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Comments
That's also spot on. The whole idea was for Blake (or Robin Blake) to take over the mantle of Batman.
Nolan did far better with the previous installments who were at least original.
Pluspoint: Hathaway was impressive, Zimmers music was the best in the trilogy, and it was no 3D movie. The popcorn was good and the Dr. Pepper was nicely chilled.
or will he?
http://www.comingsoon.net/news/movienews.php?id=93026
Now there is a surprise!
Indeed. The thoughts and work that I've seen Nolan, Zimmer, and Bale put forward thus far are quite generous.
Jack's body in the Shining is never found but he appears in a photograph that he should never have been in. Same with Bats, Alfred is the only one who sees him....Kubrick want us to think we should leave it to our imagination, an open ending, but he dies in plain sight, same as the Bat.
Nolan is messing with us. He did say it was the end for him and his Batman; the end of a legend, the truth is in plain sight.
Some observations -
LTK helicopter and plane, where Bond is winched down to Sanchez’s plane; eerily similar to the beginning on TDKR.
The Bat is chased around by heat seeking missile, a’la Octopussy.
I found Bane/ Talia to have parallels to Renard/Elektra – terrorist’s controlled by some uber-bitch.
Oh, and Bane sounds just like Sean Connery. :D
http://www.filmstarts.de/nachrichten/18474467.html
The memory cloth cape is surprisingly cheap.
Yeah, i did notice that do. Kind of funny :D
I . LOVED . IT!
I also feel like being a fan of the comics pays off.
It may be a reference to Nightwing.
@DarthDimi, true. I really need to catch up on my Batman and superhero history.
Is Batman Beyond a comic?
This is what I thought would happen after Bruce retired.
Rating: 9.5/10
And yes, Anne Hathaway gave a really great performance, on a par with Michelle Pfeiffer's. I have great hopes for her as Fantine in Les Misérables. She has already make me cry like a baby with her interpreataion of "I Dreamed a Dream". What can I tell you, I'm a big softy.
I know some people are annoyed by the scores for the Nolan Batman films, probably feeling much more comfortable with easily hummable, old fashioned, fully orchestrated hero themes. Since The Dark Knight, however, I've come to realise that the very same cold, cerebral, mathematically precise filmmaking Nolan applies to this trilogy is reflected in the music. Why waste instruments or notes on musical extras just to meet general expectations, when you absolutely don't need them? Imagine a full score, then stripped note by note to its bare essentials. What remains is what is absolutely needed, clean and sterile, precise and adequate.
Nolan seems to favour such scores. Before he collaborated with Zimmer, his go-to artist was David Julyan, a man who also prefers gentle impressions over big bombast, and subtle strokes of music over heavily perfumed artistic arrogance.
Is this to become the new sound of filmmusic? I dare say no. When Nolan does what he does best, it appears that we need it. However, a film like Avengers glitters and shines with layer upon layer of grandeur and exposition. It thrives on thick build-ups of audiovisual elements. The package is part of the excitement. The strength of Nolan's Batman films, by contrast, lies more often in what is implied rather than shown. Reducing the level of superficial stimuli in service of the deeper meanings they carry, these films benefit from the less-is-more principle in most departments. I guess not everyone is into that kind of stuff. I myself, however, am. I praise the music for the Nolan Batman trilogy as nothing short of brilliance, despite its modesty.