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Comments
Agreed. The video game scene has aged horribly. I understand they probably thought they were being all cutting-edge but they really should've just stuck to Bond and the villain playing baccarat or golf.
Something else that aged even worse in NSNA is it's horrid musical score (which was never good to begin with). John Barry on the other hand always knew how to craft timeless music. Hell I'll even take Eric Serra's Goldeneye score over the cheap sounding jazz we got in NSNA.
OP had a great score. NSNA had... I'm sorry, no words for that 'thing'.
OP was the result of about a year of work. NSNA was close to a decade in the works and THIS is what we got?
OP worked from a fresh script. NSNA was a remake.
As for the clown and gorilla and whatnot, how about Bond defeating a thug with his urine or battling it out with sharks "with friggin' lasers on their heads" (or a close variety of that, thank you, Dr. Evil. ;-) ), or driving a horse from an impossible height into the water, ...
I mean, seriously, if we're going to defend NSNA against OP, the party's on! :-)
Octopussy is great fun from the start. Fantastic theme song too.
What's wrong with the clown suit? It makes perfect sense for Bond to don the make up et al, he's undercover. Isn't this what undercover spies sometimes are required to do?
The Moore period had such a sense if fun. I'll defend it to the death!
Honestly, NSNA is ranked at 60% at rotten tomatoes, which it deserves for its mediocrity, but certainly not in the ballpark of clown costumes, gorilla suits, sitting tigers and the sad camp of the Moore years.
OP's rank is 42%, btw.
Fun, camp, self-parody and an air of cartoonishness, yes.
Regarding Sean's japanese surgery in YOLT, yes that was terrible. The space stuff was even worse. What's your point? Trying to get me to defend that? Not gonna. I love the Connnery films, but bad is bad and I can objectively look at the overall scope of the franchise.
I suppose my point was that you can find flaws that maybe laughable to some people in all the films. These aren't down to the lead actors, more just how the films were made in that climate.
Well, regardless of who made the choice, and at this point it's safe to state that it was a collective decision between EON, the directors and the lead actor of the Moore films to make them camp, clearly the tone of the stories still being translated from Fleming to screen suffered.
I could make a pretty good argument that the quality of OHMSS was not matched until Casino Royale.
Cubby and Harry signed Moore up, and found the format to suit the masses, not just the fan boys. There's no money to be made in suiting a few hundred hard core anoraks is there?
We can discuss and debate and shout our views from every thread going, but no one will truly budge from their opinions. Moore fans are plentiful, and they won't sway their opinions.
Good luck though.
If the other choice is watching Die Hard 5, then I'd do that no problem :p
No kidding!
I think they knew that the series had skidded out of control, and the newer, bolder, more exciting Bourne films had come out and embarrassed the Broz Bonds, so they had to do something.
B-)
Oh hell yeah! :-bd
TWINE is a GOOD FILM. It has everything: Interesting but admittedly overcomplicated and badly explained plot, exotic locations, well developed characters (which is not necessarily a requirement for a bond film, although can work well as it does here), humor that isn't campy for the most part, etc. DAD on the other hand, absolutely horrific.
However, the film has aged like a piece of raw meat in the sun, and I can't ever remember liking it.
That was a lot of fun! And I noticed a Honey I Shrunk The Kids movie poster in the background.