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I dunno. She's the one that leads him on, he just takes the opportunity. Can't blame him, really.
Yes, @bondjames, that's why the film pulls it off. I made a comment in a DAF review that the film purposefully makes the Vegas scenes look and feel overtly trashy, bright, sensational and distracting in a way that very consciously feels empty and hollow. Like the scene where crowds watch a woman "turn" into an ape, or the groan-inducing "comedy" show of Shady Tree. Vegas' bread and circuses for its crowds seems more like bread crumbs and schlock shows for all the quality of entertainment they provide.
Bond is so used to frequenting beautiful casinos and social clubs with a fine sense of design to them, so to see him navigating the very ostentatious and rather barren glamor of Vegas' casinos is an interesting visual because it feels so below him to be there. So much had changed since the early 60s, and Bond almost finds himself on another world.
This is in direct contrast to what he did with Moore in New York in the next film, where he stuck out with his formal & sombre attire in comparison to everyone else.
I think he made the right move in both cases and the films benefit from it.
@bondjames, I don't know how much Hamilton was involved in dressing Connery, but you're right in saying that the Sinclair suits can be wild. I actually love the pink and cream suit he wears near the end of the film, giving him a neo-noir detective vibe, but the tuxedo with burgundy lapels is the worst tux of the series and the turtleneck suit combo in orange and brown he wears later on is equally unsightly. DAF is the only Connery film where he doesn't seem consistently well dressed, but you also get the feeling that the suits in the film are trying to say something instead of being accidentally horrendous in style. Who knows.
OHMSS's fashions warned us of the changing styles in fashion, and DAF proved it.
I think they were correct to try to take it back to essential conservative Britishness in LALD and let Bond stick out like a sore thumb in obvious contrast (in more ways than one) to most of the cast.
Yes, you can see the intention down to Wint & Kidd's wacky wardrobes.
And you're right, in LALD Bond had to stand out in a way that was beyond his fashion. Those Harlem scenes wouldn't have worked if his style was full 70s. The restrained and simple black longcoat was a perfect choice, and one of my favorite looks for Roger's Bond. Seeing a white European in a heavily black borough was enough of a striking image.
Too bad because I really love Sophie Marceau.
Actually it went up in my rankings last viewing to #9 and TND plummeted....weird..
I can see that.
Fair enough...TB is an adult film over YOLT which is more simplistic..
Along with one of Barry's best scores, we're treated to some of the series best cinematography and easily the best set designs in the entire series. The volcano layer is easily the greatest set in all of Bond. Donald Pleasance plays Blofeld with a great low-key menance and Connery coming face to face with him for the first time might be one of my favorite reveals in the franchise.
Although I will say that Thunderball also has one of my favorite scenes in the series when Bond escapes from capture and then eliminates Volpe on the dance floor. "Can you watch my friend? She's just dead!"