Controversial opinions about Bond films

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  • NickTwentyTwoNickTwentyTwo Vancouver, BC, Canada
    Posts: 7,546
    OT: The Wedding is one of the best songs in the franchise
  • j_w_pepperj_w_pepper Born on the bayou, but I now hear a new dog barkin'
    Posts: 9,026
    j_w_pepper wrote: »
    Can someone please enlighten me what (Twitter) SJW is supposed to mean? I don't have any idea. Disclaimer: I don't have a Twitter account since I refuse to be in the same club as Donald Trump, so I may not understand some of the technicalities.

    Social Justice Warrior, a derogatory term used against someone who fights for social justice.
    Thanks, really appreciate it.
  • suavejmfsuavejmf Harrogate, North Yorkshire, England
    edited October 2020 Posts: 5,131
    Controversial opinion.

    I much prefer QoS to SF and SP. The tone, score, stunts and Craig’s performance is much better.

    The Craig era film order mirrors the film quality. From the amazing Casino Royale, to the great QoS, to the overrated SF and finishing with the disappointing SP.

    Will NTTD change this.....
  • NickTwentyTwoNickTwentyTwo Vancouver, BC, Canada
    Posts: 7,546
    Lots of love for QoS. It was the film I chose to watch on International James Bond Day.
  • Creasy47Creasy47 In Cuba with Natalya.Moderator
    Posts: 40,968
    suavejmf wrote: »
    Controversial opinion.

    I much prefer QoS to SF and SP. The tone, score, stunts and Craig’s performance is much better.

    The Craig era film order mirrors the film quality. From the amazing Casino Royale, to the great QoS, to the overrated SF and finishing with the disappointing SP.

    Will NTTD change this.....

    Off of this, to make it even more controversial: QoS is the best of the Craig era (for me, at least, and I suspect I'm likely alone in that assessment).
  • Last_Rat_StandingLast_Rat_Standing Long Neck Ice Cold Beer Never Broke My Heart
    Posts: 4,584
    Creasy47 wrote: »
    suavejmf wrote: »
    Controversial opinion.

    I much prefer QoS to SF and SP. The tone, score, stunts and Craig’s performance is much better.

    The Craig era film order mirrors the film quality. From the amazing Casino Royale, to the great QoS, to the overrated SF and finishing with the disappointing SP.

    Will NTTD change this.....

    Off of this, to make it even more controversial: QoS is the best of the Craig era (for me, at least, and I suspect I'm likely alone in that assessment).

    QOS is solid, but CR is the absolute best in the Craig era. No matter how great NTTD ends up being.
  • suavejmfsuavejmf Harrogate, North Yorkshire, England
    Posts: 5,131
    Creasy47 wrote: »
    suavejmf wrote: »
    Controversial opinion.

    I much prefer QoS to SF and SP. The tone, score, stunts and Craig’s performance is much better.

    The Craig era film order mirrors the film quality. From the amazing Casino Royale, to the great QoS, to the overrated SF and finishing with the disappointing SP.

    Will NTTD change this.....

    Off of this, to make it even more controversial: QoS is the best of the Craig era (for me, at least, and I suspect I'm likely alone in that assessment).

    QOS is solid, but CR is the absolute best in the Craig era. No matter how great NTTD ends up being.

    My thoughts exactly. CR is the best Bond film since the 60’s.
  • suavejmfsuavejmf Harrogate, North Yorkshire, England
    edited October 2020 Posts: 5,131
    Creasy47 wrote: »
    suavejmf wrote: »
    Controversial opinion.

    I much prefer QoS to SF and SP. The tone, score, stunts and Craig’s performance is much better.

    The Craig era film order mirrors the film quality. From the amazing Casino Royale, to the great QoS, to the overrated SF and finishing with the disappointing SP.

    Will NTTD change this.....

    Off of this, to make it even more controversial: QoS is the best of the Craig era (for me, at least, and I suspect I'm likely alone in that assessment).

    You’ve taken that too far now! ;)

    The pre-title sequence car chase is perfection though.
  • Creasy47Creasy47 In Cuba with Natalya.Moderator
    Posts: 40,968
    suavejmf wrote: »
    Creasy47 wrote: »
    suavejmf wrote: »
    Controversial opinion.

    I much prefer QoS to SF and SP. The tone, score, stunts and Craig’s performance is much better.

    The Craig era film order mirrors the film quality. From the amazing Casino Royale, to the great QoS, to the overrated SF and finishing with the disappointing SP.

    Will NTTD change this.....

    Off of this, to make it even more controversial: QoS is the best of the Craig era (for me, at least, and I suspect I'm likely alone in that assessment).

    You’ve taken that too far now! ;)

    The pre-title sequence car chase is perfection though.

    Don't shoot! I just had to make it properly controversial in here.

    Yes, that PTS is sublime and frenetic. I love it.
  • j_w_pepperj_w_pepper Born on the bayou, but I now hear a new dog barkin'
    Posts: 9,026
    QOS, and especially the opening car chase, is best compared to a perfect ribeye steak on the outset that an incompetent butcher (aka editor) unnecessarily pushed through a meat grinder, to leave a mess of incoherent sausage meat neither tasty nor easy to digest. In spite of the mess that is SPECTRE, still definitely the worst of the Craig films. Completely wasted opportunity, and it could have been so much better.
  • NickTwentyTwoNickTwentyTwo Vancouver, BC, Canada
    edited October 2020 Posts: 7,546
    Maybe I'm just a layman but I never had an issue with the editing in QoS, even compared to other Craig films.

    Retrospectively I can see why people might have an issue when it comes to the PTS car chase, even though I still like it a lot. I think bad editing can make a story harder to follow or harder to comprehend what's going on, but I can't say I have that issue with QoS.
  • FatherValentineFatherValentine England
    Posts: 737
    The PTS of QoS is perfect, I agree. The problem isn't the frenetic editing in that scene - because it makes perfect sense in the context of that particular scene. The madness to it is quite beautiful.

    The problem is that they used the same editing for the rest of the film.
  • NickTwentyTwoNickTwentyTwo Vancouver, BC, Canada
    Posts: 7,546
    The PTS of QoS is perfect, I agree. The problem isn't the frenetic editing in that scene - because it makes perfect sense in the context of that particular scene. The madness to it is quite beautiful.

    The problem is that they used the same editing for the rest of the film.

    That's fair enough, though I didn't have that experience watching the film at all.
  • FatherValentineFatherValentine England
    Posts: 737
    Can't tell you how the boat chase ends. He seems to hook onto the chasing boat, and so then aims to pull it behind his own, but we never see the shot where he unhooks the rope so that the chasing boat can fall away.

    If what I have written doesn't make sense, then that goes to show how confused I am by it.
  • LeonardPineLeonardPine The Bar on the Beach
    Posts: 3,996
    suavejmf wrote: »
    Controversial opinion.

    I much prefer QoS to SF and SP. The tone, score, stunts and Craig’s performance is much better.

    The Craig era film order mirrors the film quality. From the amazing Casino Royale, to the great QoS, to the overrated SF and finishing with the disappointing SP.

    Will NTTD change this.....

    Definitely agree.

    Can't see NTTD changing this. Although I feel it may be better than SP...
  • NickTwentyTwoNickTwentyTwo Vancouver, BC, Canada
    Posts: 7,546
    Can't tell you how the boat chase ends. He seems to hook onto the chasing boat, and so then aims to pull it behind his own, but we never see the shot where he unhooks the rope so that the chasing boat can fall away.

    If what I have written doesn't make sense, then that goes to show how confused I am by it.

    Couldn't tell you off the top of my head either so maybe it did have a negative effect on me! Maybe I'll watch the scene again and see.
  • MakeshiftPythonMakeshiftPython “Baja?!”
    Posts: 8,182
    I've given up trying to determine what exactly happened in that boat chase because it's really not that important to the plot.
  • RichardTheBruceRichardTheBruce I'm motivated by my Duty.
    Posts: 13,787
    I can confirm with certainty that the boat flips.
  • CommanderRossCommanderRoss The bottom of a pitch lake in Eastern Trinidad, place called La Brea
    Posts: 8,253
    Can't tell you how the boat chase ends. He seems to hook onto the chasing boat, and so then aims to pull it behind his own, but we never see the shot where he unhooks the rope so that the chasing boat can fall away.

    If what I have written doesn't make sense, then that goes to show how confused I am by it.

    Couldn't tell you off the top of my head either so maybe it did have a negative effect on me! Maybe I'll watch the scene again and see.

    There's a multi-hundred(?)-page thread on that on these boards and nobody has the definitive answer. It seems the editing was done so sharp the essential part on how it actually hooks on is a mistery, but the theory that holds most ground is that it's an anchor Bond flipped overboard seconds before he hooks the top-end on the top boat.

    Is QoS better than CR? I certainly prefer it over CR, but calling it better is a step too far for me.
  • cwl007cwl007 England
    Posts: 611
    I really like QoS and over the years have got to point where the frenetic editing doesn't bother me like it once did.
    In fact the editing in the car chase and the fight with Mitchell works quite well in allowing us to apprentice the confusion and danger Bond is feeling. Compare the car chase in SP where we are just watching it rather than feeling invested in it, QoS works much better.
    Not controversial, just thought worth saying.
  • MakeshiftPythonMakeshiftPython “Baja?!”
    Posts: 8,182
    I actually prefer the car chase in SP because I can actually watch it. In a lot of ways the chase is a lot more like the kind done in the older Bond movies instead of the more aggressive chases of modern films like Bourne, Fast & Furious, etc. The only difference between the chase in an older movie like DAF and SP is that the chase is scored in the latter.
  • Posts: 1,917
    cwl007 wrote: »
    I really like QoS and over the years have got to point where the frenetic editing doesn't bother me like it once did.
    In fact the editing in the car chase and the fight with Mitchell works quite well in allowing us to apprentice the confusion and danger Bond is feeling. Compare the car chase in SP where we are just watching it rather than feeling invested in it, QoS works much better.
    Not controversial, just thought worth saying.

    I quite agree. What I like about the QoS editing in the action scenes is it reflects the way being in an something like that might be - frentic, non-stop, loud, fast, etc. QoS is a standout in this way, so unlike other films. I can understand it's not for everybody, but I appreciate it for being something different.

    Besides that, it's fun to watch multiple times as it offers new details, at least for me, with subsequent viewings.
  • Posts: 2,917
    Good editing can present a chaotic burst of action in way that stresses its havoc but also makes clear what the essential action of the scene is. A classic example is the free-for-all shootout at the end of The Wild Bunch, which conveys the impression of what it's like to being a massive gunfight, with bullets coming in from everywhere, but without ever losing narrative or spatial coherence. A similar example would be Peter Hunt and John Glen's handling of the fistfights in OHMSS--they convey the impression of chaos but the careful editing is the opposite of chaotic. Less skilled and less imaginative but more naive filmmakers aren't able to convey fast, chaotic action without devolving into incoherence. The car chase in QoS looks more confused and spatially incomprehensible than it would if the viewer was actually behind the wheel--the editing is working to cover up badly filmed action, which isn't the case in the film's better action sequences, such as the scaffold fight.
  • CraigMooreOHMSSCraigMooreOHMSS Dublin, Ireland
    Posts: 8,216
    I don't think the editing in QoS is there for any reason other than that's how Forster wanted it to look. Most of it looks pretty well shot, and it likely would have been presented the same way regardless of how good/bad the coverage was.
  • Posts: 2,917
    We'll have to agree to disagree there. Most of the action was handled by second-unit directors, some of whom were better than others. Forster himself was primarily a dramatic director, which might help explain why there isn't consistency across the action scenes. He might have know how something should look, but not how it should move. With the car chase, it looks to me that the editors are aping the Greengrass/Bourne style to pump up footage that doesn't otherwise have much kinetic charge, unlike the later fight on the scaffold, which is kept to a tighter space and benefits from it.
  • MakeshiftPythonMakeshiftPython “Baja?!”
    Posts: 8,182
    Given that the second unit director did the Greengrass Bourne films, it’s pretty obvious that they were trying to ape the Bourne style. Rather badly at it too. The Greengrass Bourne films are frantic and chaotic, but I never got confused over what was going on unlike with QOS.
  • CommanderRossCommanderRoss The bottom of a pitch lake in Eastern Trinidad, place called La Brea
    Posts: 8,253
    Forster himself has stated he was aiming for a chaotic start, as it mirrors Bond's state of mind after Vesper's death. Personally I think it works really well. Admittedly the first time it was a bit much, in the cinema where the big screen makes it even more difficult to see what's going on, but for me QoS is even my go-to-film especially for the start. When my head is full and chaotic, that chase, and the very fitting music, can sweep me up and get me going agian, just as much as it gets Bond back on his feet. I love the sudden quiet when he gets out the car en it is revealed White was in the back all along.
    Bond gets some information in the interrogation (i.e. MI6 is infiltrated) and it shows him how powerful the opponent is. He has a target again and thus the ensuing fight (scaffold fight) should be more lean and clear: Bond now has a target, a purpose. Things that he seemde to loose after Vesper's death. That is what Mathis referres to when tey're on theri way when Bond downs six 'Vespers'.
  • FatherValentineFatherValentine England
    Posts: 737
    Forster himself has stated he was aiming for a chaotic start, as it mirrors Bond's state of mind after Vesper's death. Personally I think it works really well. Admittedly the first time it was a bit much, in the cinema where the big screen makes it even more difficult to see what's going on, but for me QoS is even my go-to-film especially for the start. When my head is full and chaotic, that chase, and the very fitting music, can sweep me up and get me going agian, just as much as it gets Bond back on his feet. I love the sudden quiet when he gets out the car en it is revealed White was in the back all along.
    Bond gets some information in the interrogation (i.e. MI6 is infiltrated) and it shows him how powerful the opponent is. He has a target again and thus the ensuing fight (scaffold fight) should be more lean and clear: Bond now has a target, a purpose. Things that he seemde to loose after Vesper's death. That is what Mathis referres to when tey're on theri way when Bond downs six 'Vespers'.

    I think a more accurate way of putting it is this;

    Bond's mind was fine after Vesper's death. He had come to terms with it, moved on, and announced it with his 'Bond...James Bond' line at the end of CR. Beautiful stuff.

    Then for some ungodly reason they decided to spin it all out again and have him mopping about for the whole film.

    If they Bond, James Bond line had come at the end of QoS it would have made more sense. 'I never left...' just does not cut it.

    QoS might be a decent film, and well made. But it is a god awful Bond movie because it doesn't even stand alone as a plot. It relates too much to the film that had gone before, and references events and characters and organisations that you presume will feature in future films that end up never getting made.

    It is a shocking misstep of a Bond movie and a blight on the franchise.

    And this is despite it having a great start and song, and DC's best performance.
  • Posts: 7,415
    Forster himself has stated he was aiming for a chaotic start, as it mirrors Bond's state of mind after Vesper's death. Personally I think it works really well. Admittedly the first time it was a bit much, in the cinema where the big screen makes it even more difficult to see what's going on, but for me QoS is even my go-to-film especially for the start. When my head is full and chaotic, that chase, and the very fitting music, can sweep me up and get me going agian, just as much as it gets Bond back on his feet. I love the sudden quiet when he gets out the car en it is revealed White was in the back all along.
    Bond gets some information in the interrogation (i.e. MI6 is infiltrated) and it shows him how powerful the opponent is. He has a target again and thus the ensuing fight (scaffold fight) should be more lean and clear: Bond now has a target, a purpose. Things that he seemde to loose after Vesper's death. That is what Mathis referres to when tey're on theri way when Bond downs six 'Vespers'.

    I think a more accurate way of putting it is this;

    Bond's mind was fine after Vesper's death. He had come to terms with it, moved on, and announced it with his 'Bond...James Bond' line at the end of CR. Beautiful stuff.

    Then for some ungodly reason they decided to spin it all out again and have him mopping about for the whole film.

    If they Bond, James Bond line had come at the end of QoS it would have made more sense. 'I never left...' just does not cut it.

    QoS might be a decent film, and well made. But it is a god awful Bond movie because it doesn't even stand alone as a plot. It relates too much to the film that had gone before, and references events and characters and organisations that you presume will feature in future films that end up never getting made.

    It is a shocking misstep of a Bond movie and a blight on the franchise.

    And this is despite it having a great start and song, and DC's best performance.

    A blight on the franchise?
    I could understand you saying that about DAD but certainly not QOS. Way too much good stuff in it.
    Better than CR. There I am conflicted, adore CR, but QOS is certainly nipping at its heels.
  • FatherValentineFatherValentine England
    Posts: 737
    Only thing that protects DAD from that charge is if casual fans catch it on the TV they don't have to know the preceding film, and it makes sense because it sticks within its own parameters. Regardless of its drawbacks. It's just a crap Bond film, not one that destabilises the series.

    QoS isn't a blight on the franchise because it is badly made, but because it made little sense in terms of the evolution of the character.

    Had they removed most of the Vesper references, and completely gotten rid of the Corinne ending etc, and just stuck to Bond hunting down Quantum it might have worked. They could have kept the tone and everything else.

    As it stands it is a stop gap Bond film. It resembles episode 2 of a TV series. Not important enough to stand on its own. As a sequel to CR is is rubbish because it is smaller in scale, and as a lead in to SF it is rubbish because all the story threads were subsequently dropped.
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