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Comments
Desmond Llewelyn ;)
So that leaves you with just Thunderball, OHMSS and TSWLM, as the titles for Goldfinger and FRWL were by Robert Brownjohn.
But the stomach to use gas and a nuclear bomb
Indeed, a potential mass murderer.
There is a certain clinical distance to both.
Lest you forget...the gunbarrel!
I also think DAF and LALD are pretty great title sequences. But TSWLM is his best IMHO; something about the song and the languid acrobatics mesh perfectly.
:))
That makes me even less appreciative of Maurice. LALD titles were just stupid, it felt like filming those background elements was awkward. FRWL never felt awkward like most Maurice titles do.
Then we have CR. All I can say is wow!
That strange psychedelic thing they put us through in QOS is perhaps my least favourite of all the OT sequences, including CR 67!
His absence from Quantum of Solace was painfully felt.
Yes. Yes you are!
He's certainly not. It gets a lot of irrational hate, but I find it to be a great bit of work that serves the aesthetic of the film perfectly. The song and titles work beautifully together. Totally underrated.
I don't mind it, at least they made something fresh. The theme song, on the other hand, I can't listen to it without earmuffs.
I hate the song. Not as much as DAD but it's down there. Without the song the title sequence however I like.
I am also a member of that elitist club. I wouldn t mind MK12 returning in the future.
MK12 sounds very cold and clinical.
Didn't Samuel L. Jackson once describe the MK-12 as "the very best there is?" ;)
I rather like the NSNA title song to be honest, but not the singer. The voice is terrible. Other than that though, the composition of the song reminds me of a small era in the 80s when these pop ballads were in vogue. Maybe a stronger voice could have gotten us to like the song a lot better. ;-) Call me crazy.