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Comments
Yes! Or 007 is a code name. Or maybe "Blofeld" in YOLT is an early clone. That's why he says, "You only live twice." Because he's a clone!
Or something about the four elements...
http://seanconneryonline.com/art_playboy1165.htm
Win Win. You get the same scenario for Sean to come back, and if you don't, you've had plenty of time for a replacement.
But oh well.
OHMSS is fine where it ended up and the way it turned out.
The decision to follow the source novel so closely (not since FRWL had a movie so adherred to the novel) and play to the younger and more physical Bond's strengths (using his wits and fists instead of gadgets to get out of a tough spot) was a wise move.
There was the plot hole of Bond and Blofeld not recognizing each other but this is easily forgotten.
It seems that money was always a sticking point between the producers and Connery and his asking for a percentage of the gross has to be the main reason why he didn't make OHMSS after his contract was up and so they replaced him with a cheaper alternative. Cubby and Saltzman made a mistake and would have been better if they had allowed Connery to continue under his terms. After all, what he was asking back in 65 is now the norm in modern productions. I think it was Terence Young that advised the producers to make Connery a partner in the Bond productions. If only they had listened.
The only downside to that, is say Connery did about ten films, would another actor have been able to come in and carry on afterwards? I like to think so.
I wouldn't want a lazy Connery in a 1967 OHMSS over the OHMSS we got.
Sometimes things work out the way they are meant to.
I have to side with Cubby and Salzman. Why make him a partner? I'm sure that they hated having to share their millions with each other, why bring in a third partner?? Each one is thinking "I only get half, now I'm suppossed to settle for one third?"
You are spot on Bro!
You know, I honestly think that I would have taken a dull 1967 Connery over the pathetic and inexperienced George Lazenby. His performance just doesn't make the grade at all in OHMSS. It's quite a downer for me, I can never get past it. The only compensation for his role as 007 were the fist fights he delivered, which were pretty awesome. Other than that, not much to say.
"But we have to be careful where we go next, because I think with Thunderball we've reached the limit as far as size and gimmicks are concerned. In Thunderball we have Bond underwater for about 40 percent of the time, and there is a love scene underwater, and attacks by aquaparas from the sky, and two-man submarines under the sea, and Bond is menaced by sharks. Instead of the Aston Martin we have a hydrofoil disguised as a cabin cruiser, and Bond escapes with a self-propelling jet set attached to his back. So all the gimmicks now have been done. And they are expected. What is needed now is a change of course--more attention to character and better dialog."
When you read this you realise Connery was right and what he was proposing wasn't at all unreasonable. In fact it has now become 'de rigueur' after Bond goes too far and becomes too outlandish for his own good.
Like you, I am happy that Lazenby's OHMSS exists and that it was made by Peter Hunt and his brilliant team. Even if I disliked it (as 00Beast clearly does) there's nothing that can be undone now. The film is justifiably a classic.
But then again, lets not forget that in 1967 he looked like this:
http://gallery.celebritypro.com/data/media/566/sean_connery_you_only_live_twice_3.jpg
http://pics.livejournal.com/rpowell/pic/003e90p1/s640x480
Plus I do like Lazenby, so perhaps it worked out for the best (now if only he stuck around for one more)
This is an interesting quote. If only Connery had stuck to his guns about the character and insisted that Bond be more brutal and less comical in DAF.
It's all right, I'll let it slide just this once......hahahahaha. ;)