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Comments
Ah there's my fellow LALD supporter haha! It's just such a fun movie; even though the likes of OHMSS and CR are my favorite type of Bond film, it's good to have films like LALD to lighten it up and be unique. And Moore is fantastic, yes.
My (perhaps) controversial opinion:
Out of the two 1983 themes, I prefer Lani Hall's NSNA over Rita Coolidge's All Time High.
I think it is pretty much average on most people's list. Very consensual movie in its average rating I would have.
Ow !!!!!!
:O
When I was a kid, with bags of ambition and absolutely no money, I used to dream of winning the lottery and financing my own personal B+W adaptation of MR, done as a period piece. Naturally it would have been for private viewing and as such a ridiculous vanity project. I'd still love to do it.
Being 60 years old this year I wonder if it will get another release on DVD and/or BD. I would love to buy it.
I will have a look into this Blu-ray, thanks!
I have seen that on youtube. Not very good. I once saw GE on an old b/w TV set, and it looked a lot better to be honest. One can always turn off the colors and see how it works. Maybe an idea for my next marathon, have not had one for 4 or 5 years,
I don't see the appeal. Colour is a step forward, why not not use it?
For some films I suppose it makes sense. EG- A Field In England. It's a film from the director of Kill List. I saw it a few months ago and I didn't really like it (thought it was boring, pretentious and disappointing) but the black and white did help create a creepy atmosphere and the film looked great, very good cinematography.
But for something like Bond, I don't see the point. I think colour adds a lot to the locations. EG- QOS. One of my least favourite Bond films but Forster used colour brilliantly. The plush white interiors, the dusty deserts outside, etc. It's a really good looking film (when you can tell what's going on) and it wouldn't be the same in black and white.
Same in Skyfall. I don't think we'd all be raving about the cinematography if it was all in black and white.
But why black and white? Why not do a period piece adaptation of MR in colour? I just don't get it.
Aesthetic reasons. Old B+W film stock has a quality too it that is beautiful, particularly when played back on a 35mm projector.
I don't think the main film series should ever do a period piece. Bond has always changed with the times and moved forward, not back.
I would like a TV series set in the 50s though, that were faithful adaptations of the Fleming books. They could do it like Sherlock: feature length episodes, each based on a different book.
I also rate it considerably higher than most. I think it's in the 9-11 range with me right now.
But I think the plot is bland, the action is forgettable (apart from the crocodile stunt), the locations aren't great and it annoys me how every single villain is black. Mid table Bond film for me. Not one of the worst but far from being one of the best either imo.
LTK would have the same issue if it was just Bond stopping Sanchez but you also have the revenge/rogue angle, which I think makes it much more interesting.
I doubt that would happen--but that would be kind of cool.
I like the way its presented. You have the mystery of the MI6 agents being murdered, the double agents, the voodoo, their connection and the colourful collection of characters. One could summarise any Bond film with a few words but I see no need to.
Agreed. My first 007 memory is watching the funeral procession on TV.