise it's all a little generic for me though (I prefer GE and TND's action sequences to much in TWINE).
DAF has Wint & Kidd and Barry's soundtrack and that's it for me. The second half of that film is among my least favourite of the series. It also started the true spiral into silliness and taste of cheapness. Connery looks bored and more importantly lacks a sense of style (although this was 1971 after all!) The PTS is among the worst of the series. For a consecutive sequence I enjoy the Wint & Kidd introduction up until the coffin sequence at Slumber. After that it is fairly pedestrian and sometimes bad.
But I must admit I haven't watched TWINE or DAD in a long time - whereas I saw DAF more when I was a kid.
@00Beast doesn t want to do any more.